Showing posts with label Canada. Show all posts
Showing posts with label Canada. Show all posts

Wednesday, January 18, 2023

Fire of Love: The Everlasting Stars of Volcanology

 By José Alberto Hermosillo

Dangerously real and transcendental. “Fire of Love” ignites the lover’s passion for Earth Studies 101 enormously. 

“Fire of Love” is a complete recompilation of materials related to volcano studies collected deep from the archives of Katia & Maurice Krafft. The French couple discovered their magnetism for each other and volcanoes. Attracted by the powerful energy emanating from the Earth’s interior, they defied nature to fulfill their hunger for knowledge. This Academy Award-nominated documentary can help save lives in communities around volcanoes worldwide.

The daredevils of volcanoes are here to enlighten humanity through their amusing discoveries and heart-pounding missions, leaving an everlasting legacy.

This eye-opening documentary summarizes hundreds of hours of invaluable footage, original materials, incredible photos, specific samples collected from locations, and millions of questions.

Before 1966, all we knew about volcanoes was generic. Geology classified volcanoes by region, age, and size—until the Kraffts came with their exhaustive research, studying every volcano individually.

 

Since they met in a Paris coffee shop, the French couple could not live apart and embarked on a series of overseas expeditions to study each volcano individually. When they were children, their parents took them separately to visit the volcanoes in Italy – they started with the Stromboli.

In 1970, they married. Their honeymoon was in Santorini, the mythical city of Atlantis. They devoted their lives to studying volcanoes and decided not to have children. The newlyweds were the first and probably the only volcanologist couple in the world, and they revolutionized every previous theory about volcanoes and tectonic plates. 

Once they start their journey, the film’s visuals and environmental sounds blend together, complemented by “Je Me Sens Vivre,” a romantic French song by Dalida.

Dalida -- Je Me Sens Vivre

They brought down every theory and myth about volcanoes, even the truths and fragments of history already set in books. As they went deeper, more questions arose. They traveled to different countries, continents, and Islands, starting with Mt. Edna and Stromboli in Italy to begin their investigation. They knew that every mystery had to be solved. They lived every new adventure to the fullest.

TV appearances were recorded during their studies, and it was an excellent opportunity to show the world that studying volcanoes must be done individually, not as a generic classification. Every volcano is a different animal. And they were more excited to show their findings when the TV became color.


They had their strengths—Katia worked on still pictures, printing books, chemistry, soil composition, gases, and physics. Maurice filmed everything on location, including eruptions, and kept the records and archives in order. 

Both complemented each other exceptionally well. The closer they got to the volcanoes, the more they saw, and the more they became volcano runners. Even local people helped them with supplies and guidance to reach the craters.

Contemplating the devastating landscape surrounding a volcano, Maurice and Katia stated, “We are not religious; we are scientists, but we have our short life to return to the ground.” They romanticized their job, driven by their passion for volcanoes and each other. Katia observed 170 volcanoes, Maurice 150, 20 fewer than hers.

Maurice prefers an intense and short life to a monotonous, long one. In his existentialist philosophy, he feels his life is a kamikaze mission in the beauty of volcanic things and the strenuous sounds of volcanic explosions. 

They developed a new classification theory for volcanoes: Red and Grey. They named Red Volcanoes after the red magma moving beneath the plates, and Grey Volcanoes after the grey smoke and ash. Red volcanoes produce the most fertile soil for plant and vegetable growth. But these were the more explosive, the monster volcanoes, the killer volcanoes, such as Mount St. Helens in the US near Vancouver, Canada.


“Volcanology is a science of observation. The closer they get, the more they see.” With the new gear, they could get closer to the edge. In their fascination with danger, the unknown is not to be feared, but something is not torn. When Krakatoa erupted in Indonesia in 1971, scientists studied the chemistry and water composition, including the acidity that killed all organisms surrounding the volcano. In 1973, they visited one of the world’s most active volcanoes. Mt. Nyiragongo in Zaire, now the Democratic Republic of Congo, will continue the studies of lava and soil composition.

The signs before a blast are the alteration of minerals, gases, soil temperature, and tremors that ignite an eruption, but there is no certainty to know when or at what time. “Going to the site of a volcanic eruption is like playing Russian roulette - you never know when you will be killed,” said Maurice.  


