Showing posts with label Oscars 2020. Show all posts
Showing posts with label Oscars 2020. Show all posts

Wednesday, June 8, 2022

Laura Pausini: Pleased to Meet You, Recounts the Life of the Italian Megastar Gracefully

By José Alberto Hermosillo

The new documentary on the life of the Italian singer Laura Pausini is an intimate, emotional, and personal portrayal—with much-unseen footage. It’s a total crowd-pleaser!

The documentary is narrated in the first person by the singer herself. The journal presents Laura Pausini as a strong woman with solid family values deeply bonded to her loved ones. The feature emphasizes the Italian star’s international presence and the risks she took to attain everlasting glory in the music industry.
 
 
The non-linear project starts with Laura Pausini winning the Golden Globe for Best Original Song, “Io si/Seen,” from the 2021 picture “The Life Ahead/La vita davanti a sé.” The thirteen-time Oscar nominee Diane Warren, Pausini, and Niccolo Agliardi composed the song. The emotions for the entire Pausini family continue, some of them in Italy, Laura in Los Angeles with her first Oscar nomination.

The daughter of an extraordinary musician and song composer, Pausini’s musical origins began on a fateful day when she missed her train to school. While studying ceramics at the Art Institute Romagna, she became inspired to write a song about missing the train. At eighteen, she was invited to participate in the Sanremo Italian Song Festival; she became the youngest contestant to win the competition in 1993.

Greatness and fame came suddenly for the talented Italian teen. She subsequently took the opportunity to sing with the most significant Italian singers, such as Luciano Pavarotti, Andrea Bocelli, and Eros Ramazzotti.
 
“Solitude/The Loneliness” was one of her first international hits. Her first tour was
  Holland, Belgium, and Germany.
 
As her music has allowed her to travel the world, Pausini is familiar with many cultures yet feels closer to Latin American culture. She started singing Spanish at nineteen and traveled to Argentina, Chile, Brazil, and Mexico multiple times, developing a special closeness to the Latin people. Her first hit in Spanish was “Se fué/He’s Gone.”
 
After the talented Paolo Carta came into her life, they became family. He had four children from his previous marriage. Laura loves all of them the same, and for a long time, she longed for children of her own, yet it took time to accomplish the long-cherished dream of motherhood until 2013.

Pausini frequently asks herself what she would be doing other than singing if she had not won at Sanremo and muses that she may have become a housewife or architect. She couldn’t imagine other than a singer - there was no plan B.

Based on an idea of her own, the documentary adopted a non-chronological approach, connecting Pausini’s lifestyle in the present day perfectly with her Italian roots. The project also presents Laura Pausini as a trooper, a combative warrior who never gives up, and a sensitive woman full of that special tenderness that characterizes her - always remaining humbly grounded to her culture, family, fans, and close ones.

The narrative showcases the singer as a winning woman who longs for a “normal life.” After so many concerts and tours, Pausini wants to be with her family, friends, and neighbors, just like an average person. 

An important lesson Pausini learned was that music can modify people’s thinking. In this connection, the documentary is subtly underscored, with a minimal amount of screening time of some of the greatest hits, including “Tra te il mare/Between You and the Sea” (my favorite), “Vivimi,” “Inolvidable” and “One More Time.”

For more than thirty years of a successful career, Pausini’s maturity helped her begin producing her records. Her first Grammy came with “Listen.” Instead of basking in the winner’s joy, Pausini sinks into the despair of her loneliness. Alone at the hotel on that glamorous night, she orders a hamburger. The waiter brings her a bottle of champagne, and the two drank to her accomplishment. Subsequently, Laura won four Latin Grammy Awards.

“Laura Pausini: Pleased to Meet You” focuses exclusively on Pausini’s point of view and provides the viewer with a limited vision of her story without reaching out to other people in the industry—managers, colleagues, song producers, and others who may see the world around her differently.

