Showing posts with label Nominations. Show all posts
Showing posts with label Nominations. Show all posts

Thursday, January 23, 2025

The Oscar Nominations 2025

 José Alberto Hermosillo 


Here is the list of the 2025 Nominees:

Best Picture

Anora
The Brutalist
A Complete Unknown
Conclave
Dune: Part Two
Emilia Pérez
I’m Still Here
Nickel Boys
The Substance
Wicked



Directing

Jaques Audiard, Emilia Pérez

Sean Baker, Anora

Brady Corbet, The Brutalist

Coraline Fargeat, The Substance

James Mangold, A Complete Unkown

Actor in a Leading Role

Adrien Brody, The Brutalist
Timothée Chalamet, A Complete Unknown
Colman Domingo, Sing Sing
Ralph Fiennes, Conclave
Sebastian Stan, The Apprentice

Actress in a Leading Role

Cynthia Erivo, Wicked
Karla Sofía Gascón, Emilia Pérez
Mikey Madison, Anora
Demi Moore, The Substance
Fernanda Torres, I’m Still Here

Actor in a Supporting Role

Yura Borisov, Anora
Kieran Culkin, A Real Pain
Edward Norton, A Complete Unknown
Guy Pearce, The Brutalist
Jeremy Strong, The Apprentice

Actress in a Supporting Role

Monica Barbaro, A Complete Unknown
Ariana Grande, Wicked
Felicity Jones, The Brutalist
Isabella Rossellini, Conclave
Zoe Saldaña, Emilia Pérez

Writing (Adapted Screenplay)

A Complete Unknown (Screenplay by James Mangold and Jay Cocks). 
Conclave (Screenplay by Peter Straughan).
Emilia Pérez (Screenplay by Jacques Audiard In collaboration with Thomas Bidegain, Léa Mysius and Nicolas Livecchi). 
Nickel Boys (Screenplay by RaMell Ross & Joslyn Barnes).
Sing Sing (Screenplay by Clint Bentley, Greg Kwedar; Story by Clint Bentley, Greg Kwedar, Clarence Maclin, John “Divine G” Whitfield).

Writing (Original Screenplay)

Anora (Written by Sean Baker).
The Brutalist (Written by Brady Corbet, Mona Fastvold).
A Real Pain (Written by Jesse Eisenberg).
September 5 (Written by Moritz Binder, Tim Fehlbaum; Co-Written by Alex David).
The Substance (Written by Coralie Fargeat).

Animated Feature Film

Flow (Nominees to be determined)
Inside Out 2 (Kelsey Mann and Mark Nielsen)
Memoir of a Snail (Adam Elliot and Liz Kearney)
Wallace & Gromit: Vengeance Most Fowl (Nominees to be determined)
The Wild Robot (Chris Sanders and Jeff Hermann)

Animated Short Film

Beautiful Men (Nicolas Keppens and Brecht Van Elslande)
In the Shadow of the Cypress (Shirin Sohani and Hossein Molayemi)
Magic Candies (Daisuke Nishio and Takashi Washio)
Wander to Wonder (Nina Gantz and Stienette Bosklopper)
Yuck! (Loïc Espuche and Juliette Marquet)

Cinematography

The Brutalist (Lol Crawley)
Dune: Part Two (Greig Fraser)
Emilia Pérez (Paul Guilhaume)
Maria (Ed Lachman)
Nosferatu (Jarin Blaschke)

Costume Design

A Complete Unknown (Arianne Phillips)
Conclave (Lisy Christl)
Gladiator II (Janty Yates and Dave Crossman)
Nosferatu (Linda Muir)
Wicked (Paul Tazewell)

Film Editing

Anora
The Brutalist
Conclave
Emilia Pérez
Wicked

Makeup and Hairstyling

A Different Man
Emilia Pérez
Nosferatu
The Substance
Wicked


Live-Action Short Film

A Lien
Anuja
I’m Not a Robot
The Last Ranger
The Man Who Could Not Remain Silent

Music (Original Score)

The Brutalist
Conclave
Emilia Pérez
Wicked
The Wild Robot

Music (Original Song)

“Never Too Late” from Elton John: Never Too Late
“El Mal” from Emilia Pérez
“Mi Camino” from Emilia Pérez
“Like A Bird” from Sing Sing
“The Journey” from The Six Triple Eight.

Documentary Feature Film

Black Box Diaries
No Other Land
Porcelain War
Soundtrack to a Coup d’Etat
Sugarcane

Documentary Short Film

Death by Numbers
I Am Ready, Warden
Incident
Instruments of a Beating Heart

The Only Girl in the Orchestra

International Feature Film

Brazil, I’m Still Here
Denmark, The Girl With the Needle
France, Emilia Pérez
Germany, The Seed of the Sacred Fig
Latvia, Flow

Production Design

The Brutalist (Production Design: Judy Becker; Set Decoration: Patricia Cuccia)
Conclave (Production Design: Suzie Davies; Set Decoration: Cynthia Sleiter)
Dune: Part Two (Production Design: Patrice Vermette; Set Decoration: Shane Vieau)
Nosferatu (Production Design: Craig Lathrop; Set Decoration: Beatrice Brentnerová)
Wicked (Production Design: Nathan Crowley; Set Decoration: Lee Sandales)


Sound

A Complete Unknown
Dune: Part Two
Emilia Pérez
Wicked
The Wild Robot

Visual Effects

Alien: Romulus
Better Man
Dune: Part Two
Kingdom of the Planet of the Apes
Wicked

Film critic José Alberto Hermosillo www.FestivalinLA.com

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Wednesday, June 8, 2022

Laura Pausini: Pleased to Meet You, Recounts the Life of the Italian Megastar Gracefully

By José Alberto Hermosillo

The new documentary on the life of the Italian singer Laura Pausini is an intimate, emotional, and personal portrayal—with much-unseen footage. It’s a total crowd-pleaser!

