Showing posts with label winner. Show all posts
Showing posts with label winner. Show all posts

Friday, April 14, 2023

Joyland: A Cinematic Rejoice from Pakistan

By José Alberto Hermosillo


“Joyland” is a poignant allegory of love, despair, and melancholy—an achievement in Pakistani cinema.


“Joyland” challenges consciences on many levels, serving as both a powerful coming-of-age story and a reflection of a society that denies essential rights, such as inclusion, free speech, and equal opportunities for everyone, including those who think outside the box. In life, we often generalize and stereotype others, but instead, we should analyze and evaluate each person as a vital part of the community.


The film focuses on Haider Rana (Ali Junejo) and his conservative family. He lives with his wife, Mumtaz (Rasti Farooq), his father, mother, and his older brother’s family in Lahore, Pakistan.


Haider is an unemployed, hardworking, and shy man who lands a job as a backup dancer in a Bollywood-style burlesque show. Soon, the helpful and naïve man falls for Biba (Alina Khan), a sparkling trans woman who hosts a show at a nearby theater. As circumstances grow more complicated, Haider must navigate his double life carefully.



Biba shares a simple but meaningful joke with Haider: “The chicken and the mosquito shared a kiss. Then, the mosquito died of bird flu... the chicken died of dengue.” She then explains: “Because falling in love means death.” The joke highlights two main, opposing characters: the religious married man and the openly gay transgender person seeking freedom in a conservative society with strict laws.

 

The vibrant production centers on three distinct and memorable characters: Haider, Mumtaz, and Biba.


For Haider, his family is as crucial as the show’s success. He takes Biba’s safety seriously and cares about his family’s well-being, but balancing everything in real life isn’t easy.


Mumtaz is emotionally fragile. She wants to be pregnant but doubts her husband’s job because of his frequent absences.



Biba’s multidimensional character is neither sugar-coated nor does she pretend to be cute. She is an energetic, confident, and trustworthy trans woman who aspires to emigrate to Germany. Her honesty causes her to reject those who care for her, including Haider. Alina Khan’s performance is as impressive as Daniela Vega’s in the award-winning Chilean film “A Fantastic Woman.”


What is more remarkable about this moving production is that, despite featuring extraordinary actors, it was their first experience acting in films.


 Saim Sadiq, "Joyland." Photo by José Alberto Hermosillo. Copyright © FestivalinLA

First-time writer-director Saim Sadiq describes “Joyland” as a deeply personal project because he comes from a diverse, middle-class family that is also trying to climb the social ladder, much like the characters in his film. Still, he has to recognize that people in Pakistan live in a patriarchal society that imposes limits on progress, love, and desires.

 

Director Saim Sadiq created an honest and balanced script that consistently emphasizes the “trans” theme and social conflict, building a strong dramatic arc and an open ending. Politically, Saim acknowledges the influence of the extreme right wing in his country and admits that his work will likely upset many. He mentioned that after screening his controversial film in Pakistan, he didn’t expect everyone to stay and applaud. Still, he hoped his film would inspire people to enjoy it, reflect on it, and continue thinking about it.



The highly acclaimed Pakistani film transcends barriers of freedom and acceptance.


It won the Jury Award at Un Certain Regard, Cannes 2022. It also received Best International Film at the Independent Spirit Awards 2023 and Best Artistic Contribution at the Cairo International Film Festival in Egypt. The celebrated movie earned Best Ensemble at the Bangkok Film Festival and the Audience Award at the Valladolid International Film Festival in Spain.


“Joyland” was Pakistan’s submission for Best International Feature Film at the 95th Academy Awards and was one of the fifteen films shortlisted.

 

The unexpected twists of “Joyland” take us to places we’ve never experienced before. The film’s vibrant urban settings, colors, and textures, combined with compelling storytelling, elevate the cinematic experience and draw viewers into the story.


More importantly, it is crucial to highlight the vibrant Pakistani youth who work hard and aspire to explore new horizons beyond their family’s boundaries, free from social restraints.


In “Joyland,” every character genuinely seeks acceptance, love, and respect, while audiences witness the struggle, beauty, and diversity of Pakistani society and other communities worldwide.

JOYLAND | OFFICIAL TRAILER

Violette: When Women Dare to Write  

IF YOU ARE READING FROM A MOBILE DEVICE, CLICK: View web version FOR OTHER COOL FEATURES SUCH AS TRANSLATE POWERED BY GOOGLE, AN INTERACTIVE FILM FESTIVAL CALENDAR, AND MORE AWESOME ARTICLES.