In terms of editing and breadth of information, the documentary directed by Ivan Cotroneo (“One Kiss,” “Kryptonite!”), Is an emotional roller coaster appealing to the vast majority of viewers? Nevertheless, it doesn’t attain the mastery of other award-winning music documentaries that focus on women singers. For instance, Asif Kapadia’s “Amy” on the life and career of British singer/songwriter Amy Winehouse; Rob Epstein and Jeffrey Friedman’s “Linda Ronstadt: The Sound of My Voice” on the tragic life of the Mexican-American legend; or R. J. Cutler’s “Billie Eilish: The World’s a Little Blurry” a film on the teen sensation who took the world by storm. However, the charm of the Italian singer is sure to please everyone, even if we don’t speak Italian.

Streaming now on Prime Video, “Laura Pausini: Pleased to Meet You” invites American audiences to get to know one of Italy’s most famous singers, a charismatic woman with a prodigious voice who has conquered it all, including herself.

Laura Pausini: Pleased to Meet You trailer

Film critic Jose Alberto Hermosillo and Italian singer Laura Pausini at a Christmas autograph signing in Los Angeles. FestivalinLA ©2016.

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Monday, June 1, 2020

The Painted Bird: In the Dawn of the Holocaust

By José Alberto Hermosillo

“The Painted Bird” is a monumental achievement and a remarkable cinematic experience—an epic journey of hope and despair. It is one of the best movies about the Holocaust ever made. It is simply marvelous!

 

“The Painted Bird” is a war-survival film that depicts the brutality inflicted on an innocent soul amid the bleak and dark destruction at the start of WWII.


The Painted Bird, still courtesy of IFC Films

“The Painted Bird” surprised audiences at festivals worldwide. Spectators who stayed in the theater appreciated its stunning and pristine 35mm black-and-white cinematography, poetic narrative, and exquisite portrayal of the early life of a vulnerable Jewish boy navigating the dangerous trenches of international conflict.

 

The stark images of child abuse, mutilation, rape, and human cruelty made some attendees walk out at the Venice, Toronto, and Chicago film festivals. Nonetheless, this piece of art was recognized with other prestigious awards, such as the Czech Lion for Best Picture and the UNICEF Award at the Venice Film Festival.

 

Set in several rural Eastern European locations, the intense three-hour Czech production is divided into nine suffocating chapters. Each segment is named after every adult who crosses the torturous path of this nameless six-year-old boy – Marta, Olga, Labina, Mitka, Miller, Priest & Garbos, and others. These troublesome and unruly peasants serve as guardians of the young boy’s faith.

 

Newcomer Petr Kotlar plays young Kotlar, who, without hesitation, carries the entire story with remarkable confidence.  


The Painted Bird, still courtesy of IFC Films


The boy’s journey starts with a powerful opening - a bullying scene where the villagers’ children burn his pet alive. When his Jewish father was escaping from the Germans, the family spread out - leaving the boy in the custody of a blind older woman. The matron’s sudden death preludes the poor boy’s martyrdom.


In the boy’s odyssey, each stop is a difficult encounter with oppression, abuse, severe physical pain, domestic violence, and sexual assault. 

To survive in a harsh world, the boy’s extraordinary mind enhances his power of observation. His resilience relies on his capacity to stay silent, just an observer of his own life.

The film was skillfully shot in chronological order over two years. This heroic love story allows viewers to see the boy’s natural growth, maturity, and development during his challenging journey.


The Painted Bird, still courtesy of IFC Films

The universality of “The Painted Bird” lies in its honest portrayal of religion that connects to all beliefs—including Judaism, Catholicism, Protestantism, and Atheism. In the film, faith correlates with Fascism from Nazi Germany and Soviet Communism from the former USSR. These political ideologies gambled with the lives of millions in Central Europe during the war.

 

The language spoken in the movie is ‘Interslavic’ or ‘Interslavic Esperanto,’ an international language used in several Eastern European countries, including Poland, Germany, and Russia.

 

Written by best-selling, award-winning author Jerzy Kosinski, the book was published in the United States in 1965. The story’s provocative subject matter leaves a haunting, lasting impression of discomfort on readers.

