Friday, May 31, 2024

Jim Henson: Idea Man, The Life of the Genius Behind The Muppet Show

 By José Alberto Hermosillo


“Jim Henson: Idea Man,” from Academy Award-winning director Ron Howard, offers a fresh look at the life and work of the genius behind “The Muppet Show,” Jim Henson. The documentary is awe-inspiring, pure entertainment, and quite enjoyable.

Ron Haward. Photo: José Alberto Hermosillo ©2024 FestivalinLA
 

In “Jim Henson: Idea Man,” award-winning director Ron Howard (“A Beautiful Mind,” “How the Grinch Stole Christmas,” “Thirteen Lives”) presents a linear, structured narrative that focuses primarily on the work of the Muppets creator rather than his personal life. 


People who adored the show may consider it a treasure. However, this sentiment may not apply to hardcore fans, who argue that crucial information is missing, including Jim’s cause of death—a bacterial infection at age 53. Despite being a Disney+ movie, this documentary cannot be compared to Pixar’s “Coco,” a profound animated film that explores the other side: death. 


The main reason Ron Howard handled the material lightly in the documentary about Jim Henson was to keep it hopeful rather than sentimental. Howard felt he was offering real insight into the life of the creator of the puppets for “Sesame Street.” He saw the paradox between his material and Henson’s experimental films, which were very optimistic, human, and revealing.


After years of struggle, the young puppeteer, with a strong desire to work in television, made his first successful attempt in the summer of 1969 by introducing his Muppet characters who interacted with humans on “Sesame Street.” 


Time magazine featured Big Bird in 1970. Cover credit: Bill Pierce.

A year later, Time magazine featured Big Bird on the cover with the quote: “… It’s not only the best children’s TV show in history, but it is also one of the best parents’ shows as well.”

 

After the success of Sesame Street, Henson could not find producers to bring The Muppet Show to life in the United States. The production then took a more international approach when Sir Lew Grade, the owner of the British ATV Starion, produced two specials with him: “Julie on Sesame Street” and “Herb Alpert & the Tijuana Brass.”


Sir Grade was familiar with puppet television programs and offered Henson a deal to record “The Muppet Show” at the Elstree Studios in England. The deal also included an international broadcasting contract covering more than 100 countries to air the show.


Before departing for the U.K., Henson set aside his syndication and other union contracts with the Writers’ Guild and began production in London as soon as possible.


During the show’s taping, the producers booked major Hollywood stars, including Diana Ross, Henry Belafonte, and Tina Turner, to appear as special guests on “The Muppet Show.”


Aired on Sundays, “The Muppet Show” was a huge hit. During the last three months of 1976, it was viewed by 14 million people in Great Britain.

 

Before making the documentary, the Henson family was reluctant to have the creative patriarch’s image and private life go public for numerous reasons. While reviewing the archive, Ron Howard saw different options for approaching his newest adventure. He focused on the entire family behind the creator and, of course, on the unforgettable characters.

Howard unfolds a biographical story featuring fabulous archival clips, treasured interviews, glorious behind-the-scenes footage, and staggering, boundless graphic material that will keep us wondering more about the conception and embodiment of those dear, unforgettable characters and the creator himself. Disney Plus and a dozen other producers, including members of the Henson family and the estate’s heirs, produced the new documentary.


The music, produced by Hans Zimmer and composed by David Fleming (Blue Planet), is driven by playfulness and joy. Fleming adjusted to the time compression and moved through emotions about ambition, creativity, a higher spirit, and Henson’s joyful place. Fleming focused on the characters’ diversity and the universality of the inspiring creations.


“Jim Herson: Idea Man” Panel. Photo: José Alberto Hermosillo ©2024 FestivalinLA

In the documentary, the evolution of Henson’s story resonates with our memories of “The Muppet Show” and our childhood experiences, as we identified with Jim and his diverse characters.

 

The editor cleaned up the Henson family interviews using AI (Artificial Intelligence), giving the linear structure a distinctive flow. Those recordings were demanding and energizing for everyone, including the animation crew. According to a panel presented by Deadline at Vidiots in Eagle Rock, California, everyone who participated in Henson’s documentary wanted to make it right.


Jim Henson and his Muppet characters. 

The documentary was made to keep Jim’s voice active in a preserved form and to document the evolution of Mr. Henson from his participation in “Sesame Street” to “The Muppets Show” and subsequently to the feature films produced by the Jim Henson Company.


The interviews recalled experiences working with Academy Award winners Jennifer Connelly and Rita Moreno, which are essential for audiences to sympathize with the main character and his creations. Late in the game, the producers of “Idea Man” continued to find more material regarding Henson’s work.


