Showing posts with label Norway. Show all posts
Showing posts with label Norway. Show all posts

Thursday, April 13, 2023

War Sailor: A Reflection on Norway’s Entanglement in WWII

By José Alberto Hermosillo  



“War Sailor” is a gripping and insightful depiction of the forgotten Norwegian sailors and their women who endured the atrocities of World War II.
 
Until now, “War Sailor,” known as “Krigsseileren,” has been the most expensive production ever made in Norway. The film attempts to set the record straight by portraying the sailors’ WWII struggle as heroic.
 
Still, those in charge see the sailors and veterans as a public burden, as criminals and deserters who deserve to be forgotten and dismissed without the benefits of the law that thank them for their service.

“War Sailor” lobby at a Beverly Hills screening. Photo by José Alberto Hermosillo. Copyright © Festival in LA

During WWII, over 30,000 Norwegian and 10,000 American sailors took part in the war on the Scandinavian Peninsula and in the North Sea. 

 

The film “War Sailor” courageously and truthfully depicts those sailors’ direct participation in those epic battles, the devastating effects on their lives, and the consequences of their absence for their families back home.

 

The film links the sailors’ past pain to their present, showing how those traumatic experiences were passed down through generations.



The story centers on Alfred, played by Kristoffer Joner (“The Wave,” “The Revenant”), a working-class sailor from Bergen and the head of his family. He is close to his childhood friend Sigbjørn (Pål Sverre Hagen, “Kon Tiki”), and they have worked together on a merchant ship for years.

When WWII broke out, they found themselves fighting on the front lines, wearing civilian clothes, unarmed, and leading a starving crew after their merchant ship was attacked by German submarines. Their journey continues from their rescue through their attempts to rebuild their lives separately, and it shows how their families suffer from their absence and the trauma of PTSD.


Marie Wilmann, “War Sailor.” Photo by José Alberto Hermosillo. Copyright © Festival in LA

Actor Marie Wilmann, who portrays Cecilia, Alfred’s wife, took her role personally because her parents and grandparents lived through those war years, and she felt their endurance. The devastating war’s effects were felt by women like her mother and grandmother.
 
Researching this epic film was a massive undertaking. Norwegian writer/director Gunnar Vikene (“Here is Harold”) based his original screenplay on true events, interviews, and numerous visits to museums and Norway’s National Archives. He then shifted his focus to explore the sailors’ emotional, physical, and financial struggles.
 
For this film, the director’s biggest influence was the contemporary Oscar-winning short documentary “The White Helmets,” a gripping real-life chronicle of UN responders saving lives in Syria. Norwegians initially knew little about the significance of that war, but newly arrived Syrian immigrants helped educate locals about their harrowing experiences in their troubled homeland.

 


“War Sailor” vividly shows how war affects everyone in the community. Director of Photography Sturla Brandth Grøvlen (“Victoria,” “Another Round,” “Rams”) moves the camera intuitively. His exceptional close-ups of the actors’ eyes are as striking as his landscapes and ocean vistas.

At the Oslo premiere, some attendees disputed the film’s portrayal of the truth and clashed with its narrative. The filmmakers spoke extensively with war veterans about how the war affected them and their families. Ironically, when they received a medal, they also received a bill for it. Norwegians also had to pay extra taxes on food and supplies.

After the war, sailors returned home with bills to pay and struggled with alcoholism and addiction to medications and other drugs. Norwegian veterans never received proper recognition or compensation for their service. Many sailors came from different countries, including the United States.


Pål Sverre Hegen & Marie Wilmann, “War Sailor.” Photo by José Alberto Hermosillo. Copyright © Festival in LA


According to the actors, producing the film during the pandemic was even more challenging and costly because some cast and crew members contracted COVID-19. As a result, they had to halt production for days until everyone was safe. 


“War Sailor” is the most prominent Norwegian production filmed across Malta, Germany, and Norway.

 

“War Sailor” is Norway’s Best International Feature Film entry for the 95th Academy Awards. It is now streaming on Netflix as a three-episode miniseries. It’s worth watching for those who want to learn more about the war and the repercussions at home for those unsung heroes.

 

Pål Sverre Hegen & Marie Wilmann, “War Sailor.” Critic José Alberto Hermosillo. Copyright © Festival in LA

WAR SAILOR trailer

Violette, When Women Dare to Write  

IF YOU ARE READING FROM A MOBILE DEVICE, CLICK: view web version FOR OTHER COOL FEATURES SUCH AS TRANSLATE POWERED BY GOOGLE, AN INTERACTIVE FILM FESTIVAL CALENDAR, AND MORE AWESOME ARTICLES.

