Showing posts with label 2019 Best Foreign Language Film Official Entry. Show all posts
Showing posts with label 2019 Best Foreign Language Film Official Entry. Show all posts

Monday, October 8, 2018

16 Latino Submissions for the Academy Awards® 2019

By José Alberto Hermosillo
16 Latino Submissions for the Academy Awards 2019
This year, eighty-seven countries submitted entries for Best Foreign Language Film at the 91st Academy Awards, four less than in the last installment. Sixteen of those works are from Ibero-America. 

For decades, European films had hegemony in this category, until Chile won last year. Now "Roma," the acclaimed feature from Mexico aims to score another victory of a Latin country two years in-a-row. Once again, Europeans and Latinos will face-off, as in a soccer match but now in a new rivalry, cinema. Wait, do not count out the Asian countries, Japan's Palme d’Or winner “Shoplifters” is expected to be nominated as well.
Some of the European nations are taking a further step presenting a movie made by a previous Oscar® winner like Germany's Never Look Back by Florian Henckel von Donnersmarck, who won with “The Life of Others” in 2007. László Nemes won with “Son of Saul” -  now his latest work “Sunset” represents Hungary. Poland submitted “Cold War” by Pawel Pawlikowski, who won in 2013 for “Ida.”
Besides Germany, Hungary, and Poland other strong contenders want to take the gold. Among those is Belgium’s dancer trans-venture film “Girl,” the Israeli gay drama “The Cakemaker,” and the brutal flick from Italy “Dogman.” All of those films have possibilities to reach for an Oscar® nomination.
Sweden is sending the controversial award-winner trolls-movie “Border.” Turkey sent a beautiful work, “The Wild Pear Tree.” South Korea is making noise with “Burning.” Norway's What People Say brings more diversity to the contest. Kenya’s “Supa Mondo” is about empowering women in Africa. The representative of Indonesia also empowers women in Asia Marlina Murderer in Four Acts.”

The Latino submissions are at boiling point. Cuba gets disqualified, Honduras is a no-show, everybody loves Colombia. Argentina and Uruguay look very strong. Spain aims straight to the voters’ hearts. Panama has its musical tradition. Ecuador's beautiful sceneries are beyond expectations. The entry from Peru is gorgeous, visually speaking, and Mexico has the opportunity to win its first Oscar®.

The experts predict besides the nomination for Best Foreign Language Film, Mexico is going to be nominated for best director, cinematography, and original screenplay, and “Roma” is going to be the first movie entirely spoken in Spanish to be nominated for best picture in Oscar® history.
A Fantastic Woman, Chile, Oscar Winner
One year after the winning of the plausible transgender film “A Fantastic Woman” from Chile, another Latino film has the possibilities to win, “Roma” from Mexico. The Aztec country has never won an Oscar® in this category regardless of its eight nominations. 
Sergio and Sergei, Cuba, disqualified from the Oscars®
In the case of “Sergio and Sergei” from Cuba, the official details of its disqualification are unknown.

Usually, there are four circumstances: one, the film was not shown in Cuban movie theaters before the due date. Two, the percentage of the English spoken in the film is greater than the amount allowed. Three, the producers, filmmakers, and talent are from other nationalities other than the represented country. Fourth, the Academy did not receive the film before the due date.
“Black Orpheus” is a clear example of how the rules work. The story and talent were Brazilian, but the production was French. The Oscar® went to France. 
In the “Pan’s Labyrinth” case, the production and the filmmakers were Mexicans. The story, actors, and settings were Spaniard, that’s why Guillermo del Toro was able to represent Mexico in 2007 with his beautiful masterpiece and not Spain. The fairy tale got a total of six Oscar nominations, winning three: best makeup, cinematography, and set design.

The films from Ibero-America are making big waves in the international arena. Those projects have won many awards in Berlin, Cannes, San Sebastian, and Venice. 

After the projects' success in a film festival, the cavalry of a foreign movie starts when is trying to get to its audience in the United States, we are talking about distribution. 

The biggest task for film-lovers is also to find out where the movie is playing. They have to hunt those movies at the film festival or special screenings because it is going to take a while to search for those beautiful Latino movies at the movie theaters or online.

The Latino Entries to the 91st Academy Awards are:

Argentina
“El Ángel” 
Luis Ortega, director

 Bolivia, 
“The Goalkeeper/
Muralla.” 
Rodrigo Patiño, director.


