Thursday, October 3, 2019

Synonyms: A Good Jew in Paris

By José Alberto Hermosillo


“Synonyms” is an urgent cry for freedom. A sublime and obsessively poetic Nadav Lapid film, unmissable and beautiful—pure Bertolucci!


Immigration, antisemitism, far-right politics, and extreme nationalism have increased, prompting many French Jews to return to Israel. Ironically, young Joav, skillfully portrayed by newcomer Tom Mercier, is prepared to do the opposite. When he arrives in Paris, he feels a strong desire to become a French citizen; therefore, he decides to study the language intensively.

 

Joav is an Israeli soldier who deserted and suffers from PTSD. His memories of abuse and brutality during his time in the army are mixed with a clear dehumanization of his character.


“Synonyms” ©Berlin Film Festival

When Joav arrives in the city, he falls asleep in the bathtub of an empty apartment in an upscale neighborhood. When he wakes up, all his belongings are gone. Returning to the tub and nearly dying of hypothermia, he is rescued by a young good Samaritan couple.

“Synonyms” ©Berlin Film Festival

Emilie (Quentin Dolmaire, “Godard Mon Amour”) and Caroline (Louise Chevillotte) are a wealthy couple seeking to satisfy their intellectual curiosity by riskily engaging in dangerous games with Joav.

 

They feed him, dress him, and give him money. At one point, Emilie suggests that Caroline marry Joav to help him become a French citizen faster. What a fortunate boy! Their generosity comes at a steep cost because nothing in life is truly free.


“Synonyms” ©Berlin Film Festival

“Synonyms” is an existentialist masterpiece with complex events that inspire its audience to explore the true meaning of friendship, origin, nationality, human dignity, and self-respect.

 

While working at the Israeli Embassy, Joav causes chaos by attempting to help people seeking shelter. The symbolism and political correctness of the film reach their peak through an extreme event that challenges boundaries and international borders—metaphorically speaking—highlighting Joav’s liberal actions contrasted with Israel’s politics toward Palestinians.

 

Joav’s only weapon is a French/Hebrew dictionary, which he desperately uses to find many words to recite. The only way to survive in the classist French society is to speak Victor Hugo’s language flawlessly because Joav knows it’s never too late to save his soul.


Nadav Lapid winning the Golden Bear for “Synonyms” ©Berlin Film Festival.

Once he earned a degree in philosophy from Tel Aviv University, visionary director Nadav Lapid (“Kindergarten Teacher,” “Policeman”) moved to Paris after completing his military service in Israel. He aimed to clear his mind and become a French citizen, which is reflected in his compelling body of work, especially in his latest film, “Synonyms,” a masterpiece.

“Synonyms” ©Berlin Film Festival

To write about the 2019 Berlin Golden Bear winner, Lapid focuses on the main character’s journey and his wealthy friends. The director’s semi-autobiographical film reveals many layers of the story through Joav’s conflicted personality. It shows both his inner drive and his determination to reach his goal. Still, it also challenges his desire to uphold Israel’s Zionist ideals, because his background significantly influences his life.

 

As a paradox in the story, Joav is a soldier who deserted his country and then emigrated to France, only to be alienated by the Parisians.

 

When Joav’s father traveled to Paris to bring him back to Israel, Joav refused to listen to his mother’s message, and nothing could change his mind. He remained hesitant about his Israeli nationality, but he focuses on his goal.

 

In Israel, the generational clash is clear - the older generation speaks Hebrew, while the younger generation speaks English. The new immigrant sings the Marseillaise in France better than any native-born French citizen.

 

“Synonyms” appeals to the human spirit by showing the main character’s vulnerability in a highly dehumanized society.


“Synonyms” ©Berlin Film Festival

The controversial film is a social and political manifesto that depicts an idealistic young man’s struggle to adapt to a new society, grappling with the concepts of freedom, opportunity, equality, indulgence, range, unrestrainedness, and rope, under different circumstances. Conversely, as a naturalized citizen embracing his new country, he may embody loyalty, gratitude, and righteousness. 

When the wealthy abuse the poor, the fragile line of trust shatters. A moment of awareness is crucial, and it is when the player no longer wants to participate. 

A man should avoid pushing his luck in dangerous conditions in this new land of opportunities. In “Synonyms,” one crucial question arises: How far can a player go in the dangerous “game of life,” impacting others viciously without any rules?

