Friday, April 14, 2023

Joyland: A Cinematic Rejoice from Pakistan

By José Alberto Hermosillo


“Joyland” is a moving allegory of love, despair, and melancholy—a triumph in Pakistani cinema.


“Joyland” challenges consciences on many levels as a powerful coming-of-age story and a reflection of a society that denies essential rights, such as inclusion, free speech, and equal opportunities for everyone, including those who think outside the box. In life, we often generalize and stereotype others, but instead, we should analyze and evaluate each person as a vital part of the community.

 

The film focuses on Haider Rana (Ali Junejo) and his conservative family. He lives with his wife, Mumtaz (Rasti Farooq), his father, mother, and his older brother’s family in Lahore, Pakistan.

 

Haider is an unemployed, hardworking, and shy man who lands a job as a backup dancer in a Bollywood-style burlesque show. Soon, the helpful and naïve man falls for Biba (Alina Khan), a sparkling trans woman who hosts a show at a nearby theater. As circumstances grow more complicated, Haider must navigate his double life carefully.



Biba shares a simple but meaningful joke with Haider: “The chicken and the mosquito shared a kiss. Then, the mosquito died of bird flu... the chicken died of dengue.” She then explains: “Because falling in love means death.” The joke highlights two main, opposing characters: the religious married man and the openly gay transgender person seeking freedom in a conservative society with strict laws.

 

The vibrant production focuses on three distinct and unique characters: Haider, Mumtaz, and Biba.

 

For Haider, his family is as important as the success of the show. He takes Biba’s safety seriously and cares about his family’s well-being, but balancing everything in real life isn’t easy.


Mumtaz is emotionally unstable. She wants to be pregnant but questions her husband’s job because of his frequent absences.



Biba’s multidimensional character is neither sugar-coated nor does she pretend to be cute. She is an energetic, confident, and trustworthy trans woman who aspires to emigrate to Germany. Her honesty causes her to reject those who care for her, including Haider. Alina Khan’s performance is as impressive as Daniela Vega’s in the award-winning Chilean film “A Fantastic Woman.”


What is more remarkable about this moving production is that, despite featuring extraordinary actors, it was their first experience acting in films.


 Saim Sadiq, "Joyland." Photo by José Alberto Hermosillo. Copyright © FestivalinLA

First-time writer-director Saim Sadiq describes "Joyland” as a very personal project because he comes from a diverse, middle-class family that is also trying to climb the social ladder, much like the characters in his film. However, he also had to acknowledge that people in Pakistan live in a patriarchal society that imposes limits on progress, love, and desires.

 

Director Saim Sadiq crafted an honest and balanced script that consistently highlights the “trans” theme and social conflict, building a strong dramatic arc and an open ending.

Politically, Saim recognizes the influence of the extreme right wing in his country and admits that his work will likely upset many. He mentioned that after screening his controversial film in Pakistan, he didn’t expect everyone to stay and applaud. Still, he hoped his film would encourage people to enjoy, reflect on, and continue thinking about it.



The highly acclaimed Pakistani film goes beyond barriers of freedom and acceptance.

 

It won the Jury Award at Un Certain Regard, Cannes 2022. It also received Best International Film at the Independent Spirit Awards 2023 and Best Artistic Contribution at the Cairo International Film Festival in Egypt. The acclaimed movie earned Best Ensemble at Bangkok and the Audience Award at the Valladolid International Film Festival in Spain.

 

“Joyland” was Pakistan’s submission for Best International Feature Film at the 95th Academy Awards and was one of the fifteen films shortlisted.

 

The unexpected twists of “Joyland” take us to places we’ve never experienced before. The film’s vibrant urban settings, colors, and textures, combined with compelling storytelling, enhance the cinematic experience and immerse viewers in the story.

 

More importantly, it is essential to highlight the vibrant Pakistani youth who work hard and aspire to explore new horizons beyond their family’s boundaries, free from social restraints.

 

In “Joyland,” every character genuinely seeks acceptance, love, and respect, while audiences witness the struggle, beauty, and diversity of Pakistani society and other communities worldwide.

JOYLAND | OFFICIAL TRAILER

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Thursday, April 13, 2023

War Sailor: A Reflection on Norway’s Entanglement in WWII

By José Alberto Hermosillo  


“War Sailor” is a revealing, totally gripping, and insightful depiction of the forgotten Norwegian sailors who endured the atrocities of World War II.