Ron Howard continues to find subjects with stories that truly matter, and it is fascinating to discover, in this case, Jim’s early work. This documentary is about Henson’s journey and the challenges he faced as he risked everything he had to deliver one of the most transcendent shows in history for the entire family.


I applaud Howard’s team’s courage and tenacity in bringing to light the work and creations of the “Idea Man,” who, by creating one of the most influential TV shows, helped millions of children and parents learn, accept, and make this world a better place to live in.


Vidiots screening, Eagle Rock, California. Photo: José Alberto Hermosillo ©2024 FestivalinLA


Vidiots’ Jim Henson movies on DVD display. Photo: José Alberto Hermosillo ©2024 FestivalinLA

Brian Henson, producer & studio executive, son of The Muppets creator, Jim Henson.
Brian Henson, producer & studio executive, son of The Muppets creator Jim Henson & José Alberto Hermosillo, critic at www.festivalinLA.com
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Friday, March 22, 2024

BEST MAKEUP AND HAIRSTYLING - OSCAR WEEK 2024

 By José Alberto Hermosillo


BEST MAKEUP AND HAIRSTYLING 2024 PANEL

To select the Best Makeup and Hairstyling nominees, the Makeup Academy Branch has its own implicit statutes, which require choosing an element from these three categories: a period piece, a contemporary/dramatic film, and a fantasy/Sci-Fi movie. 

Established in 1981, the Makeup and Hairstyling category has recognized some of the most iconic character transformations in history. 

In recent years, a strong connection between the winning actor/actress and the winner of the Makeup & Hairstyling category has grown. 

For instance, in 2007, “La Vie En Rose” won Best Makeup and Hairstyling, and Marion Cotillard took the Best Actress award for playing the quintessential French singer Êdith Piaf. In 2012, “The Iron Lady” won Makeup and Meryl Streep Best Actress. In 2014, “Dallas Buyers Club” won Makeup, and Matthew McConaughey earned his first Best Actor Oscar. In 2017, “The Darkest Hour” won Makeup and Gary Oldman Best Actor. In 2022, “The Eyes of Tammy Faye” got Makeup and Jessica Chastain Best Actress. In 2023, Brendan Fraser won Best Actor, and “The Whale” won Best Makeup and Hairstyling. In 2024, “Poor Things” won Best Makeup, and Emma Stone won her second Oscar for playing Bella Baxter in the gothic female version of Frankenstein. 

The 2023 selected films meeting the criteria are: “Golda,” “Maestro,” and “Oppenheimer,” which are period pieces; “Poor Things” can be considered fantasy, and “Society of the Snow” in the drama category. 

THE BEST MAKEUP AND HAIR STYLING NOMINEES ARE:

“Golda”
“Maestro”
“Oppenheimer”
“Poor Things” WINNER!
“Society of the Snow”

“Golda”

Academy Award-winning actress Hellen Mirren (“The Queen,” “Gosford Park,” and “The Madness of King George”) as Israel’s Prime Minister Golda Meir faces one of the most challenging crises of her government, The Yom Kippur War in 1973.

"Golda” poster, makeup panel ©2024 Festival in LA

"Golda” makeup panel. Photo: José Alberto Hermosillo ©2024 Festival in LA

Best Achievement in Makeup and Hairstyling Nominees: Karen Hartley Thomas, Suzi Battersby, and Ashra Kelly-Blue.

“Golda” makeup display. Photo: José Alberto Hermosillo ©2024 Festival in LA

“Golda” makeup display. Photo: José Alberto Hermosillo ©2024 Festival in LA


“Maestro” 

Bradley Cooper directed and portrayed the life of the first American-Jewish conductor-composer and music instructor, Leonard Bernstein, in this intense, elegant, and educative film.

"Maestro,” makeup panel. Photo ©2024 Festival in L

“Maestro,” makeup panel. Photo: José Alberto Hermosillo ©2024 Festival in AL

Best Achievement in Makeup and Hairstyling Nominees: Kazu Hiro, Kay Georgiou, and Lori McCoy-Bell.

“Maestro,” makeup display. Photo: José Alberto Hermosillo ©2024 Festival in LA

“Maestro,” makeup display. Photo: José Alberto Hermosillo ©2024 Festival in LA

“Maestro,” makeup panel. Photo: José Alberto Hermosillo ©2024 Festival in LA

“Maestro,” makeup panel. Photo: José Alberto Hermosillo ©2024 Festival in LA

“Maestro,” makeup display. Photo: José Alberto Hermosillo ©2024 Festival in LA

“Oppenheimer” 

Irish actor Cillian Murphy brings to life the American scientist and physicist  J. Robert Oppenheimer and the crucial moment in history of developing the atomic bomb.


