By José Alberto Hermosillo
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Esther Harris is Trash Baby in Hollywood. Photo by José A Hermosillo, Copyrights 2025 |
For director Jacy Mairs, a trailer park in Oregon was essential because the oppressive environment becomes a character in the film, illustrating how American kids grow up in harsh conditions.
Alongside “The Florida Project,” “Beast of the Southern Wild,” and “Kids,” “Trash Baby” stands out as a key film about the growth and maturity of American children.
When teens feel worthless, some kind of hope must shine through. The question is whether Stevie wants to grow up and join the older teenagers’ gang, following the path of her very young single mother’s neighbor with no future, or continue being Mommie’s little girl and playing with dolls.
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Director Jacy Mairs (Trash Baby) and José A Hermosillo, Copyrights 2025 |
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