Showing posts with label women directors. Show all posts
Showing posts with label women directors. Show all posts

Tuesday, February 27, 2024

Anatomy of a Fall: An Intellectual Dissection of a Broken Marriage

 By José Alberto Hermosillo 


"Anatomy of a Fall" is a sublime, thrilling, and transcendental modern work of art - masterfully written, directed, performed, photographed, and edited.


The family courtroom drama focuses on a freak accident, its repercussions, and the unsettled battle of the sexes continuing after death.


The 2023 Palme d'Or winner contains three familiar and robust characters who speak in different languages - French, German, and English- as a common ground. Despite their blood ties, the three members of the family are drawn into life-changing circumstances where death, entrapment, and murder play a significant role in their lives. But absolutely none of them plays the victim in this well-rounded, multi-layered story.
Up in the snowy mountains of Grenoble, France, the apparently harmonious family comprises a successful, busy German author named Sandra Voyter (Sandra Hüller), a frustrated French writer/teacher, Samuel Moleski (Samuel Theis), and their son, Daniel (Milo Machado-Graner).
Milo Machado-Graner is a young and promising actor with a successful career in French movies such as "Stuck Together" and "Waiting for Bojangles." The talented actor is extraordinary in "Anatomy of a Fall." He portrays a legally bling, independent teenager who likes to hike with his service dog, Messi, on the snowy trails of the Dauphine Alps, where they live.
Later in the film, we learn that the intellectual couple constantly fights because they blame each other for their child's accident that left him with impaired vision and how to manage their "precious time" to take care of their eleven-year-old son. 
Because of the accident, Daniel developed a high sensitivity to light exposure, which made him partially blind. He is independent but still needs adult supervision. Despite his impairment, Daniel plays the piano beautifully and walks daily along the mountain trail with his trained dog.
The dog Messi from "Anatomy of a Fall" at the Oscar Luncheon.

Le chien, Messi has been recognized as the absolute winner of the "Palm Dog" Award for his performance in this movie during this past edition of the Cannes Film Festival. He is making big waves on Hollywood's red carpets during the 2024 award season.
After Samuel's tragic death, Daniel continued his piano lesson, rehearsing "Asturias" (Leyenda), which was composed by Issac Albéniz. The strident music played during "The Fall" and replayed during the gathering of evidence is adding to the confusion and chaos. The music recurs and is a pivotal part of the narrative.
"Anatomy of a Fall" is divided into three structural parts: the day of the accident, the trial, and the unexpected resolution.
The film cleverly builds tension in some scenes; in others, it lingers through the beauty of the natural locations thanks to Simon Beaufils's gorgeous cinematography ("My Donkey, My Lover, and I," "Knife + Heart).
After the "fall," the trial is immediate. The film progresses rapidly, as the family has no time to grieve. Furthermore, we see the wife in the house training with her lawyer on what to say or not to say before the trial and how she has to justify the bruises on her arm.
After examining all the evidence and collecting the people's statements, the prosecutors find some discrepancies that may alter the cause of death, whether the case can be considered an accident or murder. Even though the film clearly stipulates the legal repercussions of the "questionable death" that happened a year later.
The prosecutors found the husband's recordings of some of the most recent couple's fights playing in the courtroom. That surprisingly new piece of incriminating evidence may point against the famous writer.
The struggle between the two writers becomes a battle of the sexes, with the husband's evident frustration at his wife's success making him seem to ignite and manipulate those intense discussions. 
The recordings were made without her consent or knowledge, which is considered illegal in some States of the United States. Still, in France, they are used as contentious proof of the couple's instability.

In European films, children are often treated as adults, no matter how complex or disturbing the situations they endure. The legally blind boy becomes the key witness in the case. 
For a child, it is devastating to lose his father, witness his mother's trial, listen to the recordings of his parents' fights in court, and give his crucial testimony that may incriminate or save his mother.
Testifying as an adult makes Daniel aware of the situation, and he must decide whether he would like to save his mother or help the prosecutor bring her to justice.

The performance by German actress Sandra Hüller ("The Zone of Interest," "I'm Your Man," "Toni Erdmann") is impressive. She displays a wide range of emotions, and even when she lies, we think she is telling the truth.
In "Anatomy of a Fall," French director Justine Triet cleverly plays with perceptions of the truth, shaped by each player's needs, interests, and points of view. Justine Trier graduated from the Paris School of Fine Arts and is an Oscar nominee for Best Director; she has an extraordinary filmmaking career with solid previous projects such as "The Age of Panic," "Sibyl," and "Victoria." Across all her films, she has three recurring themes: family, writers, and legal matters.
Justine Triet, Palme d'Or Winner, Cannes. Photo: Par Par François BECKER et © 2023 AFP

