Showing posts with label Global Warming. Show all posts
Showing posts with label Global Warming. Show all posts

Friday, July 14, 2023

The Territory: The Battle to Save the Amazon Has Just Begun

By José Alberto Hermosillo

“The Territory” is a bold, award-winning documentary that bravely reveals the mystery behind the fires in the Amazon rainforest.

 

In 2019, many believed the destruction of the Amazon rainforest was caused by natural factors, such as dry seasons, as well as by climate change. However, behind those fires and deforestation were individuals in power—landowners, multinational corporations, and dangerous men with guns—who sought to take the land that had long belonged to the indigenous people of Brazil.

 

Intentional Fires in the Amazon, The Territory, Copyright © National Geographic 2022


During his political campaign, the Bolsonaro regime started hate speech against Brazil’s indigenous people: “There won’t be getting one more inch of the indigenous reserve land.” When the populist candidate won the presidency, his government did nothing to protect the land, the natives, the flora and fauna, and the endangered species.

 

The original story was revealed when Neidinha Bandeira, a forest defender and activist, received enough hate mail, death threats, and a kidnapping attempt, prompting her to send an urgent message about her safety and the area’s security to journalists around the world.

 

Director Alex Pritz, producer Gabriel Uchida & producer Sigrid Dyekjær. Photo by José Alberto Hermosillo.
Raleigh Studios, Hollywood.
Copyright © Festival in LA, 2022

In 2016, a friend of the award-winning Brazilian journalist and producer Gabriel Uchida advised him to cover and document the story of the fires and the full-scale warfare the natives endured to protect the rainforest. Since then, Gabriel has moved to Amazonian communities to continue his journalistic work and shed light on the reexamination of those tragic events.

Director Alex Pritz, producer Gabriel Uchida. Photo by José Alberto Hermosillo.
Raleigh Studios, Hollywood.
Copyright © Festival in LA, 2022

In New York, director Alex Pritz began conversations with elderly Indigenous people and, with their permission, documented their lives. Later, he became interested in filming Brazilian natives in their land. Their resilience, courage, and resistance motivated him to participate in the documentary.


Respectful of indigenous cultural identity, Alex Pritz avoided exploiting the natives’ land, culture, or language, recognizing that white settlers had taken so much from them, including their land. White people assumed ownership of the indigenous narrative and traditions.


The Territory, Copyright © National Geographic 2022

After a devastating fire, Neidinha questions the conscienceless actions of those who acted illegally and the massive environmental damage they have inflicted on humanity. She also requests safety for the Uru-eu-wau-wau people and wonders how many more must die to protect the rainforest.

 

Alex Pritz’s subtle camera work is outstanding. His footage ranges from tiny insects to aerial shots of the Amazon. He shares cinematography credits with an insider, Tangãi Uru-eu-wau-wau.

 

Alex Pritz reached out to the Invaders, comparing his personal experience and the white trespassers in Brazil with American colonialism, which often sees itself as heroic without understanding its actions.


It took three years to produce the documentary, and the challenges were significant. The crew often had to drive 6 to 12 hours to reach remote locations, especially during the rainy season.

 

Editor Carlos Rojas presents the film in a natural flow, allowing viewers to follow each character as their struggles and hopes unfold. The transitions are seamless. However, maintaining visual balance among all storylines is essential. The excess expository dialogue reduces the emotional impact of this already powerful film.

 

Katya Mihailova’s music is unforgettable. She exudes positivity, and her lively rhythms heighten tension during dangerous scenes. To showcase each character’s uniqueness, the composer gave each a distinct score, enhancing the sounds of the frontier and rainforest.

 

Renowned director Darren Aronofsky (“The Whale,” “Black Swan,” “The Wrestler”) also participated, along with Sigrid Dyekjær (“The Cave,” “Food and Country”) and Gabriel Uchida from the outstanding production team, providing full support and control to director Alex Pritz.


The Territory, Copyright © National Geographic 2022

Knowledge empowers people. Therefore, Amazonians must document every incursion, intentional fire, and attempt on their lives using cameras, drones, computers, and social media as tools against the invaders. Now, they can send the material directly to news broadcasters and engage more people in helping protect Brazil’s indigenous lands.

 

Director Alex Pritz, producer Gabriel Uchida, film critic José Alberto Hermosillo & producer Sigrid Dyekjær.
Raleigh Studios, Hollywood.
Copyright © Festival in LA, 2022

Fans of President Bolsonaro learned about the making of the film, how the documentary empowered native communities, wanted the filmmakers out of Brazil, and sent death threats to their phones, emails, and homes.

 

During its three-week theatrical run in Brazil, “The Territory” received a strong response from locals, with half of the audience coming from indigenous communities.


“The Territory” is a highly recommended documentary nominated for three Primetime Emmy Awards, including Exceptional Merit in Documentary Filmmaking, Outstanding Cinematography for a Nonfiction Program, and Outstanding Direction for a Documentary/Nonfiction Program. It is now streaming on Hulu.