The documentary is narrated in the first person by the singer herself. The journal presents Laura Pausini as a strong woman with solid family values deeply bonded to her loved ones. The feature emphasizes the Italian star’s international presence and the risks she took to attain everlasting glory in the music industry.
 
 
The non-linear project starts with Laura Pausini winning the Golden Globe for Best Original Song, “Io si/Seen,” from the 2021 picture “The Life Ahead/La vita davanti a sé.” The thirteen-time Oscar nominee Diane Warren, Pausini, and Niccolo Agliardi composed the song. The emotions for the entire Pausini family continue, some of them in Italy, Laura in Los Angeles with her first Oscar nomination.

The daughter of an extraordinary musician and song composer, Pausini’s musical origins began on a fateful day when she missed her train to school. While studying ceramics at the Art Institute Romagna, she became inspired to write a song about missing the train. At eighteen, she was invited to participate in the Sanremo Italian Song Festival; she became the youngest contestant to win the competition in 1993.

Greatness and fame came suddenly for the talented Italian teen. She subsequently took the opportunity to sing with the most significant Italian singers, such as Luciano Pavarotti, Andrea Bocelli, and Eros Ramazzotti.
 
“Solitude/The Loneliness” was one of her first international hits. Her first tour was
  Holland, Belgium, and Germany.
 
As her music has allowed her to travel the world, Pausini is familiar with many cultures yet feels closer to Latin American culture. She started singing Spanish at nineteen and traveled to Argentina, Chile, Brazil, and Mexico multiple times, developing a special closeness to the Latin people. Her first hit in Spanish was “Se fué/He’s Gone.”
 
After the talented Paolo Carta came into her life, they became family. He had four children from his previous marriage. Laura loves all of them the same, and for a long time, she longed for children of her own, yet it took time to accomplish the long-cherished dream of motherhood until 2013.

Pausini frequently asks herself what she would be doing other than singing if she had not won at Sanremo and muses that she may have become a housewife or architect. She couldn’t imagine other than a singer - there was no plan B.

Based on an idea of her own, the documentary adopted a non-chronological approach, connecting Pausini’s lifestyle in the present day perfectly with her Italian roots. The project also presents Laura Pausini as a trooper, a combative warrior who never gives up, and a sensitive woman full of that special tenderness that characterizes her - always remaining humbly grounded to her culture, family, fans, and close ones.

The narrative showcases the singer as a winning woman who longs for a “normal life.” After so many concerts and tours, Pausini wants to be with her family, friends, and neighbors, just like an average person. 

An important lesson Pausini learned was that music can modify people’s thinking. In this connection, the documentary is subtly underscored, with a minimal amount of screening time of some of the greatest hits, including “Tra te il mare/Between You and the Sea” (my favorite), “Vivimi,” “Inolvidable” and “One More Time.”

For more than thirty years of a successful career, Pausini’s maturity helped her begin producing her records. Her first Grammy came with “Listen.” Instead of basking in the winner’s joy, Pausini sinks into the despair of her loneliness. Alone at the hotel on that glamorous night, she orders a hamburger. The waiter brings her a bottle of champagne, and the two drank to her accomplishment. Subsequently, Laura won four Latin Grammy Awards.

“Laura Pausini: Pleased to Meet You” focuses exclusively on Pausini’s point of view and provides the viewer with a limited vision of her story without reaching out to other people in the industry—managers, colleagues, song producers, and others who may see the world around her differently.

In terms of editing and breadth of information, the documentary directed by Ivan Cotroneo (“One Kiss,” “Kryptonite!”), Is an emotional roller coaster appealing to the vast majority of viewers? Nevertheless, it doesn’t attain the mastery of other award-winning music documentaries that focus on women singers. For instance, Asif Kapadia’s “Amy” on the life and career of British singer/songwriter Amy Winehouse; Rob Epstein and Jeffrey Friedman’s “Linda Ronstadt: The Sound of My Voice” on the tragic life of the Mexican-American legend; or R. J. Cutler’s “Billie Eilish: The World’s a Little Blurry” a film on the teen sensation who took the world by storm. However, the charm of the Italian singer is sure to please everyone, even if we don’t speak Italian.

Streaming now on Prime Video, “Laura Pausini: Pleased to Meet You” invites American audiences to get to know one of Italy’s most famous singers, a charismatic woman with a prodigious voice who has conquered it all, including herself.

Film critic Jose Alberto Hermosillo and Italian singer Laura Pausini at a Christmas autograph signing in Los Angeles. FestivalinLA ©2016.

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IF YOU ARE READING THIS FROM A MOBILE DEVICE, CLICK: view web version FOR OTHER COOL FEATURES SUCH AS TRANSLATE POWERED BY GOOGLE, THE INTERACTIVE FILM FESTIVAL CALENDAR, AND MORE AWESOME ARTICLES.

Festival in LA © 2022