Festival in LA ©2023

Saturday, January 14, 2023

SCANDINAVIAN FILM FESTIVAL LA 2023

By José Alberto Hermosillo

The Scandinavian Film Festival Los Angeles 2023 is back for in-person screenings on the weekends of Jan 14-15 & 21-22, 2023, at the Writers Guild of America Theater, 135 W. Doheny Drive, Beverly Hills, California, 90211. Tickets are for sale at the box office. 

The extraordinary selection of Nordic films includes Oscar entries from Denmark, Finland, Iceland, Latvia, Lithuania, Norway, and Sweden in the Best International Feature Film category for the 95th Academy Awards.

For more information and a full calendar, visit Scandinavian Film Festival L.A. 2023

Set in Iran, “Holy Spider” chronicles the journey of a religious serial killer named “Spider Killer,” who murdered 16 prostitutes in Iran between 2000-2001, and the brave female Iranian journalist who discovered the truth. The Diminish production directed by Ali Abbasi (“Border”) is an international success.

Norway’s participation in WWII is exhibited in “War Sailor,” where two best friends joined the armed forces to bring supplies to G.B. and get cough in the middle. At the war’s end, the government did not treat the veterans with honor, respect, monetary retribution, or financial aid.  


The celebrated film “Cairo Conspiracy,” also known as “Boy From Heaven,” Made in Egypt, produced by Sweden, France, and Finland, and directed by Tarik Saleh, talks about Adam, a young son of a fisherman with a scholarship to go to study Muslim in Cairo when a classmate takes him for a night out in the city. The film won best screenplay at Cannes 2022. 

A Finnish coming-of-age film directed by Alli Haapasalo. The Audience Award winner in the International competition at Sundance 2022 talks about three best friends getting along during the darkness of the winter in Finland, trying to make sense of their lives and loves under those weather conditions. 

The Icelandic Oscar entry “Beautiful Beings” narrates the story of Addi, a boy raised by a clairvoyant mother who decides to adopt a bullied misfit into his gang of outsiders. The boys explore aggression and violence but also learn about loyalty and love. As the group’s behavior escalates towards life-threatening situations, Addi begins to experience a series of dreamlike visions. Can his newfound intuition guide him and his friends back to a safer path, or will they dive irrevocably into further violence?

“The Wait” presents a love triangle between a pastor, his wife, and his friend on a remote Finnish island. The film is adapted from Juhani Aho’s novel The Pastor’s Wife. The music is composed by Esa-Pekka Salonen, the former Los Angeles Philharmonic music director.

 
CLOSING NIGHT FILM
 
“Everybody Hates Johan,” a Norwegian comedy about an adventurous and free-spirited middle-aged man named Johan Grande whose passion for horses and explosives represents a threat to his community. His quest for love will continue until the end.
 
For more information and a full calendar, visit:  
 
Related Articles:  
Violette, When Women Dare to Write  

IF YOU ARE READING FROM A MOBILE DEVICE, CLICK: view web version FOR OTHER COOL FEATURES SUCH AS TRANSLATE POWERED BY GOOGLE, AN INTERACTIVE FILM FESTIVAL CALENDAR, AND MORE AWESOME ARTICLES.

Festival in L.A. ©2023

Tuesday, December 15, 2020

Gunda: An Emotional Journey of Pigs, Chickens, and Cows

By José Alberto Hermosillo

Gunda: An Emotional Journey of Pigs, Chickens, and Cows

“Gunda” is a fascinating, minimalist portrait of tranquil farm life, where pigs, chickens, and cows take center stage. “Gunda” is one of the best documentaries of the year!

Gunda director Victor Kasakovsiy. Photo: José Alberto Hermosillo, Festival in LA ©2020
Gunda director Victor Kosakovskiy. Photo: José Alberto Hermosillo, Festival in LA ©2020

Victor Kosakovskiy (“Aquarela,” ¡Vivan las Antipodas!) is an accomplished Russian documentarian.


In “Gunda,” he takes us on an observational journey with stunning cinematography, a nonintrusive camera, and crystal-clear sound. The film captivates audiences and has won awards at the Berlin and Stockholm film festivals, as well as nominations for Best Documentary at the European Film Awards and an IDA Award. Many may find the pace gridlocked yet compelling and thought-provoking.

