Sunday, January 31, 2021

Two of Us: Juliette & Juliette of Montpellier to The Oscars 2021

 By José Alberto Hermosillo 

http://www.festivalinla.com/2021/01/two-of-us-juliette-juliette-of.html

“Two of Us” is a sublime, evocative, profound, and unforgettable love story. Its mastery goes beyond expectations and prejudices.

When the external beauty is almost gone, the love clings to the lives of loving partners Nina (Barbara Sukowa) and Madeline (Martine Chevallier). Two retirees who live together in separate apartments located in the same building across the hall. The couple's desire is to spend the rest of their lives in a room with a view to the Tiber river in Rome, where they met years ago.

The duo’s plan starts by selling Madeline's place and move to Italy as soon as possible. But first, Madeline has to “come out” to her children. This intimate melodrama turns tormented and passionate when Madeline can’t accomplish her goal and conceals her secret at her birthday party. Madeline's passivity triggers an array of repercussions - betrayal is not forgivable to her children, and it is neither an option for her lover because hiding the truth is still a lie. Resilience is the only ammunition they have to keep their dream alive.

Two of Us ©2020 Magnolia Pictures 

This Shakespearean drama rises to a crescendo when the couple’s right to be together is jeopardized.    

Meticulously crafted, the French production is realistic. It shows roughly how Nina is not “legal” part of Madeline’s family to be accepted at the hospital. The film’s narrative discloses an “untold” legal loophole of institutions where laws don’t recognize same-sex partners as part of the immediate family to visit patients in critical conditions. The 2013 influential documentary “Bridegroom” by Linda Bloodworth-Thomason discloses a similar scenario where domestic partners can’t see the person they love and live with at emergency rooms, even if they are dying. A similar case is presented the the Oscar-winning Chilean film "A Fantastic Woman."

Hard to conceive and reinforcing the social stigma, “Two of Us” is set in a small French Catholic town not easily opened to a lesbian relationship, even though it is now the XXI Century.

The novel Italian director Filippo Meneghetti talked to us at a virtual premiere hosted by Julianne Moore in Los Angeles. He denoted that this, his first film, made in France, had a long maturation process. “Two of Us” is the story of two human beings who want to spend the rest of their lives together. He pointed out that in his movie, real-life is told in the most surprising and painful way. 

Filippo Meneghetti director of Two of Us, Rome. Festival in LA ©2021
Filippo Meneghetti director of Two of Us, Rome. Photo: José A  Hermosillo. Festival in LA ©2021

Years ago, he witnessed a similar situation with two significant persons in his life. They taught him his love for cinema. Therefore, he felt compelled to tell their story as an act of gratitude.

Visiting another friend in Verona, where the “Romero and Juliette” tragedy occurs, Meneghetti saw two widows living in apartments across from each other. When he looked closer, their story clicked with his. A simple metaphor where the doors at the lovers' apartments never close. 

For five years, he worked with his co-writer Malysone Bovorasmy writing the eloquent script. They were always playing with the idea of ambiguity. From the very beginning, Meneghetti wanted to create a different kind of atmosphere where nothing is real, and everything is a reality.

Two of Us ©2020 Magnolia Pictures

In Meneghetti’s story, every character has an agenda. Madeline’s daughter won’t accept her mother’s relationship with another woman. Her son is questioning how faithful his mother was to his dead father. The caregiver needs money badly.  Only the six-year-old grandson looks more tolerant to his grandma’s liaison.

The casting was tricky, he said. When Meneghetti writes, he never has in mind who will play a character. He wanted two opposite and strong, professional actresses for the leads. The cast was a gift from heaven since the troupers' chemistry happens instantaneously. The film was hard to pitch for financing. Who will put money in a movie about two elderly women in love? The shooting took thirty-one days.   

Two of Us ©2020 Magnolia Pictures

The fictional character of Nina Dorn is extraordinarily well-played by German actress Barbara Sukowa (“Hannah Arendt,” “Cradle Will Rock,” “Lola”). At the virtual premiere, Hannah mentioned that she got inspired by Julianne Moore’s performance in “The Kids Are All Right” for her part. Mrs. Sukowa’s performance is fierce, aggressive, and powerful. Her character is a well-traveled tour guide working in Rome.

Madeline Girard, splendidly executed by Martine Chevallier (“Farewell, My Queen,” “Tell No One,” “Blame it on Fidel”), is phenomenal. Her interpretation is stoic and breathtaking. Both actresses compliment each other flawlessly.

Composed by Michele Menini, the soundtrack is astounding and subtle. The music reinforces the actor’s gestures, dialogs and intentions organically. In the most dramatic parts, the instrumental composition is faintly audible. Still enhances the emotions purely, contrasting with the dazzling Italian main melody Chariot” performed by Betty Curtis, which appears in the impassioned opening and ties up at the sudden and thrilling resolution.