Festival in LA ©2023

Wednesday, June 8, 2022

Laura Pausini: Pleased to Meet You, Recounts the Life of the Italian Megastar Gracefully

By José Alberto Hermosillo


Intimate, emotional, and personal, the new documentary about the beloved Italian singer Laura Usini features extensive unseen footage. A total crowd-pleaser!

 

The documentary is narrated by the singer herself in the first person. The film presents Laura Usini as a strong woman with solid family values, deeply bonded to her loved ones. The feature emphasizes the Italian star’s international presence and the risks she took to achieve lasting glory in the music industry.

 
 
The non-linear project starts with Laura Pausini winning the Golden Globe for Best Original Song, “Io si/Seen,” from the 2021 picture “The Life Ahead/La vita davanti a sé.” The song was composed by Diane Warren, Pausini, and Niccolo Agliardi, a thirteen-time Oscar nominee. The emotions for the entire Pausini family continue, with some of them in Italy and Laura in Los Angeles, where she received her first Oscar nomination.

The daughter of an extraordinary musician and songwriter, Pausini’s musical career began on a fateful day when she missed her train to school. While studying ceramics at the Art Institute of Romagna, she became inspired to write a song about missing the train. At eighteen, she was invited to participate in the Sanremo Italian Song Festival; she became the youngest contestant to win the competition in 1993.

Greatness and fame came suddenly for the talented Italian teen. She subsequently had the opportunity to sing alongside some of the most significant Italian singers, including Luciano Pavarotti, Andrea Bocelli, and Eros Ramazzotti.
 
“Solitude/The Loneliness” was one of her first international hits. Her first tour was
  Holland, Belgium, and Germany.
 
As her music has allowed her to travel the world, Pausini is familiar with many cultures, yet feels closer to Latin American culture. She started singing in Spanish at 19 and traveled to Argentina, Chile, Brazil, and Mexico multiple times, developing a special closeness to Latin people. Her first hit in Spanish was “Se fué/He’s Gone.”
 
After the talented Paolo Carta came into her life, they became family. He had four children from his previous marriage. Laura loves all of them equally, and for a long time she longed for children of her own, yet it wasn’t until 2013 that she realized her long-cherished dream of motherhood.

Pausini frequently asks herself what she would be doing, other than singing, if she had not won at Sanremo, and muses that she might have become a housewife or an architect. She couldn’t imagine other than a singer - there was no plan B.

Based on an idea of her own, the documentary adopted a non-chronological approach, connecting Pausini’s present-day lifestyle perfectly with her Italian roots. The project also presents Laura Pausini as a trooper, a combative warrior who never gives up, and a sensitive woman full of that special tenderness that characterizes her, always remaining humbly grounded to her culture, family, fans, and close ones.

The narrative showcases the singer as a winning woman who longs for a “normal life.” After so many concerts and tours, Pausini wants to be with her family, friends, and neighbors, just like an average person. 

An important lesson Pausini learned was that music can modify people’s thinking. In this connection, the documentary is subtly underscored by a minimal screening time of some of the greatest hits, including “Tra te il mare/Between You and the Sea” (my favorite), “Vivimi,” “Inolvidable,” and “One More Time.”

For more than thirty years of a successful career, Pausini’s maturity helped her begin producing her own records. Her first Grammy came with “Listen.” Instead of basking in the winner’s joy, Pausini sinks into the despair of her loneliness. Alone at the hotel on that glamorous night, she orders a hamburger. The waiter brought her a bottle of champagne, and the two drank to her accomplishment. Subsequently, Laura won four Latin Grammy Awards.

“Laura Pausini: Pleased to Meet You” focuses exclusively on Pausini’s point of view and provides the viewer with a limited vision of her story without reaching out to other people in the industry—managers, colleagues, song producers, and others who may see the world around her differently.

In terms of editing and breadth of information, the documentary directed by Ivan Cotroneo (“One Kiss,” “Kryptonite!”), Is an emotional roller coaster appealing to the vast majority of viewers? Nevertheless, it doesn’t achieve the mastery of other award-winning music documentaries that focus on women singers. For instance, Asif Kapadia’s “Amy” on the life and career of British singer/songwriter Amy Winehouse; Rob Epstein and Jeffrey Friedman’s “Linda Ronstadt: The Sound of My Voice” on the tragic life of the Mexican-American legend; or R. J. Cutler’s “Billie Eilish: The World’s a Little Blurry” a film on the teen sensation who took the world b  storm. However, the Italian singer’s charm is sure to please everyone, even if we don’t speak Italian.

Now streaming on Prime Video, “Laura Pausini: Pleased to Meet You” invites American audiences to get to know one of Italy’s most famous singers, a charismatic woman with a prodigious voice who has conquered it all, including herself.

Film critic José Alberto Hermosillo and Italian singer Laura Pausini at a Christmas autograph signing in Los Angeles. FestivalinLA ©2016.