"Oppenheimer,” makeup panel. Photo: José Alberto Hermosillo ©2024 Festival in LA

Best Achievement in Makeup and Hairstyling Nominee: Luisa Abel.

"Oppenheimer,” makeup display. Photo: José Alberto Hermosillo ©2024 Festival in LA

"Oppenheimer,” makeup display. Photo: José Alberto Hermosillo ©2024 Festival in LA

"Oppenheimer,” makeup display. Photo: José Alberto Hermosillo ©2024 Festival in LA

“Poor Things” 

Emma Stone plays Bella Baxter in the gothic female version of Frankenstein.

"Poor Things," Poster ©2024 Festival in LA


"Poor Things," makeup panel with Willem Dafoe. Photo: José Alberto Hermosillo ©2024 Festival in LA
“Poor Things,” makeup panel with Willem Dafoe. Photo: José Alberto Hermosillo ©2024 Festival in LA

Best Achievement in Makeup and Hairstyling Nominees: Nadia Stacey, Mark Coulier, and Josh Weston. WINNERS!!!

“Poor Things,” makeup panel with Willem Dafoe. Photo: José Alberto Hermosillo ©2024 Festival in LA

“Poor Things,” makeup display. Photo: José Alberto Hermosillo ©2024 Festival in LA

“Poor Things,” makeup display. Photo: José Alberto Hermosillo ©2024 Festival in LA

“Poor Things,” makeup display. Photo: José Alberto Hermosillo ©2024 Festival in LA

“Society of the Snow” 

Spanish director J. Antonio Bayona produced and directed the third version of the survival drama of the Uruguayan rugby players who crashed in the Los Andes region of South America. “Survive!/Supervivientes de los Andes” was the first version produced by Mexico in 1976. Then, in 1993, “Alive” was made in Hollywood in English. 

"Society of the Snow," Poster ©2024 Festival in LA

"Society of the Snow," makeup pane. Photo: José Alberto Hermosillo ©2024 Festival in LA
“Society of the Snow,” makeup display. Photo: José Alberto Hermosillo ©2024 Festival in LA

Best Achievement in Makeup and Hairstyling Nominees: Ana López-Puigcerver, David Martí, and Montse Ribé.

"Society of the Snow," makeup display. Photo: José Alberto Hermosillo ©2024 Festival in LA
“Society of the Snow,” makeup display. Photo: José Alberto Hermosillo ©2024 Festival in LA

"Society of the Snow," makeup display. Photo: José Alberto Hermosillo ©2024 Festival in LA
“Society of the Snow,” makeup display. Photo: José Alberto Hermosillo ©2024 Festival in LA

"Society of the Snow," makeup display. Photo: José Alberto Hermosillo ©2024 Festival in LA
“Society of the Snow,” makeup display. Photo: José Alberto Hermosillo ©2024 Festival in LA

"Society of the Snow," makeup display. Photo: José Alberto Hermosillo ©2024 Festival in LA
 “Society of the Snow,” makeup display. Photo: José Alberto Hermosillo ©2024 Festival in LA


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Tuesday, February 27, 2024

Anatomy of a Fall: An Intellectual Dissection of a Broken Marriage

 By José Alberto Hermosillo 


"Anatomy of a Fall" is a sublime, thrilling, and transcendental modern work of art - masterfully written, directed, performed, photographed, and edited.


The family courtroom drama focuses on a freak accident, its repercussions, and the unsettled battle of the sexes continuing after death.


The 2023 Palme d'Or winner contains three familiar and robust characters who speak in different languages - French, German, and English- as a common ground. Despite their blood ties, the three members of the family are drawn into life-changing circumstances where death, entrapment, and murder play a significant role in their lives. But absolutely none of them plays the victim in this well-rounded, multi-layered story.
Up in the snowy mountains of Grenoble, France, the apparently harmonious family comprises a successful, busy German author named Sandra Voyter (Sandra Hüller), a frustrated French writer/teacher, Samuel Moleski (Samuel Theis), and their son, Daniel (Milo Machado-Graner).
Milo Machado-Graner is a young and promising actor with a successful career in French movies such as "Stuck Together" and "Waiting for Bojangles." The talented actor is extraordinary in "Anatomy of a Fall." He portrays a legally bling, independent teenager who likes to hike with his service dog, Messi, on the snowy trails of the Dauphine Alps, where they live.
Later in the film, we learn that the intellectual couple constantly fights because they blame each other for their child's accident that left him with impaired vision and how to manage their "precious time" to take care of their eleven-year-old son. 
Because of the accident, Daniel developed a high sensitivity to light exposure, which made him partially blind. He is independent but still needs adult supervision. Despite his impairment, Daniel plays the piano beautifully and walks daily along the mountain trail with his trained dog.
The dog Messi from "Anatomy of a Fall" at the Oscar Luncheon.

