Showing posts with label Norway. Show all posts
Showing posts with label Norway. Show all posts

Thursday, April 13, 2023

War Sailor: A Reflection on Norway’s Entanglement in WWII

By José Alberto Hermosillo  


War Sailor” is a revealing, totally gripping, and insightful depiction of the forgotten Norwegian sailors who endured the atrocities of World War II.

 

Until now, War Sailor,” known as “Krigsseileren,” has been the most expensive production ever made in Norway. The film attempts to set history right by presenting the struggle of the sailors considered by many heroes. Still, people in charge see them as a public burden, criminals and deserters who deserve to be forgotten and dismissed without benefits of the law for their service.


“War Sailor” lobby at a Beverly Hills screening. Photo by José Alberto Hermosillo. Copyright © Festival in LA


During WWII, more than 30,000 Norwegian and 10,000 American sailors participated in the Scandinavian peninsula and the North Sea War. 


War Sailor” courageously unwraps straightforward the participation of those sailors who fought in those epic battles and the devastating repercussions for them and their families back home.


The film connects the sailors’ past pains with their present, showing how those traumatic experiences were passed on through generations.



The story focuses on Alfred, played by Kristoffer Joner (The Wave,” “The Revenant”), a working-class Bergen sailor head of a family. He is close to his childhood friend Sigbjørn (Pål Sverre Hagen, “Kon Tiki”), and they worked on a merchant ship for years.

 

When WWII started, they saw themselves fighting on the front line with civilian clothes, no weapons, and a starving crew when their merchant ship was targeted by German submarines. Their journey continues from being rescued to trying to go on with their lives separately, and how their families suffer from their absence and subsequent PTSD.


Marie Wilmann, "War Sailor." Photo by José Alberto Hermosillo. Copyright © Festival in LA

Actor Marie Wilmann, who plays Cecilia, Alfred’s wife, took her work in the movie personally. Her parents and grandparents lived during the war years, and she felt how they coped with those losses. The ramifications of the war affected women like her mother and grandmother.

 

Researching for the epic film was a colossal process. Norwegian writer/director Gunnar Vikene (Here is Harold”) based his original screenplay on factual events, interviews, and numerous field trips to museums and Norway’s National Archives. Then, he diverted his investigation to the sailors’ emotional, physical, and financial struggles.

 

To make this movie, the director’s most significant influence was the contemporary, Oscar Award-winning short documentary “The White Helmets.” A spellbinding real-life chronology of the UN first responders saving lives in Syria. Norwegians did not know much about the importance of that war, but the newly arrived Syrian immigrants helped to educate locals about their disturbing experiences in their troubled country.

 


“War Sailor” vividly illustrates how war affects everyone in the community. Director of Photography Sturla Brandth Grøvlen (“Victoria,” “Another Round,” “Rams”) moved with the camera intuitively. His exceptional close-ups of the eyes of the actors are as beautiful as his landscapes and ocean views.


At the Oslo premiere, some attendees opposing the truth conflicted with the story. The filmmakers talked extensively with war veterans about how the war affected them and their families. Ironically, when they got a medal, they also got a bill to pay for making the medal. In addition, the people of Norway had to pay extra taxes for food and supplies. War sailors returned to their country with bills to pay, alcoholism, and addiction to medication and other drugs. Norwegian veterans never got the proper recognition or compensation for their service. Many sailors were from different countries, including Americans.


Pål Sverre Hegen & Marie Wilmann, "War Sailor." Photo by José Alberto Hermosillo. Copyright © Festival in LA


According to the actors, producing the film during the pandemic was even more difficult and expensive, as part of the cast and crew got sick with Covid-19. War Sailor” is the most prominent Norwegian production shot in Malta, Germany, and Norway.

 

War Sailor” is Norway’s Best International Feature Film entry for the 95th Academy Awards. Now, it is streaming on Netflix as a three-episode miniseries. 

 

Pål Sverre Hegen & Marie Wilmann, "War Sailor." Critc José Alberto Hermosillo. Copyright © Festival in LA

WAR SAILOR trailer

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Saturday, January 14, 2023

SCANDINAVIAN FILM FESTIVAL LA 2023

By José Alberto Hermosillo

The Scandinavian Film Festival Los Angeles 2023 is back for in-person screenings on the weekends of Jan 14-15 & 21-22, 2023, at the Writers Guild of America Theater, 135 W. Doheny Drive, Beverly Hills, California, 90211. Tickets are for sale at the box office. 