In 1985, the volcano Nevado del Ruíz erupted in Colombia, killing around 25,000 people while they slept. The government ignored evacuation warnings, and Katia arrived to testify about the damage. Since then, the Kraffts’ film has been used as educational material to warn communities near volcanoes to evacuate and save lives because timing is everything.

Independent writer, producer & director Miranda July narrates “Fire of Love.” FestivalinLA ©2011

Independent filmmaker Miranda July’s narration in “Kajillionaire,” “Me You and Everyone We Know,” and “The Future” is vivid and evocative. 


Sara Dosa, Fire of Love
Sara Dosa, director of “Fire of Love.” Photo by José Alberto Hermosillo. FestivalinLA ©2023

The documentary, co-written and directed by Sara Dosa (producer of the Academy-nominated “The Edge of Democracy”), powerfully portrays the well-selected material. Dosa did a marvelous job assembling this gigantic puzzle from Krafft’s materials, studies, and discoveries.

 

Legendary German filmmaker Werner Herzog worked on a few projects focused on the Kraffts - “The Fire Within” and “Into the Inferno.” Still, nothing compares to the force of “Fire of Love” through its imagery and consistent structure.


The selected material can be compared to the fabric of other Academy Award-winning music documentaries, such as “Summer of Soul” and “Amy,” about the life of Amy Winehouse, where home videos are a key element in helping the world connect with the legendary singer.

 

What keeps us watching the documentary is the fantastic material and the lives of those two passionate French investigators who pursue their dreams and dare, like no one else, to go further. Katia, Maurice, and the Volcanos’ love story. 

Fire of Love Trailer | National Geographic

Sara Dosa, director of “Fire of Love.” Film critic José Alberto Hermosillo. FestivalinLA ©2023

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Saturday, November 20, 2021

Drunken Birds: Paradox and Poetry in a Canadian Immigration Drama

By José Alberto Hermosillo 


Stunningly photographed and well-executed, “Drunken Birds” reveals the beliefs, actions, and passions of its three uniquely opposite characters with poetic regard across Canada and Mexico.

“Drunken Birds” centers its narrative on love, abandonment, and coming-of-age memories. Divided into three acts, like “Days of Heaven,” “Amores Perros,” and “Magnolia,” the Canadian production offers a compelling dramatization not far from reality. 

Inspired by seasonal migrant workers in Canada, the film opens with a young man arriving at an apartment complex in Montréal, then shifts to a flashback in Mexico, where it shows a mansion with white tigers and other abandoned, unrestrained animals. Then, a portrait of a man who, more than a patriarch, is a drug lord. He is spending time in prison because someone betrayed him.

The place holds a secret: a love triangle in which Willi (Jorge Antonio Guerrero) falls for Narco’s wife, Marlena (Yoshira Escárrega). Fearing for their lives, the young lovers flee to Canada, each taking a different route.

At the Ferme, Vinet – one of the oldest agricultural centers outside Quebec – Willi, along with other seasonal workers, learns the rules and responsibilities of harvesting lettuce. Four years pass, and Willi still misses Marlena, the love of his life.


It is hard to forget a loved one, even in a tranquil oasis.



After his breakthrough performance as Fermín opposite Yalitza Aparicio in the 2018 Academy Award-winning feature “Roma,” Jorge Antonio Guerrero takes the lead in this transcendental Canadian production, playing a Mexican immigrant worker in Canada.

The story takes a dramatic turn when Willi crosses paths with Julie (Hélène Florent), the neglected owner of a Canadian farmhouse, and her precocious teenage daughter, Lea (Marine Johnson), who only wants to have fun in the city.

The complications are straightforward when their past confronts their present. Although the conundrum keeps us wondering about possible resolutions. Everything becomes chaotic when Lea’s silence implicates Willi in wrongdoing.

The brief flashbacks diffuse the story’s emotional context, but the imagery’s beauty holds the narrative well.

“Drunken Birds” is also inspired by the 2011 Mexican Oscar entry “Miss Bala.” The script details the countries where the stories occur: Mexico, Canada, and China.

The well-balanced cinematography is Sara Mishara’s responsibility. She accomplishes cinematic glory by splendidly capturing the “magic hour” lighting. Sara shot the project “Old School” with a 35mm camera. The film’s grain gave her the convenience of plenty of depth in long shots and enhanced the clarity of close-ups, giving the movie the desired “dreamlike style.”