Le chien, Messi has been recognized as the absolute winner of the "Palm Dog" Award for his performance in this movie during this past edition of the Cannes Film Festival. He is making big waves on Hollywood's red carpets during the 2024 award season.
After Samuel's tragic death, Daniel continued his piano lesson, rehearsing "Asturias" (Leyenda), which was composed by Issac Albéniz. The strident music played during "The Fall" and replayed during the gathering of evidence is adding to the confusion and chaos. The music recurs and is a pivotal part of the narrative.
"Anatomy of a Fall" is divided into three structural parts: the day of the accident, the trial, and the unexpected resolution.
The film cleverly builds tension in some scenes; in others, it lingers through the beauty of the natural locations thanks to Simon Beaufils's gorgeous cinematography ("My Donkey, My Lover, and I," "Knife + Heart).
After the "fall," the trial is immediate. The film progresses rapidly, as the family has no time to grieve. Furthermore, we see the wife in the house training with her lawyer on what to say or not to say before the trial and how she has to justify the bruises on her arm.
After examining all the evidence and collecting the people's statements, the prosecutors find some discrepancies that may alter the cause of death, whether the case can be considered an accident or murder. Even though the film clearly stipulates the legal repercussions of the "questionable death" that happened a year later.
The prosecutors found the husband's recordings of some of the most recent couple's fights playing in the courtroom. That surprisingly new piece of incriminating evidence may point against the famous writer.
The struggle between the two writers becomes a battle of the sexes, with the husband's evident frustration at his wife's success making him seem to ignite and manipulate those intense discussions. 
The recordings were made without her consent or knowledge, which is considered illegal in some States of the United States. Still, in France, they are used as contentious proof of the couple's instability.

In European films, children are often treated as adults, no matter how complex or disturbing the situations they endure. The legally blind boy becomes the key witness in the case. 
For a child, it is devastating to lose his father, witness his mother's trial, listen to the recordings of his parents' fights in court, and give his crucial testimony that may incriminate or save his mother.
Testifying as an adult makes Daniel aware of the situation, and he must decide whether he would like to save his mother or help the prosecutor bring her to justice.

The performance by German actress Sandra Hüller ("The Zone of Interest," "I'm Your Man," "Toni Erdmann") is impressive. She displays a wide range of emotions, and even when she lies, we think she is telling the truth.
In "Anatomy of a Fall," French director Justine Triet cleverly plays with perceptions of the truth, shaped by each player's needs, interests, and points of view. Justine Trier graduated from the Paris School of Fine Arts and is an Oscar nominee for Best Director; she has an extraordinary filmmaking career with solid previous projects such as "The Age of Panic," "Sibyl," and "Victoria." Across all her films, she has three recurring themes: family, writers, and legal matters.
Justine Triet, Palme d'Or Winner, Cannes. Photo: Par Par François BECKER et © 2023 AFP

In light of the theory of eyewitness unreliability, "Anatomy of a Fall" can be related to Akira Kurosawa's "Rashomon." A few years later, in 1964, Hollywood released a remake of the Japanese classic "The Outrage" starring Paul Newman. This particular Western, directed by Martin Ritt ("Hud," "Hombre," and "Norman Rae"), is another clear example of how the truth can be distorted by witnesses' points of view, backgrounds, beliefs, and personal experiences.
In 1957, Sidney Lumet's "12 Angry Men" rounded off the perceptions of twelve jury members who had to deliver the conviction or acquittal of an eighteen-year-old boy accused of murder. They had reasonable doubts and concluded that there was not enough hard evidence to prove the boy's guilt.
Since its premiere in Cannes, "Anatomy of a Fall" has collected numerous awards worldwide. In the US, the film has been nominated for five Academy Awards, including Best Picture, Best Director, Best Actress, Best Original Screenplay, and Best Editing.
In France, the film won six César Awards, including Best Picture. In England, it won the BAFTA Award for Best Original Screenplay. In Spain, it won Best European Film at the Goya Awards Ceremony, and the list of recognitions for the French/German joint goes on.
In this legal matter, winning or losing the case in court would not bring peace to the souls of the people involved. Still, it raises more questions about what is next when they lose someone they love in a freak accident and if the accident was intentionally planned or a successful suicide attempt. It is all up to the viewer to figure out what really happened.
Regardless of any conspiracy theory, the film is open to public interpretation. Let "Anatomy of a Fall" sit for a while to process an unforgettable film that is making big waves around the world for its enormous quality in storytelling.
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