Gunda, executive producer Joaquin Phoenix. Photo: José Alberto Hermosillo, Festival in LA ©2020
Gunda, executive producer, Joaquin Phoenix. Photo: José Alberto Hermosillo, Festival in LA ©2020

Joaquin Phoenix, an animal rights activist, serves as the film’s executive producer. As he did in his acceptance speech at the 2020 Oscars, when he won Best Actor for “Joker,” he advocates for love and compassion toward other species and for intelligent, humane ways to balance the food chain.


The documentary raises awareness of how domestic animals express emotions through their behavior. We see a mama pig caring for her piglets, caged chickens experiencing freedom for the first time, and cows running freely in the fields. 

Gunda: The Pig, The Chickens, and The Cows' Emotional Journey
“Gunda.” Photo courtesy of NEON.

The film opens with a steady shot of a barn’s exterior. Inside, a mother pig is giving birth to about a dozen piglets. It is a miracle of life. As each little pig is born, we fall in love with them. They are adorable! – It is also what the protective mother pig thinks. The day passes, and the entire pack goes out for a stroll to discover the delights of the dirt in their vast universe.


When a flock of caged chickens slowly and cautiously moves out, the physical damage sustained over an entire life in captivity is evident. One chicken is missing a leg, and others are missing many feathers, all disoriented.

The fascinating trend continues with a gorgeous display of big, healthy cows interacting and running freely in the open. Those images make us think about all sorts of things, such as how valuable life is to everyone in the field, even to those domestic creatures we cage, kill, and consume in our daily diet.

When Kosakovskiy decided to make a silent film in white, he wanted the audience to experience, in the first person, a glimpse of farm life. He knew he needed to spend months with the best equipment possible—the best camera and sound, no music sugar-coating, and plenty of inspiring images of nature.

For years, Kosakovskiy needed help raising the budget to make this film, and pitching a black-and-white trilogy movie with pigs, chickens, and cows as the main stars was hard. To convince producers to invest in his project, he cited other similar successful films such as “Ida,” “Cold War,” and “Roma.” Now, he is glad the producers could see his vision and the intention to shoot a naturalistic film.

Gunda: The Pig, The Chickens, and The Cows' Emotional Journey
“Gunda.” Photo courtesy of NEON.

The small camera crew worked tirelessly from noon until sunset to capture the animals’ actions and reactions. Those long hours were nothing compared with the precious moments they captured, which dramatically enhanced the story.


Kosakovskiy’s experience in the cinema led him to make the right decisions, using long lenses to avoid distracting the animals. To do so, he needed the best steadicam operator to maintain the proper distance between the camera and the subject, avoid being invasive with the animals, and avoid altering the natural outcome. Photographing living beings from far away was not an aesthetic choice but a moral one. 

In a movie set, the director is always in control of every situation. In this documentary, the director had to be patient and not dictate what he couldn’t control, such as animal behavior, weather, and human challenges. To make “Gunda,” the filmmakers traveled to animal sanctuaries in Norway, Spain, and the United Kingdom. 

Hollywood Legion Theater Photo: José Alberto Hermosillo, Festival in LA ©2020
Hollywood Legion Theater Photo: José Alberto Hermosillo, Festival in LA ©2020

Kosakovskiy said after a drive-in screening at the Hollywood Legion Theater, “Making this movie changed the way I see life.” The intention was to show farm life without saying anything and to understand what a mother pig feels: seriousness, sadness, and hopelessness. 

Gunda: The Pig, The Chickens, and The Cows' Emotional Journey
“Gunda.” Photo courtesy of NEON.

He continued the conversation. “All those creatures have a soul, and discovering those emotions is moving. The pig compellingly talked to us. In the very last scene, the pig’s behavior looks scripted. It was a miracle; the team cried.”

The film helps us determine the similarities between animal and human behavior.  

After admiring such a marvelous work of art, I decided to eliminate “Lechón Asado” from my Cuban diet. I am not Cuban; I am just a lover of the world’s cuisine. I am also becoming more appreciative of my Mesoamerican culture, which is based on vegetables and insects.

As an agent of change, I will continue to love eating my greens as much as this documentary made me care about the voiceless creatures on farms around the world, because sustainable farming is possible. 

 
Festival in LA ©2020