Wednesday, June 8, 2022

Laura Pausini: Pleased to Meet You, Recounts the Life of the Italian Megastar Gracefully

By José Alberto Hermosillo


Intimate, emotional, and personal, the new documentary about the beloved Italian singer Laura Usini features extensive unseen footage. A total crowd-pleaser!

 

The documentary is narrated by the singer herself in the first person. The film presents Laura Usini as a strong woman with solid family values, deeply bonded to her loved ones. The feature emphasizes the Italian star’s international presence and the risks she took to achieve lasting glory in the music industry.

 
 
The non-linear project starts with Laura Pausini winning the Golden Globe for Best Original Song, “Io si/Seen,” from the 2021 picture “The Life Ahead/La vita davanti a sé.” The song was composed by Diane Warren, Pausini, and Niccolo Agliardi, a thirteen-time Oscar nominee. The emotions for the entire Pausini family continue, with some of them in Italy and Laura in Los Angeles, where she received her first Oscar nomination.

The daughter of an extraordinary musician and songwriter, Pausini’s musical career began on a fateful day when she missed her train to school. While studying ceramics at the Art Institute of Romagna, she became inspired to write a song about missing the train. At eighteen, she was invited to participate in the Sanremo Italian Song Festival; she became the youngest contestant to win the competition in 1993.

Greatness and fame came suddenly for the talented Italian teen. She subsequently had the opportunity to sing alongside some of the most significant Italian singers, including Luciano Pavarotti, Andrea Bocelli, and Eros Ramazzotti.
 
“Solitude/The Loneliness” was one of her first international hits. Her first tour was
  Holland, Belgium, and Germany.
 
As her music has allowed her to travel the world, Pausini is familiar with many cultures, yet feels closer to Latin American culture. She started singing in Spanish at 19 and traveled to Argentina, Chile, Brazil, and Mexico multiple times, developing a special closeness to Latin people. Her first hit in Spanish was “Se fué/He’s Gone.”
 
After the talented Paolo Carta came into her life, they became family. He had four children from his previous marriage. Laura loves all of them equally, and for a long time she longed for children of her own, yet it wasn’t until 2013 that she realized her long-cherished dream of motherhood.

Pausini frequently asks herself what she would be doing, other than singing, if she had not won at Sanremo, and muses that she might have become a housewife or an architect. She couldn’t imagine other than a singer - there was no plan B.

Based on an idea of her own, the documentary adopted a non-chronological approach, connecting Pausini’s present-day lifestyle perfectly with her Italian roots. The project also presents Laura Pausini as a trooper, a combative warrior who never gives up, and a sensitive woman full of that special tenderness that characterizes her, always remaining humbly grounded to her culture, family, fans, and close ones.

The narrative showcases the singer as a winning woman who longs for a “normal life.” After so many concerts and tours, Pausini wants to be with her family, friends, and neighbors, just like an average person. 

An important lesson Pausini learned was that music can modify people’s thinking. In this connection, the documentary is subtly underscored by a minimal screening time of some of the greatest hits, including “Tra te il mare/Between You and the Sea” (my favorite), “Vivimi,” “Inolvidable,” and “One More Time.”

For more than thirty years of a successful career, Pausini’s maturity helped her begin producing her own records. Her first Grammy came with “Listen.” Instead of basking in the winner’s joy, Pausini sinks into the despair of her loneliness. Alone at the hotel on that glamorous night, she orders a hamburger. The waiter brought her a bottle of champagne, and the two drank to her accomplishment. Subsequently, Laura won four Latin Grammy Awards.

“Laura Pausini: Pleased to Meet You” focuses exclusively on Pausini’s point of view and provides the viewer with a limited vision of her story without reaching out to other people in the industry—managers, colleagues, song producers, and others who may see the world around her differently.

In terms of editing and breadth of information, the documentary directed by Ivan Cotroneo (“One Kiss,” “Kryptonite!”), Is an emotional roller coaster appealing to the vast majority of viewers? Nevertheless, it doesn’t achieve the mastery of other award-winning music documentaries that focus on women singers. For instance, Asif Kapadia’s “Amy” on the life and career of British singer/songwriter Amy Winehouse; Rob Epstein and Jeffrey Friedman’s “Linda Ronstadt: The Sound of My Voice” on the tragic life of the Mexican-American legend; or R. J. Cutler’s “Billie Eilish: The World’s a Little Blurry” a film on the teen sensation who took the world b  storm. However, the Italian singer’s charm is sure to please everyone, even if we don’t speak Italian.

Now streaming on Prime Video, “Laura Pausini: Pleased to Meet You” invites American audiences to get to know one of Italy’s most famous singers, a charismatic woman with a prodigious voice who has conquered it all, including herself.

Film critic José Alberto Hermosillo and Italian singer Laura Pausini at a Christmas autograph signing in Los Angeles. FestivalinLA ©2016.

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Saturday, May 28, 2022

CANNES 2022 ANNOUNCES THE WINNERS


By José Alberto Hermosillo

Triangle of Sadness poster
Palme d’Or:

“Triangle of Sadness,”

Ruben Östlund

 


Grand Prix — TIE:

“Stars at Noon,” Claire Denis 

&

“Close,” Lukas Dhont


Director:

Park Chan-wook, “Decision to Leave”

 

75th Anniversary Special Award:

Jean-Pierre and Luc Dardenne, “Tori & Lokita”


Actor:

Song Kang-ho, “Broker”

Actress:

Zar Amir-Ebrahimi, “Holy Spider”

 

Jury Prize — TIE:

“The Eight Mountains,” Félix Van Groeningen and Charlotte Vandermeersch

&

“EO,” Jerzy Skolimowski


Screenplay:

Tarik Saleh, “Boy from Heaven”

Camera d’Or:

“War Pony,” Gina Gammell and Riley Keough

Camera d’Or Special Mention:

“Plan 75,” Hayakawa Chie

 

Short Films Palme d’Or:

“The Water Murmurs,” Jianying Chen

Short Films Special Mention:

“Lori,” Abinash Bikram Shah


Golden Eye Documentary Prize:

“All That Breathes,” Shaunak Sen


Queer Palm:

“Joyland”

 

UN CERTAIN REGARD

 

Un Certain Regard Award:

“The Worst Ones,” Lise Akoka, Romane Gueret

 

Jury Prize:

“Joyland,” Saim Sadiq

Best Director Prize:

Alexandru Belc, “Metronom”


Best Performance Prize — TIE:

Vicky Krieps, “Corsage”

&

Adam Bessa, “Harka”


Best Screenplay Prize:

Maha Haj, “Mediterranean Fever”

 

Coup de Coeur Award:

“Rodeo,” Lola Quivoron

 

DIRECTORS’ FORTNIGHT

 

Europa Cinemas Label:

“One Fine Morning,” Mia Hansen-Løve

 

Society of Dramatic Authors and Composers Prize:

“The Mountain,” Thomas Salvador

 

CRITICS’ WEEK

Nespresso Grand Prize:

“La Jauria,” Andres Ramirez Pulido

 

French Touch Prize:

“Aftersun,” Charlotte Wells

 

GAN Foundation Award for Distribution:

Urban Distribution, “The Woodcutter Story”

 

Louis Roederer Foundation Rising Star Award:

Zelda Samson, “Love According to Dalva”

 

CINÉFONDATION

First Prize: A Conspiracy Man,” Valerio Ferrara

Second Prize: “Somewhere,” Li Jiahe

Third Prize — TIE:

“Glorious Revolution,” Masha Novikova

&

“Humans Are Dumber When Crammed Up Together,” Laurène Fernandez

 
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