Showing posts with label Mexican Cinema. Show all posts
Showing posts with label Mexican Cinema. Show all posts

Friday, August 23, 2019

Tigers Are Not Afraid: The Lost Boys & Girls of Mexico

By José Alberto Hermosillo
Tigers Are Not Afraid, poster. ©2019 Shudder


“Tigers Are Not Afraid/Vuelven” crosses the line between fiction and reality - timely, powerful, and provocative! 

 

A decade of the ongoing “War on Drugs” has resulted in thousands of deaths and missing persons in Mexico. The acclaimed writer/director Issa López courageously addresses the increasing problem of the forgotten children of war. In her new genre film, street children bargain with drug dealers and corrupt politicians and face death.

 Issa López Photo: José Alberto Hermosillo ©2019 Festival in LA.
 
In Issa López's magical-realism universe, fantasy clashes with harsh realities. She powerfully depicts school shootings, kidnappings, torture, murder, and mass graves — balancing them with dragons, fairies, and mythology. The story of “The Prince and the Tiger” works perfectly as the film's central thread, symbolically speaking.
 
Tigers Are Not Afraid ©2019 Shudder.
 

López started her career writing successful comedies like “Casi Divas/Road to Fame,” but she always dreamed of working in drama. She is a big fan of genre movies. As a disciplined writer for this project, López woke up an hour early to write one scene each day. For her, blending the elements of a fairy tale with the character archetype was very satisfying.


The idea behind making this “Tiger” movie came from López’s conversation with a journalist. They wondered what was happening with the child victims of the War on Drugs. These children live alone in ghost towns. López cleverly considers her film a reflection of Mexican reality.


Tigers Are Not Afraid ©2019 Shudder.

The director explains that her biggest challenge was finding children who could perform authentically in front of the camera. The production auditioned 600 youngsters, narrowed it down to 200, and finally selected five. All of the children were first-time actors who did an outstanding job.


Handling children’s exposure to violence is challenging. Therefore, Issa López collaborated with the Brazilian casting director of the realistic film “City of God.” She told her, “You need to work with the emotions of those children.” López used techniques to capture and release the children’s reactions, encouraging their best performances.


López says, “In a movie, fear is the hardest emotion to portray.” Before filming, she discussed fantasies, misconceptions, and other realities with the children. “It was easy for them to empathize with the other children who have no parents,” she explains.


The story begins with the poetic narration of the fairy tale “The Prince and the Tiger.” Estrella (Paola Lara), a ten-year-old girl, subconsciously enters a fantasy that blends with her reality when bullets fly overhead. To ease the tension, the schoolteacher grants her three wishes. From that moment, a magical sense of blood follows the little girl.


A few days pass, and Estrella realizes her mom is not coming back to feed and hug her. When she wishes for her mother’s return, whispers in her ear seem to echo. Feeling hungry, she has no choice but to join the street children to survive.


Tigers Are Not Afraid ©2019 Shudder.

El Shine (Juan Ramón López) is the clan's leader. He refuses to accept a girl as a new member, but Estrella has what it takes to challenge him. El Shine has a cellphone with an incriminating video of one of the Narcos torturing Estrella’s mother and other women.


Technically, the script is detailed, and the short dialogues are unique and relevant to each character, ensuring the narrative flows smoothly.


Issa López’s style aligns with that of other great directors, such as Alejandro Amenábar’s “The Others,” J.A. Bayona’s “The Orphanage,” Guillermo del Toro’s “The Devil’s Backbone,” Jeff Nichols’ “Midnight Special,” and more recently, “Brightburn” by David Yarovesky.


The timing of this film couldn’t be better for what children experience today around the world. The director compares children left alone in Mexico with those from Central America who escape violence, cross the US border, and are separated from their families, often being hauled in containers.


American children can’t escape the chaos caused by mass school shootings. Child soldiers in African countries, the Sicario kids in South America, and many children worldwide face terrifying times.


In Issa López’s world, believing in fairy tales to face these challenges is essential. Remember, you only have three wishes to fulfill your destiny.


José Alberto Hermosillo, Issa López. Photo: ©2019 Festival in LA.
 

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Friday, September 21, 2018

Roma and Ten New Mexican Trailers

By José Alberto Hermosillo
Roma and Ten New Mexican Trailers
From Sundance to Berlin - from Toronto to Morelia - from Guadalajara to Venice and Los Angeles, the richness of Mexican Cinema is generating multiple awards and rave reviews in the international festival circuit. 

This year, besides "Roma," the most recent work of the Oscar® winner director Alfonso Cuarón ("Gravity"), many more award-winning Mexican directors have accomplished beautiful works of fiction, enduring documentaries, and impressive animations --- some already a local box-office hits. 