 

Until now, “War Sailor,” known as “Krigsseileren,” has been the most expensive production ever made in Norway. The film attempts to set history right by presenting the struggle of the sailors considered by many heroes. Still, people in charge see them as a public burden, criminals and deserters who deserve to be forgotten and dismissed without benefits of the law for their service.


“War Sailor” lobby at a Beverly Hills screening. Photo by José Alberto Hermosillo. Copyright © Festival in LA


During WWII, more than 30,000 Norwegian and 10,000 American sailors participated in the Scandinavian peninsula and the North Sea War. 


“War Sailor” courageously unwraps straightforward the participation of those sailors who fought in those epic battles and the devastating repercussions for them and their families back home.


The film connects the sailors’ past pains with their present, showing how those traumatic experiences were passed on through generations.



The story focuses on Alfred, played by Kristoffer Joner (“The Wave,” “The Revenant”), a working-class Bergen sailor head of a family. He is close to his childhood friend Sigbjørn (Pål Sverre Hagen, “Kon Tiki”), and they worked on a merchant ship for years.

 

When WWII started, they saw themselves fighting on the front line with civilian clothes, no weapons, and a starving crew when their merchant ship was targeted by German submarines. Their journey continues from being rescued to trying to go on with their lives separately, and how their families suffer from their absence and subsequent PTSD.


Marie Wilmann, "War Sailor." Photo by José Alberto Hermosillo. Copyright © Festival in LA

Actor Marie Wilmann, who plays Cecilia, Alfred’s wife, took her work in the movie personally. Her parents and grandparents lived during the war years, and she felt how they coped with those losses. The ramifications of the war affected women like her mother and grandmother.

 

Researching for the epic film was a colossal process. Norwegian writer/director Gunnar Vikene (“Here is Harold”) based his original screenplay on factual events, interviews, and numerous field trips to museums and Norway’s National Archives. Then, he diverted his investigation to the sailors’ emotional, physical, and financial struggles.

 

To make this movie, the director’s most significant influence was the contemporary, Oscar Award-winning short documentary “The White Helmets.” A spellbinding real-life chronology of the UN first responders saving lives in Syria. Norwegians did not know much about the importance of that war, but the newly arrived Syrian immigrants helped to educate locals about their disturbing experiences in their troubled country.

 


“War Sailor” vividly illustrates how war affects everyone in the community. Director of Photography Sturla Brandth Grøvlen (“Victoria,” “Another Round,” “Rams”) moved with the camera intuitively. His exceptional close-ups of the eyes of the actors are as beautiful as his landscapes and ocean views.


At the Oslo premiere, some attendees opposing the truth conflicted with the story. The filmmakers talked extensively with war veterans about how the war affected them and their families. Ironically, when they got a medal, they also got a bill to pay for making the medal. In addition, the people of Norway had to pay extra taxes for food and supplies. War sailors returned to their country with bills to pay, alcoholism, and addiction to medication and other drugs. Norwegian veterans never got the proper recognition or compensation for their service. Many sailors were from different countries, including Americans.


Pål Sverre Hegen & Marie Wilmann, "War Sailor." Photo by José Alberto Hermosillo. Copyright © Festival in LA


According to the actors, producing the film during the pandemic was even more difficult and expensive, as part of the cast and crew got sick with Covid-19. “War Sailor” is the most prominent Norwegian production shot in Malta, Germany, and Norway.

 

“War Sailor” is Norway’s Best International Feature Film entry for the 95th Academy Awards. Now, it is streaming on Netflix as a three-episode miniseries. 

 

Pål Sverre Hegen & Marie Wilmann, "War Sailor." Critc José Alberto Hermosillo. Copyright © Festival in LA

WAR SAILOR trailer

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Monday, April 3, 2023

Spinning Gold: The Man Behind Donna Summer, Village People, and KISS Greatest Hits

By José Alberto Hermosillo


Relevant and freshly made, “Spinning Gold” is the untold story of visionary record producer Neil Bogart, the man behind the 1970s America’s greatest hits “Ain’t No Sunshine,” “Love to Love You, Baby,” “Hot Stuff,” “Last Dance,” “On the Radio,” “Midnight Train to Georgia,” “Lean on Me,” “YMCA,” and “Beth.”

 

Neil Bogart was known as “the star maker,” who discovered and promoted the most iconic singers to stardom – Donna Summer, Gladys Knight, Bill Withers, The Isley Brothers, Village People, and KISS.


KISS in “Spinning Gold.” Photo courtesy of Movie Platform.