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Friday, September 6, 2019

COLCOA 23rd ANNIVERSARY - THE FRENCH FILM FESTIVAL RESUMES IN LOS ANGELES

By José Alberto Hermosillo
COLCOA 2023
COLCOA 23rd Anniversary - September 23-28, 2019

After a long break, COLCOA (City of Lights, City of Angels) returns to Los Angeles, the last week of September 23-28, 2019. The French Film Festival is the largest and most prestigious festival dedicated to French cinema outside France.

Presented by the Franco-American Cultural Fund, Colcoa celebrates its 23rd Anniversary with three important updates: 1. The DGA (Directors Guild of America) theaters underwent a state-of-the-art renovation, and they will project every single film to perfection. 2. Due to its official venue renovation, the French festival has moved from the Spring to the Fall. 3. Lastly, with the new dates, the organizers hope to bring French cinema to the spotlight during the Awards Season.

Michael Mann. Photo: José Alberto Hermosillo ©2019 Festival in LA.

The DGA, an Extraordinary Venue
At a press conference held at the French Consulate house in Beverly Hills, renowned director Michael Mann, known for “Heat,” “The Insider,” and “Collateral,” introduced the newly remodeled DGA Theaters with new features, including the Dolby Vision projection system and the Dolby Atmos System. Also, the DGA is upgrading its 35- and 70-mm feature-film projection systems.

The extensive DGA Theater renovation took about six months to complete. The upgrades were designed by film directors to make the audience feel as if they were inside the movie or behind the screen. The French Film Festival will be the first event hosted at the renovated DGA theaters to offer this experience to the public who love foreign films.

COLCOA Press Conference. Photo: José Alberto Hermosillo ©2019 Festival in LA.

This year, Colcoa is focusing on promoting fewer French films to make a lasting impression on the American market before the end of the year. Colcoa will showcase 59 premieres, including documentaries, features, animations, shorts, and the classics. Everybody loves the classics.

Champagne at Colcoa’s Opening Night. Photo: José Alberto Hermosillo ©2019 Festival in LA.

From Cannes to Los Angeles
For the first time, Angelenos will have the opportunity to see many films that premiered at Cannes sooner. In some cases, other exceptional projects still need to be distributed in US theaters. Plus, we will have the opportunity to meet and listen to the French filmmakers and some cast members.

Opening Night
The Opening Night Gala is a highlight of the French festival, where many European stars mingle with Hollywood celebrities. The guests can enjoy champagne and hors d’oeuvres from some of the city’s most excellent French restaurants.

Les Miserables movie review
“Les MisérU” US Premiere, COLCOA Opening Film
Les Misérables, directed by Ladj Ly, is the opening film. This contemporary adaptation of Victor Hugo’s novel focuses on the diversity of Parisian housing projects with sleazy cops, small-time hoods, the Muslim Brotherhood, and ragtag children. This controversial film won the Jury Prize and the 2019 D’Ornano-Valentini Prize at Cannes.

Costa-Gavras. © Pathé Distribution
The French festival highlights include prestigious Academy Award-winning directors such as Costa-Gavras, whose films include “The Confession” and “Amen.” The prizewinning director returns to his roots of political struggles. Now, in the middle of the Greek economic crisis that rocked the world. His film clearly shows the Greek tragedy that led to the 2015 bailout referendum. “Adults in the Room” has the structure of an intense thriller, keeping spectators on the edge of their seats. Costa-Gavras will be attending the festival.
“Young Ahmed” COLCOA, North America Premiere

Jean-Pierre and Luc Dardenne, two-time Palme d’Or-winning directors, are presenting their up-to-date work, “Young Ahmed.” The Dardenne brothers won the Best Director award at Cannes this year with this film.

“Papicha” COLCOA, North America Premiere

Films Directed by Women
Many of the films showcased at Colcoa are written and directed by women, including Papicha by Mounia Meddour. “Papicha” is a World Cinema production from France and is the Algerian Oscar© Submission in the Best International Feature Film category.


“I Lost My Body” COLCOA Special Presentation.

The Festival Animated Features: 

I Lost My Body” is a nostalgic and poetic animation directed by Jérémy Clapin. This detective story is a mixture of horror and romance. This outstanding first-time work received the Critics’ Week Grand Prize at Cannes.

“Minuscule: Mandibles From Far Away” COLCOA Los Angeles Premiere

Minuscule: Mandibles From Far Away,” directed by Héléne Giraud and Thomas Szabo, is a spectacular 3D animated delight. This tender coming-of-age story centers on a Ladybug from the snowy mountains of France trapped in a case of chestnut cream shipped off to a tropical paradise. It is a tale of solidarity, tolerance, and friendship. Both animated French films meet the Academy’s requirements to qualify for the 2020 Oscars.