Brazil

“The Great Mystical Circus” 
Carlos Diegues, director.

 
Chile
“And Suddenly the Dawn/
Y depronto el amanecer.” 
Silvio Caiozzi, director.


Colombia 

“Birds of Passage/
Pájaros de Verano” 
Cristina Gallego, Ciro Guerra, directors.


Costa Rica 

“Medea” 
Alexandra Latishev, director.

Dominican Republic
“Cocote” 
Nelson Carlo De Los Santos Arias, director.


Ecuador

“A Son of Man” 
Directors: Jamaicanoproblem and Pablo Agüero,


Mexico
“Roma”  
Alfonso Cuarón, director

Panama 
“Ruben Blades Is Not My Name/
Yo no me llamo Rubén Blades.”  
Abner Benaim, director

Paraguay
“The Heiresses/
Las herederas.” 
Marcelo Martinessi, director. 


Peru
“Eternity/
Wiñaypacha.” 
Oscar Catacora, director

 
Portugal
“Pilgrimage” 
Joäo Botelho, director. 


Spain 
“Champions/
Campeones” 
Javier Fesser, director.


Uruguay
“Twelve-Year Night/
La noche de los 12 años.” 
Álvaro Brechner, director.
The film chronicles the life in prison of the
beloved former president José Mujica.


Venezuela
“The Family/
La familia.”
Gustavo Rondón Córdova, director.

Nominations for the 91st Academy Awards will be announced on Tuesday, January 22, 2019.

The ceremony for the 91st Oscars® is on Sunday, February 24, 2019, Dolby Theater in Hollywood.

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Festival in LA ©2018

Thursday, September 20, 2018

Marlina the Murderer in Four Acts is the Indonesian Entry for the 91st Academy Awards.

By José Alberto Hermosillo
“Marlina the Murderer in Four Acts” is a women-driven film with a punch.

Brave young filmmaker Mouly Surya displays no inhibitions to expose the living conditions of marginalized Asian women. It is the Indonesian entry for Best Foreign Language Film at the 91st Academy Awards.

The “Western-like” Asian survival flick is called a “Satay Western.” Actress Marsha Timothy's performance is powerful.

"Marlina..." cleverly displays a grotesque violence and delivers the bittersweet pleasure of vengeance. It is almost like a Quentin Tarantino movie where violence is everywhere but is still enjoyable. 

Divided into four parts, Marlina is one of those underdog heroes who somehow comes out victorious in any given situation that endangers her well-being.
Act I. The Assault brings tension right from the very beginning as Marlena has to confront seven “bad hombres” demanding food and sex. 

Act II. The Journey starts at the moment she walks out of her house and hits the road with a plastic bag in hand. Inside, the head of one of her attackers. 

Like in the “Wizard of Oz,” down the road, she encounters some unusual characters that will make her trip more amusing. 

Act III. The Confession. As Marlina looks for help from the authorities and wants to confess, she is afraid of making things worse because of her status as a poor woman.

Upon Marlina's return, she finds the peace she is looking for.

Act IV. The Birth brings surprises, twists and turns to the story with a satisfactory resolution.

All I want to say about "Marlina Murderer in Four Acts" is that I loved its exquisite beauty, her strength as a woman and her unbroken spirit.
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Friday, September 14, 2018

“Roma” is Mexico's Official Entry to the 91st Academy Awards®

By José Alberto Hermosillo
Roma is Mexico's Official Entry to the Oscars® 2019.  www.FestivalinLA.com
“Roma” was the Golder Bear winner at the 75th Venice Film Festival directed by Alfonso Cuarón and produced by Netflix. It is selected as the Mexican entry for the Best Foreign Language Film at the 91st Academy Awards, as it was expected,

Películas inscritas Goya y Oscar 2019

Last month, the Mexican Academy of Cinematography released a shortlist of twelve films, including: 

The animation “El Angel en el Reloj” by Miguel Angel Uriegas, “El Buquinista” by Gibran Bazán, “El Club de los Insómnes” by Sergio Goyri Álvarez, the documentary “The Devil’s Freedom” by Everardo González, the biopic “Eternal Feminine/Los Adioses” by Natalia Beristaín, “Everything Else” by Natalia Almada, “The Gaze of the Sea” by Jose Álvarez, “Las Tinieblasby Daniel Castro Zimbrón; the winner of Best Screenplay at Berlin Film Festival “Museo” by Alonso Ruizpalacios, “Roma” by Alfonso Cuarón, “Tigers Are Not Afraid” by Cannes winner Issa López; the Sundance winner “Time Share” by Sebastián Hofmann, and last year’s LA Film Festival winner “El Vigilante” by Diego Ross.
The Mexican film is generating rave reviews since its premiere at Venezia 75. Then, Telluride, Toronto, and soon NYFF announced as a Centerpiece.