The life of the visionary record producer arrives on the big screen as an insightful and nostalgic biopic, where the audience can see not only Neil’s personal life and the relationship he had with the soon-to-be stars but also plenty more dirt on the record industry. He was a hustler, a gambler, and addicted to heavy drugs. To pay for the engagement ring, Neil worked in a soft-porn movie. It is just an example of how far he went. Without being judgmental, it was when people enjoyed life to the fullest with plenty of sex and drugs, right before the AIDS pandemic, the war on drugs, and corporate greed.

 

Neil had to deal with betrayals, payola infringements, and lawsuits to make Casablanca Records the most successful independent recording company in America’s history. The competition with other studios was fierce, mostly with Universal, Warner Bros., Motown, and Arista. 

Timothy Scott Bogart, “Spinning Gold.” Photo by Jose Hermosillo. Copyright © Festival in LA 


According to director/producer Timothy Scott Bogart, everything the movie recounts, including Neil’s problems with the Jewish, Italian, and black mobs, was real. 


Timothy did not follow specific moments of his father’s life, but he focused on the music chronology. Every song Neil Bogart produced at Casablanca Records has a driven narrative because the rhythms from 1974-1977 build the crescendo of the drama, avoiding the episodic narrative.

In “Spinning Gold,” Timothy Scott Bogart accurately captures Neil’s essence and positivity, pushing the narrative forward as his father did in every aspect of his life, including the production of every song and the challenges he had to deal with, including going to Berlin to get Donna Summer.

 

Timothy Scott Bogart wrote the lines with musicality, freely. He let the script become something else. The story is told through costumes, makeup, set design, and mainly with music. He wanted to make a “musical movie,” not “a movie with music” in it. Timothy’s revelation was to learn how scared his father was at every step of his professional and personal life.

 

Timothy wanted to pay visual homage to the period with neon, electric, and highly colorized images, costumes, and sets. The extras in the film were professional dancers who were easy to keep in frame.


Tayla Parx as Donna Summer in “Spinning Gold.” Photo courtesy of Movie Platform.


In 1999, he pitched the project to Paramount, and even Justin Timberlake was attached to play Neil Bogart at one point. 


The film’s casting can be questionable because fans remember their idols at the peak of their careers after those diamonds were polished. Actress/singer Tayka Paxs has the confidence, innocence, and powerful voice to play Donna Summer, not someone who looks like Donna Summer. The case of George Clinton is similar because rapper Wiz Khalifa is playing the legendary singer and the original performer. Other actors were comedians who were able to get the job done. 


The director states that in his movie, he did not want to have someone impersonate somebody else but to do real acting. Following in his father’s footsteps, Timothy is always fascinated by discovering new artists. 


Jeremy Jordan as Neil Bogard, “Spinning Gold.” Photo courtesy of Movie Platform.


Two months before the production, he went to Broadway and found Jeremy Jordan, who could hold the audience in the theater with his charisma and musicality. In “Spinning Gold,” Jeremy Jordan puts on a good show, confidently incarnating the independent record producer Neil Bogart.

The sound quality of “Spinning Gold” is pristine, and the soundtrack is complex. The original songs were not remastered but re-recorded with new voices. They spent enormous time designing the film’s sound and bringing up different tracks.


To acquire the rights and have access to such essential songs, in 2009, Timothy Scott Bogart pitched the film to the record companies as an independent production and be able to get lower quotes for using the entire song catalog without worrying about the “needle drop” of the 20 seconds song rights. It was not the case with “Spinning Gold.”

 

Donna Summer - Last Dance (Academy Awards,1978)

Suppose they already have secured the rights to those everlasting hits. Why not recreate some of the most iconic moments associated with them, or at least mention those specific events, such as Donna Summer performing the Award-Winning song “Last Dance” at the Oscars, the jewel of the crown of the golden era of disco music?


Long before the terms of inclusion and diversity were significant, the independent record-level Casablanca had Afro-Americans, Jewish, and white people working together to achieve their fundamental goal, to bring the best artists, composers, and theme songs to the masses.

In “Spinning Gold,” the flashy musical montages add style to the film but must be sufficient to counteract the elongated family melodrama. The audience is hungry for music, awards, and memorabilia in showbiz. In other words, less cocaine and more immersive creativity from the visionary artist and record producer who transcended his time to our days for his contributions to the music industry.

Timothy Scott Bogart and film critic Jose Hermosillo. Copyright © Festival in LA


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