The National Geographic/Brazilian co-production won the Audience Award and the Special Jury Award for Best Documentary at the 2022 Sundance Film Festival. It also received the Cinema for Peace Award and Best Documentary at the Zurich Film Festival.


The Territory | Official Trailer | National Geographic

Director Alex Pritz, producer Gabriel Uchida & film critic José Alberto Hermosillo.
Raleigh Studios, Hollywood.
Copyright © Festival in LA, 2022

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Monday, April 29, 2019

The Biggest Little Farm: Transforms Land Into a “Farmville” Reality

By José Alberto Hermosillo

“The Biggest Little Farm” is a captivating, environmentally inspiring, and organically stimulating documentary about the excitement of running a successful farm in California. A total winner!

 

Facing eviction from their tiny urban apartment in Santa Monica, California, John and Molly Chester needed a new place to live, a backyard where their new dog, Todd, could bark as much as he wanted. 


 Molly and John Chester ©2019 Neon

The California couple never imagined that their steadily growing family would soon find the land of their dreams in the thriving community of Moorpark - a citrus-growing area located one hour northwest of Los Angeles in Ventura County.

Years back, John lived on his uncle’s farm, where he was taught to respect the land. At that time, he didn’t see things the way he saw them.

The Biggest Little Farm ©2019 Neon

They dove into this new lifestyle headfirst and started researching sustainable farming online. 

The Chesters found everything they needed online: investors, volunteers, and even livestock! The outline follows a strategy similar to the game we played on Facebook, Farmville, but it is accurate at this time.

When they met Alan York, the expert in soil and ecosystems, they knew they had found a counselor and mentor. His approach had a colorful philosophy. To their advantage, York needed to be more scientific and more pragmatic.

York stimulated Molly’s vision with bold ideas about organic farming, diversifying orchards, and rotating crops - something that Medieval Cultures practiced but Modern Times forgot. The perks of running the farm brought the couple closer.

The Biggest Little Farm Mural at the Arclight, Hollywood. 
Photo José A. Hermosillo ©2019 Festival in LA

In 2009, John had no time to waste. His background in photography and knowledge of farming inspired him to tell his personal story about Nature and life cycles. 


John began filming their journey, focusing on how the seasons changed and shaped the environment over the years. He used that information as a fundamental guide for working with his crew.

John assembled the footage with the help of some interns and finished this fun-to-watch documentary.


The cinematography is by John Chester himself, and it has the quality of any National Geographic project.


“The Biggest Little Farm” features stunning imagery and accessible, fun narration that make watching this film a joy.

 

After a screening in Beverly Hills, we held a very insightful Q&A with John Chester, during which he reflected, “Nature doesn’t work right or wrong. It only works with consequences. The complexity becomes an emotional experience. The most crucial task is to diversify the soil, adding natural nutrients, because the conditions of the land are tied to everything else.” “Farming is the most interesting video game you can ever imagine playing.”


 Emma and Greasy, The Biggest Little Farm ©2019 Neon

On their particular farm, every animal is a character. They have a name and an essential job, like Emma, the pig, who never stops birthing piglets. Her best friend was Greasy, the rooster, and Todd, the inspirational dog

To transform every adversity into an opportunity, the new farmers relied on observation and discovered that even predators can become pollinators, helping maintain balance in life.

On a farm, living and dead walk side by side, and death is only a facet of life. One of their most challenging tasks was to euthanize an animal, but remember that life recycles itself: death means nothing to the ecosystem, only a new beginning for another being to subsist. 

John Chester added, “An embarrassing situation cripples the possibility of finding an explanation. When something goes bad, do not freak out; a problem is a chance to find a solution.”

The marvelous documentary teaches us to treasure the fact that “observation is our superpower.”


After the screening, the director noted that people at the Berlin Film Festival said, “We didn’t know Americans could be so ecosystem-friendly.” A big oops for the present administration’s political agenda.

 Greasy, The Biggest Little Farm, ©2019 Neon.


Audiences worldwide help the good documentary earn accolades, mostly at film festivals such as Sundance and the AFI FEST. But the narrative omits essential information - financial standings, earnings and losses, and relevant economic data - for people who, after watching the documentary, feel motivated to venture and follow the filmmakers/entrepreneurs’ lead in farming. 


In the film, the lack of “money matters” and other specific details needed to sustain the farm is compensated for by natural humor, tenderness, and charm. 


Though we followed Chester’s experiences carefully, we couldn’t stop thinking about the lives of the vast army of people we don’t see on the screen but who helped make the film. It will be equally enlightening to see the volunteers, interns, and farm workers who keep the piece of land alive.


Children’s book, The Biggest Little Farm, ©2019 Neon

“The Biggest Little Farm” profoundly impacts the viewer with its honesty and accessibility. It is mainly about the significant challenges we face due to Climate Change and Global Warming. 

 

Thumbs up to the Chester family for their extraordinary ability to restore and maintain the land where Nature and humans coexist harmoniously.


The Biggest Little Farm trailer