“Two of Us” is a fascinating drama co-produced by France, Luxembourg, and Belgium. It was selected as the French entry for Best International Feature Film at the 93rd Academy Awards. Filippo Meneghetti mentioned that representing France at the Oscars is an honor, mostly because his movie is a work of love and collaboration.

The trailer can create some kind of prejudice. The spectator doesn't need to be “open-minded” nor “narrow-minded” to appreciate this unprecedented and emblematic project. The film is about love, resilience, and compassion between two remarkable human beings. “Two of Us” is miraculous!

To  witness “Two of Us” was a delightful experience. The film has plenty of symbolism joined by great music, talented actors, bold director, terrific production value, and splendid scenery - the ingredients to make this motion picture one of the best movies of 2020

Related Articles: 
TWENTY BEST MOVIES OF 2020
THE WORLD'S BEST FILM FESTIVAL POSTERS 2020
The Best Latina-Theme Movies in America

IF YOU ARE READING FROM A MOBILE DEVICE, CLICK: view web version FOR OTHER COOL FEATURES SUCH AS TRANSLATE POWERED BY GOOGLE, AN INTERACTIVE FILM FESTIVAL CALENDAR, AND MORE AWESOME ARTICLES.

Festival in LA ©2021

Friday, January 8, 2021

TWENTY BEST MOVIES OF 2020

By José Alberto Hermosillo

http://www.festivalinla.com/2021/01/twenty-best-movies-of-2020.html

2020 will be a memorable because movie theaters closed doe to the Covid-19 pandemic. Audiences had no other choice but to watch movies at home.

Watching movies on the big screen was a fundamental part of the cinematic experience. Now, viewers enjoy those magnificent films on their laptops, tablets, and cellphones – the lucky ones, watched movies in their home-theaters and big-screen TVs. 

Some of us, avid movie-watchers on the big screen struggled with technology, but still adapting to the "New Normal."

First Cow is the best movie of 2020

A couple of years ago, Academy members and even film festivals despised the online streaming services for attempting to take away the movie experience and business from the movie theaters. “Roma,” distributed by Netflix, was the most notorious case of discernment between studios and streaming services. Netflix withdrew the Mexican black-and-white epic from Cannes, and Academy members rejected it as the rightful Best Picture winner that year.

Last year, the winning of "Parasite" opened the door for other independent and foreign films to have the possibility to seize a nomination in different categories including Best Picture.

We are learning now that we don't need the Hollywood studios' “star system” to value good films. Everything becomes questionable because now is more challenging to grab the viewers’ and voting members’ attention. The “dance of the millions of dollars” used during the award season has been reimagined. 

 

Unfortunately for us this season, studios postponed quality films that could raise the bar. We  have to wait for the next best thing, next year, and for all of those blockbuster to come out such as “Dune,” “Elvis,” “The Matrix 4,” “West Side Story,” “In the Heights,” "Old," and “No Time to Die” to compete in 2022 campaign.

To select the best films, we must set aside our classic “Hollywood State of Mind,” which alters objectivity. I measure a movie by its story, directing, script’s strength, and acting.


If you have not seen any of these terrific films, it is about time you start catching up.

 THE BEST FILMS OF 2020

1. FIRST COW

2. MANK

3. JUDAS AND THE BLACK MESSIAH

4. THE TRIAL OF THE CHICAGO 7

5. NOMADLAND

6. PIECES OF A WOMAN

7. ONE NIGHT IN MIAMI

8. SOUND OF METAL

9. I CARRY YOU WITH ME

10. THE MAURITANIAN

11. I’M THINKING OF ENDING THINGS

12. THERE IS NO EVIL

13. TWO OF US

14. THE MOLE AGENT

15. PROMISING YOUNG WOMAN

16. MA RAINEY'S BLACK BOTTOM

17. ON THE ROCKS

18. THE VAST OF THE NIGHT

19. BAD EDUCATION

20. FUNNY BOY

 

HONORABLE MENTION:

The Father, Night of The Kings, Hamilton, Wolfwalkers, Better Days,

New Order/Nuevo Orden, Wet Season, The Night Clerk, Radioactive, 

Onward, News from the World, Peninsula, Minari,The Glorias,

Uncle Frank, Let Him Go, Fatman, A Sun, Stage Mother, 

My Little Sister, Gunda, Boys State, The Platform,

The One and Only Ivan, La Llorona, Run, The Outpost,

Song Without a Name/Canción sin nombre, Broken Keys, 

Another Round, I’m No Longer Here, Apples, 

Small Axe, Nobody Knows I’m Here, Greyhound, 

The Life Ahead, The Grizzlies, Kajillionaire, 

The United States Vs. Billie Holiday

Identifying Features/Sin señas particulares, Ammonite, The Father, Tenet. 

Related Articles:  

IF YOU ARE READING FROM A MOBILE DEVICE, CLICK: view web version FOR OTHER COOL FEATURES SUCH AS TRANSLATE POWERED BY GOOGLE, AN INTERACTIVE FILM FESTIVAL CALENDAR, AND MORE.

Festival in LA ©2021