Related Articles:

Saturday, September 11, 2021

WOMEN RULED AT VENICE FILM FESTIVAL 2021

By José Alberto Hermosillo

With a landslide of awards, women auteurs took the hefty prizes of Venice Film Festival 2021. 

Jury’s President Bong Joon-ho (“Parasite”) announced that by unanimous decision, the Golden Lion award went to the French woman director Andrey Diwan for her well-crafted and controversial film “Happening/L'événement.” The film is set in 1963, tackles the story of a woman going through an abortion experience in France while the procedure was still illegal. 

Golden Lion winner film “Happening/ L'événement.”

Best Director award went to Jane Campion, the first female director who won Best Picture or Palme d’Or in Cannes for “The Piano,” in 1992. In her speech, Campion mentioned her gratitude to the people of New Zealand for helping under challenging times during the pandemic in the making of the highly praised “The Power of the Dog.” The modern Western is a strong candidate to be nominated for Best Picture for the Oscars, 2022.

The Copa Volpi for Best Actress went to Penélope Crúz for “Parallel Mothers/Madres paralelas.” This film marks Crúz's most recent collaboration with Pedro Almodovar. The story of two single mothers giving birth ignites the dialogue on motherhood, women’s repression during the Spanish dictatorship, and above all, survival.

Another big revelation of the night was the distinction to the American actress/writer/director Maggie Gyllenhaal (“Crazy Heart,” “The Dark Knight,”), who won for Best Screenplay for her film “The Lost Daughter.”


In the parallel section, Orizzonti Awards, women took center stage, winning the top prize Laurvnas Bareisa for the film “Pilgrims.” The suspenseful movie made in Lithuania talks about two women witnessing a gruesome crime. 

Roberto Benigni wins the Lifetime Achievement at Venice 2021

The Lifetime Achievement went to the legendary Italian performer, writer, and director Roberto Benigni, who won an Oscar for “Life is Beautiful.” He also worked in both of the live-action Italian versions of "Pinocchio." In 2002, he directed and played Pinocchio, and in 2019, directed by Matteo Garrone, Benigni is Geppetto.

Many of these award-winning films can capitalize their prizes in an early campaign running for the Oscars 2022 .

THE VENICE FILM FESTIVAL 2021 AWARDS:


Golden Lion for Best Film: “Happening,” Audrey Diwan

Grand Jury Prize: “The Hand of God,” Paolo Sorrentino

Best Director: “The Power of the Dog,” Jane Campion

Best Actress: “Parallel Mothers,” Penélope Cruz

Best Actor: “On the Job: The Missing 8,” John Arcilla

Best Screenplay: “The Lost Daughter,” Maggie Gyllenhaal

Special Jury Prize: “Il Buco,” Michelangelo Frammartino

 

Marcello Mastroianni Award, Best Young Actor: “The Hand of God,” Filippo Scotti.


ORIZZONTI AWARDS

 


Best Film: “Pilgrims/Il paradiso del pavone,” Laurynas Bareisa

Best Director: “Full Time,” Eric Gravel

Special Jury Prize: “El Gran Movimiento,” Kiro Russo

Best Actress: “Full Time,” Laure Calamy

Best Actor: “White Building,” Piseth Chhun

Best Screenplay: “107 Mothers,” Ivan Ostrochovský, Peter Kerekes

Best Short Film: “Los Huesos,” Cristóbal León, Joaquín Cociña

 

Best actor, Piseth Chhun, "White Building," Cambodia

LUIGI DE LAURENTIIS AWARD

Best First Feature: “Imaculat,” Monica Stan, George Chiper-Lillemark

 

VENICE VR EXPANDED AWARDS

Grand Jury Prize for Best VR Work: “Goliath: Playing With Reality,” Barry Gene Murphy, May Abdalla

Best VR Experience: “Le Bal de Paris de Blanca Li,” Blanca Li
Best VR Story: 
“End of Night,” David Adler

 

Armani Beauty Audience Award: “The Blind Man Who Did Not Want to See Titanic,” by Teemu Nikki.

Penelope Cruz winning Best Actress at Venice 2021

Paolo Sorrentino Jury Prize winner, Venice Film Festival, THE HAND OF GOD/È stata la mano di Dio. Film critic Jose Alberto Hermosillo www.FestivalinLA.com.
 
Related Articles:  

IF YOU ARE READING FROM A MOBILE DEVICE, CLICK: view web version FOR OTHER COOL FEATURES SUCH AS TRANSLATE POWERED BY GOOGLE, AN INTERACTIVE FILM FESTIVAL CALENDAR, AND MORE AWESOME ARTICLES.

 Festival in LA © 2021