In light of the theory of eyewitness unreliability, "Anatomy of a Fall" can be related to Akira Kurosawa's "Rashomon." A few years later, in 1964, Hollywood released a remake of the Japanese classic "The Outrage" starring Paul Newman. This particular Western, directed by Martin Ritt ("Hud," "Hombre," and "Norman Rae"), is another clear example of how the truth can be distorted by witnesses' points of view, backgrounds, beliefs, and personal experiences.
In 1957, Sidney Lumet's "12 Angry Men" rounded off the perceptions of twelve jury members who had to deliver the conviction or acquittal of an eighteen-year-old boy accused of murder. They had reasonable doubts and concluded that there was not enough hard evidence to prove the boy's guilt.
Since its premiere in Cannes, "Anatomy of a Fall" has collected numerous awards worldwide. In the US, the film has been nominated for five Academy Awards, including Best Picture, Best Director, Best Actress, Best Original Screenplay, and Best Editing.
In France, the film won six César Awards, including Best Picture. In England, it won the BAFTA Award for Best Original Screenplay. In Spain, it won Best European Film at the Goya Awards Ceremony, and the list of recognitions for the French/German joint goes on.
In this legal matter, winning or losing the case in court would not bring peace to the souls of the people involved. Still, it raises more questions about what is next when they lose someone they love in a freak accident and if the accident was intentionally planned or a successful suicide attempt. It is all up to the viewer to figure out what really happened.
Regardless of any conspiracy theory, the film is open to public interpretation. Let "Anatomy of a Fall" sit for a while to process an unforgettable film that is making big waves around the world for its enormous quality in storytelling.
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Tuesday, May 19, 2020

Adam: Women’s Resilience in Morocco

By José Alberto Hermosillo
Adam (2019)
 
AFI FEST REVIEW: “Adam” is an inspiring drama that explores the resilience, stigmatization, and determination that women in Morocco face.

For some women, becoming a mother is an act of love. For others, it is a devastating, distressing, and confusing experience. Every so often, it brings dishonor, shame, and misfortune.

“Adam” recaps three generations of Moroccan women who endure a unique, loveless experience in an oppressive society where religion controls every aspect of life. In this context, compounded by male dominance, women struggle for their fundamental rights to work, love, and survive in their country.

 

“Adam” is a catharsis for women seeking to live free of old societal biases.

Nasrin Erradi is Semia in “Adam.” Strand Releasing ©2019

Alone on the streets of Casablanca, a troubled, pregnant young woman named Semia, admirably played by Nasrin Erradi (“Catch the Wind”), searches for shelter. Prejudices and stigma prevent villagers and residents from helping a stranger who is expecting a child without a husband.   

Lubna Azabal as Abla in “Adam.” Standard Releasing ©2019

Semia’s misfortune might end when she enters a small bakery owned by Abla, played by the well-known actress Lubna Azabal (“Tel Aviv on Fire,” “Sofia,” “Goodbye Morocco,” and the Oscar-nominated “Incendiaries”). Azabal portrays a mature woman who hides that she can no longer love. Abla lives upstairs with her eight-year-old daughter, Warda, a curious girl seeking affection who unexpectedly bonds with the intriguing pregnant stranger she has just met.    

Nasrin Erradi is Semia in “Adam.” Strand Releasing ©2019

Semia needs shelter until her son is born. Then she plans to give him away and return to her community; afterward, her family will welcome her back as if nothing had happened.

 

Abla can host the troubled woman for only three days before neighbors start gossiping about what’s happening in that house. She already has enough problems with her daughter and her business and can’t easily give up any allowances.

 

The interaction among the three women is tense, as no one can openly express what they hide inside. However, their lives will change dramatically after they make crucial decisions, and they will let go of their pride, which will help them build a strong bond as they enter womanhood.    

 
Nasrin Erradi is Semia in “Adam.” Strand Releasing ©2019

The complications keep the audience wondering how those relationships will unfold for the resilient women as they confront their judgmental society and themselves.

 

The outstanding performances make the characters believable as they connect with their problems and surroundings, including the house, the business, the food, and the forbidden music.

 

When the actresses learned about the project, they wanted to read the script immediately and bring the stoic Moroccan women to life.

Maryam Touzani, writer/director of “Adam.” Photo by José Alberto Hermosillo, Festival in LA ©2019

When director Maryam Touzani was a child at her parents’ house, she saw women becoming mothers. That moment sparked a maternal instinct in every woman in her home, including her. Becoming a mother inspired Maryam to create a film about motherhood. To tell her story honestly. 


Maryam aimed to be as realistic and truthful as possible. “Stories of women need to be told from a woman’s perspective. The point of view of a woman director can trigger a change in society,” Maryam Touzani said at a Q&A after the screening of her film at the AFI Fest 2019 in Los Angeles.


Maryam Touzani, writer/director of “Adam.” Photo by José Alberto Hermosillo, Festival in LA ©2019

In recent years, Muslim women directors have bravely spoken out through cinema. Many have pursued their passion, discovering their unique voices by sharing personal stories with distinctive styles and aesthetics.

 

Co-produced by Morocco, France, and Belgium, “Adam” is the notable Moroccan debut of 2019. It was selected to represent the North African country in the Best International Feature Film category at the 92nd Academy Awards.


In “Adam’s” early universe, women distrust one another, yet they must be courageous and support one another to resist the oppression of their fundamentalist society in Morocco.


The three women carry heavy burdens, including anxiety, grief, and depression. They need to find the right moment to reveal their hidden desires and move past their traumatic experiences before a baby is born.

 

The film’s pacing reveals just enough to prompt the audience to consider how Adam’s birth influences the lives of these struggling women.


Without venturing into “feminist” territory, “Adam” serves as a catharsis, freeing women mentally, physically, and emotionally from an oppressive, claustrophobic environment. Motherhood offers them hope and a deeper understanding of their microcosm.


“Adam” is eloquently and beautifully crafted, encouraging us to reflect on how fortunate we are to breathe freely. At the same time, in other parts of the world, women must be resilient, stoic, and agents of change in the face of oppression. 


Adam trailer


Maryam Touzani, writer/director of “Adam.” Film critic José Alberto Hermosillo, Festival in LA, ©2019
Lubna Azabal plays Abla in Adam. Critic José Alberto Hermosillo, Festival in LA ©2019

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