While the films Made in Mexico are captivating audiences in festivals around the globe, the projects are facing the headache of distribution and accessibility to a broader audience. 

For many who would like to watch those remarkable pieces on the Big Screen, we leave a taste of another big wave of buen Cine Mexicano.

The year 2018 could be considered by many, one of the best years in Mexican Cinema. Here, we present the trailers of some of those excellent films worth your time:

"Roma"
Roma (2018)
Directed by Alfonso Cuarón
(Y tú mamá también, Children of Men)
Location: Ciudad de México
The Oscar winner director returns to his hometown to recount his most intimate and visceral history about growing up during the early 1970s in a country where politics, justice, and class struggle is reflected in stunning black & white cinematography.

La Negrada (2018)
Directed by Jorge Pérez Solano
Locations: Oaxaca, Mexico
The first controversial Mexican work of fiction relates to Afro-Mexicans from the Pacific Coast. This powerful film shows the diversity in skin tones of people hidden in the remote communities of Mexico. It premiered at the FICG 33 (Festival Internacional de Cine de Guadalajara).

Rush Hour (2018)
Directed by Luciana Kaplan
Locations: Los Angeles, Mexico City, Istambul
This ambitious documentary shows that commuting is tough. It reveals the frustration of people from three different countries who sit in traffic for hours. This film won Best Documentary at the Morelia International Film Festival.

Cuernavaca (2017)
Directed by Alejandro Andrade
Locations: Ciudad de México, Cuernavaca
The family drama starts when Andy’s mother gets killed. At age eleven, he moves in with hysterical his grandmother (Carmen Maura) in Cuernavaca. In the absence of his alcoholic father, Andy will find emotional support in the sneaky and sexual gardener.

Time Share (2018)
Directed by Sebastián Hofmann
Location: Acapulco
A surreal story set in a dystopian universe of a paradisiac resort on Mexico's Pacific coast.
The conflict is generated when two families, ready for leisure, are placed in the same bungalow by an invisible all-mighty mastermind who wants to make their lives miserable.
This work of fiction is a direct consequence of one of the most critical industries in Mexico: tourism. 
Winner of the Special Jury Prize, Sundance Film Festival.

 
Museo (2018)
Directed by Alonso Ruizpalacios
Locations: Ciudad de México, Acapulco, Chiapas.
The film, based on the most massive heist in Mexico’s history where Gael Garcia Bernal and Leonardo Ortigriz (Güeros) will burgle the World’s Largest Archeologic Museum. The crime that shocked an entire Nation was followed by thousands of concerned citizens who saw their past desecrated. 
Winner - Silver Bear Best Screenplay, Berlin Film Festival, 2018.

Nuestro Tiempo (2018)
Directed by Carlos Reygadas
(Japón, Silent Light)
Location: Altiplano
A film that juxtaposes its artsy look with its drama.  Due to the wife’s infidelity in the countryside, the marriage crumbles. The enduring love triangle premieres at the 75th Venice Film Festival.

The Eternal Feminine (2017)
Directed by Natalia Beristaín
Location: Ciudad de México
Rosario Castellanos was one of the most prominent females writers in the 1950’s. The biopic reflects Rosario’s most crucial moments. While teaching college, she empowers women, as her marriage and personal life collapses. 
Actress Karina Gini won the Silver Ariel (Mexican Oscar) for Best Actress. This film is also the winner of the Audience Award at the Morelia International Film Festival.  

Guerrero (2017)
Directed by Ludovic Bonleux
Location: Estado de Guerrero
We have never seen the War on Drugs up-close and personal as it shows in this film. Between the Narco and a corrupt government, the inhabitants of a small community realize their lives are trapped. Thousands vanish, and even more, are left orphans. 
The controversial documentary won the Social Justice Award at the Santa Barbara International Film Festival 2018.

Mamacita (2018)
Directed by José Pablo Estrada Torrescano
Location: Ciudad de México
Before becoming a film director, José Pablo promises to his glamorous grandmother, Mamacita, to make a movie about her life. When he finishes film school, he returns to fulfill that vow. In this documentary, he uncovers personal secrets, obsessions, and lies of the Mexican high-society, which includes those of his beloved grandmother. 
Official Selection Los Angeles Film Festival 2018.

Ana y Bruno (2017)
Directed by Carlos Carrera
(The Crime of Father Amaro)
Ana and her imaginary friend Bruno, plus a bunch of weird and cool characters, gear up for the adventure to rescue someone dear to her heart. It took ten years to produce this beautiful animated feature that Guillermo del Toro is calling “Pure gold.”