Wednesday, July 2, 2014

Violette: When Women Dare to Write

By Jose Alberto Hermosillo
Violette poster Courtesy of Adopt Films
“Violette” is a majestic trip into the life of an infatuated woman, who changed the world of literature forever. The insightful biopic of the passionate French writer Violette Leduc is told with elegance, enlightenment, and beauty.

Violette Leduc was bold enough to dare to tell stories about women’s intimate desires in a poetic form at the end of WW II.

As Sor Juana Ines de la Cruz did centuries ago in Mexico, Violette takes her frustrations, complexes, and low self-esteem into her writings. 

Violette was the first woman who dares to write about taboo topics such as sexual experiences with other schoolgirls, masturbation, abortion, and sensuality as no other women had done before with no fear, no pity. 

Her dreams separate from her body - chased by the ghost of her past, feels regrets for the love she couldn't have.

Every rejection is an excuse to evoke the magic of her prose - bursting intense emotions and clear thoughts on her papers.

The captivating artistic film starts with “The ugliness in a woman is a mortal sin. If you are beautiful, you turn heads for your beauty. If you are ugly, you turn heads for your ugliness.” A profound quote that touches audience from the first scene.

A few years have passed after World War II ended. Food and goods are still in high demand. Violette dares to go out to the black market and look for supplies. She and her abusive husband don’t make a happy couple - it was a fixed marriage.

He’s a man with nothing to live for. She is a survivor. He needs a reader. She needs to express herself in writing.

Violette's troubled childhood - the father who abandoned her, her mother neglected her. The elements that made her feel like “bastard” will stand out later in her works.

Desperate for love, she must keep her emotions and memories in writing. 

The poetry sets in motion. First, Violette has to learn to love herself a little.

After the separation from her "husband," in her grimy new place, in Paris, her mother will tell her: “The war is over, and you are still living like you are a thief.”

The first line she wrote was a powerful one: “My mother never held my hand.” It is how her book “In the Prison of her Skin” starts.

Violette is always falling for the wrong men and crazy women. She is obsessed with them, begging for love.
Photo courtesy of Adopt Films
Beautifully shot, the film's polished scenery, locations, interiors, and props are outstanding.

"Violette's" cinematography is minimalist, and it moves accordingly to the character’s emotions:

For example, when Violette is searching for love, everything is dark, grim, obscure, and in detriment. When she writes, everything is full of light with warm colors, open windows, landscapes, trees, flowers, water, and life.

Sometimes, she becomes a mere spectator of her own story, brings back memories that inspired her books. 
Violette. Photo courtesy of Adopt Films
Simone de Beauvoir (Sandrine Kiberlain), the polemic writer who has written a story about a ménage a trois will be the most influential person in Violette's life, her muse, and spiritual love. 

Simone is a hard-core feminist who thinks: “Marriage is an imposition. For most women, it’s slavery.” She adds: “Women will never be free without economic freedom. There is a long way to go.” 

Simone’s rejection will be a major turning point in Violette's story with a pay off later on the film.

The actress, Emmanuelle Devos (“A Christmas Tale,” “Kings & Queen”) does an impeccable performance as poor little Violette. Her character is as obsessive as the painter “Séraphine.” Violette has to learn to write from the pain deep in her soul, and the painter learned to paint from the pain in her body. 

Both extraordinary films about women were made by visionary director Martin Provost. Both have similar emotions and perfect depictions of female characters at different historical times.

“You don’t love me because I am ugly,” Violette says. “Screaming and sobbing won’t get you anywhere; writing will,” Simone replies.

Time passes by, and she is alone, always alone - “C’est moi Violette?” The eroticism in her books will soon find followers and detractors.

Now, thanks to historians and this film, we can remember some of the precursors of the women’s movement of the 1960s.

With women like Violette and Simone, the laws in France (and in other countries) changed, giving to the “second sex” the right to work, drive, take decisions, to be equal, and to be free for the generations to come.

There are several films about female writers that transcend in film history: “Reaching for the Moon,”  “Henry and June,” “Miss Parker and the Vicious Circle,” “My Brilliant Career,” “Gaby: A True Story,” “Becoming Jane,” “Leonie,” “Sylvia,” “Julia,” “Miss Potter,” among others.

What fascinates me more about "Violette" is the character's arc. From her introduction in the beginning, and how much she will grow at the end. She gains confidence and self-respect so subtle that it makes us feel good about it. 

"Violette" is the perfect combination of all the elements that compose an outstanding film – acting, directing, cinematography, writing, music.

The audience raved for “Violette” at the Los Angeles Film Festival to a standing ovation. Now, you must decide if you will reject or let “Violette” seduce you with her life in writing.    
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