The extraordinary selection of Nordic films includes Oscar entries from Denmark, Finland, Iceland, Latvia, Lithuania, Norway, and Sweden in the Best International Feature Film category for the 95th Academy Awards.

For more information and a full calendar, visit Scandinavian Film Festival L.A. 2023

Set in Iran, “Holy Spider” chronicles the journey of a religious serial killer named “Spider Killer,” who murdered 16 prostitutes in Iran between 2000-2001, and the brave female Iranian journalist who discovered the truth. The Diminish production directed by Ali Abbasi (“Border”) is an international success.

Norway’s participation in WWII is exhibited in “War Sailor,” where two best friends joined the armed forces to bring supplies to G.B. and get cough in the middle. At the war’s end, the government did not treat the veterans with honor, respect, monetary retribution, or financial aid.  


The celebrated film “Cairo Conspiracy,” also known as “Boy From Heaven,” Made in Egypt, produced by Sweden, France, and Finland, and directed by Tarik Saleh, talks about Adam, a young son of a fisherman with a scholarship to go to study Muslim in Cairo when a classmate takes him for a night out in the city. The film won best screenplay at Cannes 2022. 

A Finnish coming-of-age film directed by Alli Haapasalo. The Audience Award winner in the International competition at Sundance 2022 talks about three best friends getting along during the darkness of the winter in Finland, trying to make sense of their lives and loves under those weather conditions. 

The Icelandic Oscar entry “Beautiful Beings” narrates the story of Addi, a boy raised by a clairvoyant mother who decides to adopt a bullied misfit into his gang of outsiders. The boys explore aggression and violence but also learn about loyalty and love. As the group’s behavior escalates towards life-threatening situations, Addi begins to experience a series of dreamlike visions. Can his newfound intuition guide him and his friends back to a safer path, or will they dive irrevocably into further violence?

“The Wait” presents a love triangle between a pastor, his wife, and his friend on a remote Finnish island. The film is adapted from Juhani Aho’s novel The Pastor’s Wife. The music is composed by Esa-Pekka Salonen, the former Los Angeles Philharmonic music director.

 
CLOSING NIGHT FILM
 
“Everybody Hates Johan,” a Norwegian comedy about an adventurous and free-spirited middle-aged man named Johan Grande whose passion for horses and explosives represents a threat to his community. His quest for love will continue until the end.
 
For more information and a full calendar, visit:  
 
Related Articles:  
Violette, When Women Dare to Write  

IF YOU ARE READING FROM A MOBILE DEVICE, CLICK: view web version FOR OTHER COOL FEATURES SUCH AS TRANSLATE POWERED BY GOOGLE, AN INTERACTIVE FILM FESTIVAL CALENDAR, AND MORE AWESOME ARTICLES.

Festival in L.A. ©2023

Tuesday, December 15, 2020

Gunda: An Emotional Journey of Pigs, Chickens, and Cows

By José Alberto Hermosillo

Gunda: An Emotional Journey of Pigs, Chickens, and Cows

“Gunda” is a fascinating and minimalist depiction of the tranquil life in a farmhouse, where pigs, chickens, and cows take center stage. “Gunda” is one of the best documentaries of the year!

Gunda director Victor Kasakovsiy. Photo: José Alberto Hermosillo, Festival in LA ©2020
Gunda director Victor Kosakovskiy. Photo: José Alberto Hermosillo, Festival in LA ©2020

Victor Kosakovskiy (“Aquarela,” ¡Vivan las Antipodas!”) is an accomplished Russian documentarian. 

In “Gunda,” he takes us into an observational passage with stunning cinematography, perfect use of a nonintrusive camera, and crystal-clear sound. The film is captivating audiences and has received awards—at the Berlin and Stockholm film festivals—for being nominated for Best Documentary at the European Film Awards and an IDA Award. Many may find the pace gridlocked yet compelling and thought-provoking.

