“Les Misérables” Boyz n the French Hood

By José Alberto Hermosillo

COLCOA FILM REVIEW: Brilliant, compelling, and unmerciful, Les Misérables is a fresh new approach to the classics. An operatic masterwork adapted from Victor Hugo's magnum opus to today's urban conflicting French suburbs. 

The winner of the Jury Prize at Cannes 2019 endures the universal themes of inequality, marginalization, greed, and social violence.

Lodj Ly, director of  Les Misérables at COLCOA. Photo Jose Alberto Hermosillo, Festival in LA ©2019

Influenced by his personal experiences during the big-city project riots in 2005, director Lodj Ly adapted "Les Misérables" from his 2017 Award Winner short film.

The timing of this astonishing film debut couldn't be any better, as Lodj's story departs from the eruption of the collective euphoria on the streets of Paris motivated by the victorious celebration of FIFA'S Soccer World Cup Championship won by France, in Russia 2018. An event that unifies a country but sparks social differences as well.

The film moves from the iconic Parisian monuments to the not so charming projects of Montfermeil, 10 miles east of Paris where people piled up inside those tiny apartments, in the middle of the raucous building constructions of the area.

As the camera moves in, conspicuously, we start to learn more about the new composition of French society, integrated by Africans, Muslims, and the Middle East immigrants. Their descendants: hundreds of youngsters out on the streets, as a chorus of this never-ending operatic composition that is trying to tell us something more meaningful and substantial about people's struggles.

From the very beginning, the antagonistic groups' line-up. Among those - the gypsies owners of a colorful circus - the blacks immigrants, the mafia guys, the Muslim brotherhood, and the shady cops.

The officers' actions will trigger an out of control chaos, and the anarchy could jeopardize their wellbeing. The situation can be overwhelmingly dangerous and explosive as a Molotov cocktail.

As Le Commissaire (Jeanne Balibar, “Barbara,” “I Hate Love”) instructs her police officers about the word “solidarity” at the police division: “There is no solidarity, no team, we are alone.” She also introduces to the squad its new element, brigadier Stéphane Ruiz interpreted by Damien Bonnard (“The Trouble with You,” “Dunkirk”). The other two officers, Chris and Gwada (Alexis Manetti and Djibril Zonga), are reluctant to accept the rookie's inclusion. 

Inside the patrol, Chris takes the lead, acting above the law and feeling like the new sheriff in the town of a cowboy movie. He thinks he can do whatever he wants.

The officers’ felonies start by harassing teenage girls at a bus stop. They also have to deal with merchants and informants at the open market or mediating between gypsies and Muslims over a stolen lion cub.

As the story unfolds rapidly, not all the trends come to a full resolution. The audience wants to follow up on a video taken by a drone, operated by a kid who witnesses the police brutality. We want to know if the video went viral or not, and the reaction of its viewers in the story - after all, things get out of control effervescently. 

Lodj Ly, director of  Les Misérables, and actors Damien Bonnard and Djibril Zonga at COLCOA. Photo Jose Alberto Hermosillo, Festival in LA ©2019

This new and more visceral adaptation of Les Misérables was inspired by witnessing police brutality by the director Lodj Ly. 

He said his film was hard to finance because of the subject matter. It took him nearly ten years in the making. Two hundred people participated in his epic production. The young actors were mostly children from the immigrant community with no experience, hope, or future. By having them participate in this film, they attained a new meaning to their lives. 

In Lodj Ly’s own words, his compromise is with that marginalized and underprivileged immigrant community. For that reason, he is creating a film school, to induct children into the visual arts, and to let them tell their stories through those powerful images of their surroundings. 

Lodj Ly, director of  Les Misérables at COLCOA. Photo Jose Alberto Hermosillo, Festival in LA ©2019

French society unifies by winning the World Cup. Soccer gives the feeling of belonging to a country. But when the game is over, everyone goes back to their differences.  

Les Misérables juxtaposes happiness and anarchy to shake up its viewer and to question about that specific reality. 

The film is a catharsis with a small window for hope with the possibility of constructing an inclusive society for a better world in the nearby future.

 Djibril Zonga, actor. Photo: José Alberto Hermosillo, Festival in LA ©2019

Lodj Ly, director of  Les Misérables. Film critic José Alberto Hermosillo, Festival in LA ©2019

Les Misérables. Official trailer.

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