According to its director, Ivan Grbovic, “the characters of this intriguing triptych have distinct personalities with multidimensional layers that are not necessarily likable, although their behaviors are driven by love, desire or curiosity.” He added, “In this puzzle, all the pieces do not always fall together, but they are equally important.”

The independent production has the potential for greatness despite limited resources, although the “bad hombres”’ entrance to the hacienda in Mexico needed better choreography. There are plenty of other films in which the tension is in sync with a festive atmosphere, as seen in local productions such as Luis Puenzo’s “Old Gringo,” Baz Luhrmann’s “Romeo + Juliet,” and Ruy Guerra’s “Eréndida.”

“Drunken Birds,” winner of Best Cinematography at the Philadelphia Film Festival, premiered at the Toronto International Film Festival. It was selected as Canada’s Best International Feature Film entry for the 94th Academy Awards.

Willi’s noble heart compels him to help the needy, which is in his nature, even if it causes trouble with dramatic consequences in his immediate future. We have to remember that no one is guilty until proven otherwise, and no one is blameworthy until the truth comes out, but we are certainly not sure that will ever happen in fiction.


The filmmakers said that people in Canada associated the word “drunk” with love or joy, and birds with unity and migration. It is like a flock of birds moving together instinctively in complete freedom, just as we relate to the film’s characters’ stories effortlessly. 

The climax of “Drunken Birds” or “Les Oiseaux ivres” occurs when the three stores converge at a single point. At that precise moment, justice is most urgently needed, yet the irony is that we cannot always get what we want in life, and we must remember that the greatest enemy of all is silence.

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Friday, September 17, 2021

Guillermo del Toro Launches the Teaser of “Nightmare Alley” and Twitter Goes Nuts

 By José Alberto Hermosillo

Academy Award-winning Mexican director Guillermo del Toro presented the teaser of his latest film, “Nightmare Alley,” on Twitter yesterday, with over 3 million views - the trailer went viral in a matter of hours. The Hollywood “A” cast of this, his most recent production includes Oscar-winning actress Cate Blanchett, Willem Dafoe (“My Hindu Friend”), Bradley Cooper, Toni Collette, Ron Perlman, Clifton Collins Jr., and Richard Jenkins, among other renowned performers. This film is bound to be a winter hit.

According to the laureate filmmaker, “Nightmare Alley” is not a remake. It is a new adaptation of William Lindsay Gresham’s novel and has nothing to do with the 1947 version featuring Tyrone Power in the lead. The screenplay is co-written by Guillermo del Toro himself and young writer Kim Morgan.

The story was introduced to Guillermo by his longtime collaborator Ron Perlman (“Cronos,” “Hellboy,” “Pacific Rim”) in the 1990s. At that time, it was challenging to secure the rights of the novel. This Mexican, Canadian, American production was filmed in Ontario, Canada. The post-production got interrupted right in the middle due to the pandemic's shutdown elevating the budget considerably. In the end, it is worth the effort to have such a magnificent work finished and ready to hit the movie theaters. 

This is the first “Noir Thriller” film Guillermo del Toro ever made. His body of work fluctuates from fantasy to horror. The maker of “The Shape of Water” mentioned that his latest film has no monsters, yet, those have to be discovered by the public, because the real monsters are within the characters of this fascinating story. 

Guillermo del Toro's accomplished films, The Shape of Water, Pan's Labyrinth, Crimson Peak
 
The poster and first images revealed yesterday have critics and fans raving about the auteur’s mastery, naming the suspenseful venture a strong candidate for the Academy Awards in most categories. The teaser looks so intense and beautiful that it has people commenting they are planning to go back to the theaters for the first time since the pandemic started.  

“Nightmare Alley” will be released in theaters by Searchlight Pictures on December 17th, and we cannot wait any longer to witness the work of the genius Mexican director.

Nightmare Alley official teaser trailer

Film critic José Alberto Hermosillo and director Guillermo del Toro
Film critic José A. Hermosillo and director Guillermo del Toro. Egyptian Theater, Hollywood 2003.

IF YOU ARE READING FROM A MOBILE DEVICE, CLICK: view web version FOR OTHER COOL FEATURES SUCH AS TRANSLATE POWERED BY GOOGLE, AN INTERACTIVE FILM FESTIVAL CALENDAR, AND MORE AWESOME ARTICLES.

 Festival in LA © 2021