Initially, the writer hoped to have the most renowned international film directors of that era, such as Federico Fellini or Luis Buñuel, direct the adaptation of his literary work to the big screen, but the project never came to fruition.


Václav Marhoul, director of The Painted Bird. Photo: José Alberto Hermosillo, Festival in LA ©2019

It was only after Kosinski’s death by apparent suicide at age fifty-seven that Czech director Václav Marhoul visited a secluded Jewish community in Chicago to acquire the rights to the novel, which is considered a significant literary work about the Holocaust, comparable to Anne Frank: “The Diary of a Young Girl.”

 

Written in Manhattan, Kosinski based his personal story on his experiences in Poland. Due to the project's controversial content, the northern European country sought to distance itself from it. The director depicted the child’s journey south of the Polish border without naming a specific country, language, or even the boy’s name or surname.


The Painted Bird, still courtesy of IFC Films
The Painted Bird, still courtesy of IFC Films


Instead of focusing on the series of disgusting images, viewers should see the movie as a relevant document showing how low humanity can go under extreme circumstances.

 

For grown-up men and women suffering the horrors of war, the boy could be seen as an adult and perhaps as one of their own. They were protective and, at the same time, predatory. Humans tend to hurt what they love most and corrupt innocence with profane intentions and lower instincts, which is human nature. 


The Painted Bird, Hollywood reception. Photo: José Alberto Hermosillo, Festival in LA ©2019

Marhoul revealed at a small gathering in Hollywood that it took him ten years to create his ambitious project, including a whole year to secure the author’s rights. He hopes his film will stay in viewers’ minds and hearts for quite some time. It will because this film is extraordinary. The director’s style is thoroughly academic, and his honesty impeccable—comparable to Agnieszka Holland’s powerful Holocaust film “Europe Europe.”


Symbolically, Catholics may interpret the boy’s journey as a struggle through the Seven Deadly Sins (Pride, Envy, Gluttony, Lust, Anger, Greed, and Sloth). The phrase “An eye for an eye, and a tooth for a tooth” appears frequently within each chapter. The film’s complexity accurately portrays a boy’s innocent life, the cruelty of his environment, and the historical events that surround him.


“The Painted Bird” is a film I could never forget for its originality and breathtaking images of agony and hope.


The Painted Bird Q&A. Photo: José Alberto Hermosillo, Festival in LA ©2019

“The Painted Bird” is one of the year’s most acclaimed films. As a result, the Czech Republic selected this remarkable production as its entry for Best International Feature Film at the Oscars. Later, the Academy named this drama among the top ten semifinalists.


This powerful film vividly portrays the horrors of war, the deceitfulness of human nature, and the physical and psychological harm inflicted on children in extreme circumstances. “The Painted Bird” is an actual work of art about the Holocaust - an exceptional achievement in modern cinema.


The international cast enhances the film’s haunting and heartbreaking impact. Notable actors include Harvey Keitel, Julian Sands, Stellan Skarsgård, Barry Pepper, Udo Kier, Nina Sunevic, and Jitka Cvncarová.

 

Viewers can complement this poignant film with other classic Holocaust movies such as “The Sound of Music,” “Schindler’s List,” “A Bag Full of Marbles,” or the satirical “Jojo Rabbit.” However, “The Painted Bird” is a hyper-realistic, provocative, and brief depiction of life in rural Europe at the end of the 1930s, dominated by ignorance, superstition, and poverty.

 

In this story, nothing is intentional; everything is circumstantial. Metaphorically, the title “The Painted Bird” comes from a scene where a bird breeder paints a bird’s feathers and then releases it. After the bird returns, its flock attacks and kills it. In the film, the young boy is that bird, and the paint symbolizes his instinct for survival. Adults represent his flock, willing to do anything to break his spirit.


Václav Marhoul, director of The Painted Bird. Film critic José Alberto Hermosillo, Festival in LA ©2019
Film critic José Alberto Hermosillo, Festival in LA ©2019

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