Gunda, executive producer Joaquin Phoenix. Photo: José Alberto Hermosillo, Festival in LA ©2020
Gunda, executive producer Joaquin Phoenix. Photo: José Alberto Hermosillo, Festival in LA ©2020

Joaquin Phoenix, an animal rights activist, serves as the film's executive producer. As he did in his acceptance speech at the Oscars 2020, when he won Best Actor for “Joker,” his advocacy pleads for love and compassion for other species and how we can balance the food chain intelligently and humanely.

The documentary raises awareness about how domestic animals show emotions through behavior. We see a mamma pig caring for her piglets, caged chickens experiencing freedom for the first time, and cows running without restrictions on the fields. 

Gunda: The Pig, The Chickens, and The Cows' Emotional Journey
“Gunda.” Photo courtesy of NEON.

The film opens with a steady shot of the exterior of a barn. Inside, a mother pig is giving birth to about a dozen piglets. It is a miracle of life. As every little pig comes to the exterior, we fall in love with them. They are adorable! – it is also what the protective mother pig thinks. The day passes, and the entire pack goes out for a stroll to discover the delights of the dirt in their vast universe.

When a flock of caged chickens slowly and cautiously moves out, the physical damage suffered for an entire life in captivity is noticeable. One chicken is without a leg, and others miss many feathers, all disoriented.

The fascinating trend continues with a gorgeous display of big, healthy cows interacting and running freely in the open. Those images make us think about all sorts of things, such as how valuable life is for everybody in the field, even those domestic creatures we cage, kill, and consume in our daily diet.

When Kosakovskiy decided to make a white silent film, he wanted the audience to experience, in first person, a glimpse of life on a farm. He knew he needed to spend months with the best equipment possible—the best camera and sound, no music sugar-coating, and plenty of inspiring images of nature.

For years, Kosakovskiy needed help raising the budget to make this film, and pitching a black-and-white trinity movie with pigs, chickens, and cows as the main stars was hard. To convince producers to invest in his project, he referred to other similar successful films like “Ida,” “Cold War,” and “Roma.” Now, he is glad the producers could see his vision and the intention to shoot a naturalistic film.

Gunda: The Pig, The Chickens, and The Cows' Emotional Journey
“Gunda.” Photo courtesy of NEON.

The small camera crew worked tirelessly from noon until sunset to capture the animals’ actions and reactions. Those long working hours were nothing compared with the precious moments they captured, which dramatically enhanced the story.

Kosakovskiy’s experience working in cinema made him make the right decisions, using long lenses not to distract the animals. For that, he needed the best steady cam operator to keep the proper distance between the camera and the subject, avoid being invasive with the animals, or alter the natural outcome. To photograph the living beings from far away was not an esthetic choice but a moral one. 

In a movie set, the director is always in control of every given situation. In this documentary, the director had to be patient and not dictate something he couldn’t control, such as animal behavior, weather, and human challenges. To make “Gunda,” the filmmakers traveled to animal sanctuaries in Norway, Spain, and the United Kingdom. 

Hollywood Legion Theater Photo: José Alberto Hermosillo, Festival in LA ©2020
Hollywood Legion Theater Photo: José Alberto Hermosillo, Festival in LA ©2020

Kosakovskiy said after a drive-in screening at the Hollywood Legion Theater, Making this movie changed the way I see life. The whole intention was to show life on a farm without saying anything and understand what a mother pig feels: seriousness, sadness, and hopelessness. 

Gunda: The Pig, The Chickens, and The Cows' Emotional Journey
“Gunda.” Photo courtesy of NEON.

He continued the conversation. “All those creatures have a soul, and discovering those emotions is moving. The pig compellingly talked to us. In the very last scene, the pig’s behavior looks scripted. It was a miracle; the team cried.”

The film helps us determine the similarities between animal and human behavior.  

After admiring such a marvelous work of art, I decided to eliminate “Lechón Asado” from my Cuban diet. I am not Cuban; I am just a lover of the world’s cuisine. I am also becoming more appreciative of my Mesoamerican culture, which is based on vegetables and insects.

As an agent of change, I will continue loving eating my greens, as much as this documentary made me care for the voiceless creatures of every farm in the world because sustainable farming is possible. 

 
Festival in LA ©2020