By José Alberto Hermosillo
“Undine” is an evocative, poetic, and subtly haunting masterwork from accomplished German director Christian Petzold. His latest piece fluctuates between romance, thriller, and fantasy flawlessly.
The intricate plot submerges the characters’ lives in a rare aquatic world where they evolve into something they do not want to be, internally speaking.
After a difficult breakup, Undine (Paula Beer: “Barbara,” “Frantz,” “Dark Valley,” “Never Look Away”) and Johannes (Jacob Matschenz, “Berlin Babylon” series) never hear from each other again.
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| Undine still courtesy of IFC Films |
Undine enters into an obsessive state of mind. She works as an historian at Berlin’s Urban Development Museum. When she goes to do a lecture, she hopes her ex-lover will remain at the café until she finishes. Otherwise, she will do something regrettable. Nevertheless, her profession gives her confidence. Moreover, her knowledge of Berlin’s history and architectural design surrounded by the Spree River is meaningful to the story.
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| Undine still courtesy of IFC Films |
When Undine comes back, she cannot find Johannes. Instead, she encounters Christoph, played by Franz Rogowski (“Transit,” “Victoria,” and “A Hidden Life”). Undine and Christoph meet in one of the most bizarre first happenstances in cinema history.
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| Undine still courtesy of IFC Films |
The characters’ emotions complement the camera work perfectly.
Paula Beer is pure
energy and joy on the screen. She won the Silver Berlin Bear for Best Actress
for her remarkable performance as Undine. Franz Rogowski realization is tremendous. The prodigious young actor gives his best in every project. A part from winning at the Berlinale, the film won seven international awards, including Best Actress at the European Film Awards, Montclair, and Seville.
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| Undine still courtesy of IFC Films |
Inspired by the novel “Moscow Diary” by German-Jewish philosopher Walter Benjamin, director Christian Petzold (Barbara, Transit) took two years to write “Undine’s” script.
However, first, he had to transcribe
Moscow’s outlook to Berlin – unfolding the novel's legend in three different
periods of the city's history, and using three specific points of Berlin's architectural design. He also had to change
the perspective from the male to the female point-of-view to have the
structure of the film cohesive, and the original poetry more effective.
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| Christian Petzold, German director, "Undine." Photo: José Alberto Hermosillo |
Petzold designed his cinema trilogy based on elements of nature, starting with “Phoenix” which is earth. “Undine” is water. And his next project, “The Lucky Ones” will be fire - starting production in May 2022
Petzold manages the cinematic language to perfection, integrating the knowledge of the city to the fantasy of the story. His previous film, "Transit," is obsessive and the characters more histrionic. "Undine" is more fluid and ethereal, like its main ingredient, water.
The director likes to work building structures, literally speaking. He regrets that Germany does not have a consistent film industry, neither a movie studio nor the machinery to produce movies like Hollywood, but his prolific body of work speaks by itself.
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| Undine still courtesy of IFC Films |
“Undine”
reminds us of other recent European extraordinary romances on the big screen, such
as Jacques Audiard's “Rust and Bone” and the Belgian production “The Broken
Circle Breakdown” by Felix van Groeningen. Other transcendental romances are
the classic Arthur Hiller's "Love Story" or even Claude Lelouch's Oscar-winning
film, “A Man and a Woman.”
“Undine” has a proper flow. It is emotionally even. Its structure has twists
and turns taking us to places with situations hard to predict.
According to the myth, Undine is the betrayed woman of the waters – who lives in a lake in the forest.
The spirit in the water is a referral point that connects all the liquid symbols - the fish tank, the scuba diver, the river, the lake, the rain, the swimming pool, the city, the burning pain, and the love, that dissipates as a fluid.
In “Undine,” the romance overtakes the myth because, without love, we are empty.
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Undine is the betrayed woman?
ReplyDeleteIn the legend, she is. In the film, she is not exactly betrayed. You have to watch the film and find out.
DeleteIt's nostalgia: learning that past events that didn't seem happy were, in fact, happy. Movies https://viooz4k.net teach us that.
ReplyDelete