“La Belle Époque” US Premiere

The Closing Night Film is Nicolas Bedos’ “La Belle Époque.” The film stars Daniel Auteuil, Guillaume Canet, Doria Tillier, and Fanny Ardant. This time-traveling comedy got an eight-minute standing ovation at its premiere in Cannes.


Colcoa Community Outreach

The French film festival with ELMA (European Languages and Movies in America) has significant community outreach. Both nonprofit organizations positively impact hundreds of high school students from different parts of the city, giving them the full experience of French cinema and allowing them to participate in what we call a World-Class Film Festival.

BOX OFFICE
 www.colcoa.org.

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Friday, August 23, 2019

Tigers Are Not Afraid: The Lost Boys & Girls of Mexico

By José Alberto Hermosillo
Tigers Are Not Afraid, poster. ©2019 Shudder


“Tigers Are Not Afraid/Vuelven” crosses the line between fiction and reality - timely, powerful, and provocative! 

 

A decade of the ongoing “War on Drugs” has resulted in thousands of deaths and missing persons in Mexico. The acclaimed writer/director Issa López courageously addresses the increasing problem of the forgotten children of war. In her new genre film, street children bargain with drug dealers and corrupt politicians and face death.

 Issa López Photo: José Alberto Hermosillo ©2019 Festival in LA.
 
In Issa López’s magical-realism universe, fantasy clashes with harsh realities. She powerfully depicts school shootings, kidnappings, torture, murder, and mass graves — balancing them with dragons, fairies, and mythology. The story of “The Prince and the Tiger” works perfectly as the film’s central thread, symbolically speaking.
 
Tigers Are Not Afraid ©2019 Shudder.
 

López started her career writing successful comedies like “Casi Divas/Road to Fame,” but she always dreamed of working in drama. She is a big fan of genre movies. As a disciplined writer for this project, López woke up an hour early to write one scene each day. For her, blending the elements of a fairy tale with the character archetype was very satisfying.


The idea behind making this “Tiger” movie came from López’s conversation with a journalist. They wondered what was happening with the child victims of the War on Drugs. These children live alone in ghost towns. López cleverly considers her film a reflection of Mexican reality.


Tigers Are Not Afraid ©2019 Shudder.

The director explains that her biggest challenge was finding children who could perform authentically in front of the camera. The production auditioned 600 youngsters, narrowed it down to 200, and finally selected five. All of the children were first-time actors who did an outstanding job.


Handling children’s exposure to violence is challenging. Therefore, Issa López collaborated with the Brazilian casting director of the realistic film “City of God.” She told her, “You need to work with the emotions of those children.” López used techniques to capture and release the children’s reactions, encouraging their best performances.


López says, “In a movie, fear is the hardest emotion to portray.” Before filming, she discussed fantasies, misconceptions, and other realities with the children. “It was easy for them to empathize with the other children who have no parents,” she explains.


The story begins with the poetic narration of the fairy tale “The Prince and the Tiger.” Estrella (Paola Lara), a ten-year-old girl, subconsciously enters a fantasy that blends with her reality when bullets fly overhead. To ease the tension, the schoolteacher grants her three wishes. From that moment, a magical sense of blood follows the little girl.


A few days pass, and Estrella realizes her mom is not coming back to feed and hug her. When she wishes for her mother’s return, whispers in her ear seem to echo. Feeling hungry, she has no choice but to join the street children to survive.


Tigers Are Not Afraid ©2019 Shudder.

El Shine (Juan Ramón López) is the clan’s leader. He refuses to accept a girl as a new member, but Estrella has what it takes to challenge him. El Shine has a cellphone with an incriminating video of one of the Narcos torturing Estrella’s mother and other women.


Technically, the script is detailed, and the short dialogues are unique and relevant to each character, ensuring the narrative flows smoothly.


Issa López’s style aligns with that of other great directors, such as Alejandro Amenábar’s “The Others,” J.A. Bayona’s “The Orphanage,” Guillermo del Toro’s “The Devil’s Backbone,” Jeff Nichols’ “Midnight Special,” and, more recently, “Brightburn” by David Yarovesky.


The timing of this film couldn’t be better for what children experience today around the world. The director compares children left alone in Mexico with those from Central America who escape violence, cross the US border, and are separated from their families, often being hauled in containers.


American children can’t escape the chaos caused by mass school shootings. Child soldiers in African countries, the Sicario kids in South America, and many children worldwide face terrifying times.


In Issa López’s world, believing in fairy tales to face these challenges is essential. Remember, you only have three wishes to fulfill your destiny.


José Alberto Hermosillo, Issa López. Photo: ©2019 Festival in LA.
 

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