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| Birdman, poster. Copyright ©2014 Fox |
The existentialist, hypnotic, dark comedy, masterfully directed by Alejandro G. Iñárritu (“Amores Perros,” “Babel”) sets apart from the directors’ recurrent topics: communication, violence, emptiness, immigration, human exploitation, but death. The death is obsessively present in every work done by Iñárritu.
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| Alejandro G. Iñárritu. Photo by José A. Hermosillo. Copyright ©2014 Festival in LA |
Divided into three acts, like in the theater, “Birdman” tells the story of a lonely falling star that years ago, after playing an iconic superhero, made the wrong decisions in Hollywood. Now, the only way to visualize his comeback is by producing, directing, and performing his play on Broadway: “What We Talk About When We Talk About Love.”
The fading fame of the actor, his divorce, age, daughter’s rehab, economic situation, and the lies of other actors made him struggle for survival.
The fading fame of the actor, his divorce, age, daughter’s rehab, economic situation, and the lies of other actors made him struggle for survival.
Broadway is a jungle where everyone devours each other - actors, agents, lawyers, family, public, and critics (do not forget about the critics).
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| Copyright © 2014 Fox |
To have his glorious return to the stage, the starving actor Reagan Thomson played by Michael Keaton (“Batman,” “Speechless”), must be “nice” to everyone including himself. The situations in life will come up pretty rough on him.
“Birdman” is a pendulum that swings from the long discussions to the long silences - the player is always trying to find what really matters in life.
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| Copyright ©2014 Fox |
The strident drum score of Antonio Sanchez is jazzy, rhythmic, and sometimes a “wild mambo.” Towards the end, the drums become dissonant and chaotic, enhancing the story to a total madness with an unexpected resolution.
Director, actors, cameraman, editor, and the sound department have to hit their marks to make the story go flawless. Their moves have to flow with perfection, like the choreography of the Swan Lake.
Let’s not forget the special effects, those come out of nowhere, and they are amazing.
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| Photo by Jose A. Hermosillo. Copyright ©2014 Festival in LA |
Director of photography Emmanuel "Chivo" Lubezki (“Gravity," "A New World," "Tree of Life”) knows his craft and is able to challenge himself by using the same continuous “long takes” as the one he used inside the building of Cuarón’s “Children of Men,” only that in “Birdman” it repeats many times. The Academy Award® winner cinematographer is one of the best of his generation - Chivo is likely to win the Award for the second year in a row.
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| Copyright © 2014 Fox |
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| Copyright © 2014 Fox |
Javier Bardem working with Iñárritu got an Oscar nomination in 2010 for “Biutiful,” and now Keaton is most likely will get an Oscar nomination for his magnificent performance in "Birdman" - He is the front runner to win gold.
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| Copyright ©2014 Festival in LA |
Edward Norton, always controversial, his powerful presence ignites the big screen with fire.
Zach Galifianakis’ performance is the best of his career. Emma Stone is superb, and she represents a new generation of Hollywood great young actors. Everyone is just wonderful.
“Birdman, or (The Unexpected Virtue of Ignorance)” deserves multiple nominations and awards, a simple story in a complex movie that aspires to perfection.
Zach Galifianakis’ performance is the best of his career. Emma Stone is superb, and she represents a new generation of Hollywood great young actors. Everyone is just wonderful.
“Birdman, or (The Unexpected Virtue of Ignorance)” deserves multiple nominations and awards, a simple story in a complex movie that aspires to perfection.
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| Copyright © 2014 Birdman Facebook Page. |
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Copyright © 2014 Festival in LA
Back in October: This year the Oscar© has “Wings.” “The Great Ziegfeld” is back. “Birdman” is “The Artist” of the season and the “Midnight Cowboy” of the millennium.
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