At the Toronto International Film Festival, the “Moonlight” Oscar winner director, Barry Jenkins, after attending the premiere, wrote on his tweeter account, “Yeah, ‘Roma’ is f…glorious.” He added, “It is so wonderful to see an artist operating at the peak of the performance level of such a personal, vigorous piece. The aesthetic is both personal and political here. The aesthetic is wielded to a wonderfully emotive, devasting effect.”

Actor Gael Garcia Bernal wrote: “‘Roma’ is a marvelous film. I remember the movie as if it was my memory as if we knew this movie always existed. I can’t stop thinking about it, and to acknowledge the affection and dimension that every moment has. Gracias, Alfonso Cuarón.”

Film critic Carlos Aguilar: “I’m speechless. Calling ‘Roma’ a sublime masterpiece barely begins to describe what I saw & how I feel. Tears & goosebumps throughout. I’m filled with nostalgia for Mexico City, an immense love for everyone involved, and so much pride for the country that made me who I am.” 

Also of competing for Best Foreign Language Film, "Roma" looks very strong in other categories, including Best Picture, Best Director, cinematography, and some in the acting too.

If the nostalgic, black & white film set in the 1970's in Mexico City continues its ascending trajectory, "Roma" will be the first film in Spanish to ever be nominated for Best Picture. "Traffic" and "Babel" were partially spoken in the Cervantes language, English, Japanese, and Arabic.

Selecting Alfonso Cuarón's “Roma” by the members of the Mexican Academy will give Mexico the strong possibility to win for the first time the Oscar for Best Foreign Language Film after eight Oscar nominations.

1. “Macario” by Roberto Gavaldón, 1960.
2. “The Important Man/Ánimas Trujano” by Ismael Rodríguez, 1961.
3. “Tlayucan” by Luis Alcoriza, 1962.
4. “Letter from Marucia/Actas de Marucia” by Miguel Litín, 1975.
5. “Amores Perros” by Alejandro G. Iñárrity, 2000.
6. “El crimen del padre Amaro” by Carlos Carrera, 2002.
7. “Pan’s Labyrinth/El Laberinto del Fauno” by Guillermo del Toro, 2007.
8. “Biutiful” by Alejandro G. Iñárritu, 2011.


Alfonso Cuarón, José Alberto Hermosillo.


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Thursday, September 6, 2018

“What Will People Say” is Norway's Entry for the 91st Academy Awards®

By José Alberto Hermosillo
 
    AFI FEST REVIEW: “What Will People Say” is a compelling coming-of-age story with global repercussions and rich image composition.

    The Norway-German-Swedish co-production recounts the story of Nisha (Maria Mozhdah), a young and free-spirited Pakistani teenager living with her ultra-conservative Muslim family in Norway. 

    At home, the girl follows the rules. In school, she feels liberated, and dresses and behaves like other “Norwegian” girls of her age.
        
    While she desires to try her first sexual experience with her boyfriend, she gets caught and punished. 

    Nisha’s father takes her back to their home country, where she will get a more rigorous discipline.
    Nisha's martyrdom starts with the learning process. Her millenarian culture gets more painful when her dignity as a woman is trodden by the barbaric defamation of her persona.

    For Nisha, things get even worse when her physical safety is placed in danger.
    “What Will People Say” is a compelling, contemporary drama elevated to a higher level of affection by its director Iram Hay, an Oslo born female writer, director, and actress. In this, her second feature, she shows an enormous talent and incommensurable vision influenced by the global problem of immigration.    
"What Will People Say" Poster in Spanish.
    "What People Will Say" is the Audience Award Winner of the AFI Fest 2017 and now the official Norwegian entry to the 91st Academy Awards. It is a worthy representative of the contemporary Scandinavian culture.