Wednesday, November 30, 2016

Neruda: The Runaway Poet

By José Alberto Hermosillo

“Neruda” is a cinematic work of art, blending poetry, temperament, and passion, featuring a fantastic cast and beautiful Chilean scenery. It is the perfect antihero movie.

 

In “Neruda,” we learn that Chilean poet and politician Pablo Neruda wrote his famous “Love Poems” in the same romantic style shown in the Italian Academy Award-winning film “Il Postino.”

 

We didn’t know that Pablo also expressed his people’s suffering in his “other poetry,” leaving an indelible mark on social justice. His poems served as a patriotic manifesto against the Chilean government, making him Public Enemy Number One.



The complex script of “Neruda” skillfully distinguishes fiction from reality, aiming to spark controversy over Chile’s identity and history.

 

The film begins suddenly and somewhat awkwardly with a lively discussion about Pablo Neruda’s bourgeois lifestyle and the accusations of treason from members of his own Communist Party in 1948.



While trying to defend himself, actor Luis Gnecco portrays Pablo Neruda’s less-than-charismatic side. He strips away the poet’s image as a saint, hero, or demigod, revealing him as a human being made of flesh and bone.

 

Even more surprisingly, the audience will encounter a very raw, honest, and sometimes grotesque Pablo Neruda who believes he is above everyone, including himself.

 

At one point in his life, he had to learn a crucial lesson: humility.


A few minutes into the film, investigator Oscar Peluchonneau, played by seasoned Mexican actor Gael Garcia Bernal, starts narrating the poet’s terrible persecution.

The stunning cinematography by Sergio Armstrong (“No,” “The Club”) begins its dramatic progression with the significance of colors. The palette of “Neruda” evolves beautifully. The contrast of colors can be seen in the dark brown lobby of the Chilean Congress, in the city’s bright yellow, and in the sepia tones of the countryside. Toward the climax, the film shifts to a deep blue, almost purple, representing the port exteriors. The cinematography complements the story’s resolution, which is more lavish with the bright white light of the snow and the vibrant colors of Neruda’s exile in Paris.


Neruda’s wife is portrayed by Mercedes Morán as an upper-class Argentine woman who cleverly says, “Communists hate to work, but they love to burn down churches, and that makes them feel alive.”

 

The film’s editing could be improved. Its rough start makes it difficult to identify whether the main character, the investigator, or Pablo Neruda will be the focus.

 

As the film progresses with the poet’s writings, poems, and lyrics, it becomes stronger as the script sharpens. The talented cast develops their characters meaningfully throughout.

 

“Chile has no freedom of speech---” was a declaration of war from Pablo to the government. He even went further, calling President Gonzalez Videla a traitor.

 

The film also touches on the concentration camps in Chile, where members of the Communist Party, students, and opponents were imprisoned.

 

These were the “Desaparecidos,” the hundreds who disappeared without a trace at the hands of the government. Augusto Pinochet managed one of these camps and later became Chile’s dictator.



“Neruda” features a noir style seen in the chase between the desperate investigator and the sneaky poet.

 

This biopic of the award-winning Chilean poet takes a similar approach to Michael Mann’s crime drama “Heat.” The difference is that “Neruda” depicts a thinking fugitive who is unaware of any crime, other than fighting for his right to free speech.


Pablo Larrain, photo by José Alberto Hermosillo, Festival in LA, ©2016

Academy Award-nominated director Pablo Larrain (“No,” “Tony Manero,” “Jackie,” “The Club”) spoke at the AFI FEST presented by Audi 2016 in Los Angeles, saying: “You cannot put Neruda in a box. You cannot describe him as smart, educated, and distinguished because he was someone larger-than-life.”

 

Larrain added, “It’s complicated to put poetry in cinema. Poets describe our society as it is.”


Pablo Larrain, photo by José Alberto Hermosillo, Festival in LA, ©2016

Pablo and his brother, producer Juan de Dios Larrain, created a remarkable film.

 

With “Neruda” and “Jackie,” the Larrain brothers craft magic on screen.

The Chilean official entry for the Academy Awards for best foreign language film takes viewers on a journey through the stunning landscapes of Chile, its ports and cities, and the Andes region of “Mapuche.”


In the last confrontation between Pablo and the investigator, he compares himself to Napoleon’s defeat at Waterloo.


Pablo Larrain, director, José Alberto Hermosillo, film critic, Festival in LA, ©2016

The film’s charm emerges when Pablo writes letters and verses about how deeply each character is affected by his life and by his escape from Chile.

 

In a final letter, Neruda describes real-life events that are about to happen. These words would have more meaning if those situations were part of one of his novels, including the fate of his loyal wife and the stubborn detective who followed him to the “end of the world,” literally.

 

The Nobel Prize-winning poet was the one who enamored women and broke their hearts.

 

Pablo Neruda helped break down the walls of hate and abuse of power in Chile. He continued his fight through his writings from exile in France and Italy, using words that gave hope to the people of Chile during the darkest moments of the country’s history. 



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Copyright © Festival in LA, 2016

Thursday, November 17, 2016

FRENCH "DIVINES" WINS THREE AWARDS AT THE AFIFEST 2016

By José Alberto Hermosillo
AFI Fest 2016 Presented by Audi announced the Jury and Audience Awards Winners.

Excellent choices. The 2016 AFIFest winners are absolutely fantastic.
Houda Benyamina, French Director, Divines. Photo by Jose Hermosillo,  COPYRIGHT Festival in LA, 2016
The French production "Divines" won three of the awards, the film has plenty of diversity and creativity, and displays an insightful vision of teenagers in trouble, a must see!!!
Other winners were "The Future Perfect," a corky comedy of Asian immigrants in Argentina. And a war drama "Land of Mine."
THE FUTURE PERFECT, DIR Nele Wohlatz. Photo by Jose Hermosillo © Festival in LA, 2016 

New Auteurs Grand Jury Award: THE FUTURE PERFECT

DIVINES, Dir. Houda Benyamina and actress Amamra Photo by Jose Hermosillo © Festival in LA, 2016
New Auteurs Special Jury Mention for Acting: Oulaya Amamra for DIVINES
Photo by Jose A. Hermosillo © Festival in LA, 2016

Grand Jury Award – Live Action Short: ICEBOX
Grand Jury Award – Animated Short: PUSSY
Live Action Short Special Mention for Comedic Narrative: HOUNDS
Live Action Short Special Mention for Documentary: THE SEND-OFF
Live Action Short Special Mention for Acting: DREAMING OF BALTIMORE
Live Action Short Special Mention for Cinematography: A THOUSAND MIDNIGHTS
Live Action Short Special Mention: SPEAKING IS DIFFICULT
Animated Short Special Jury Mention: SUMMER CAMP ISLAND
Animated Short Special Jury Mention for Mixed Media: DEER FLOWER
Animated Short Special Jury Mention for Visual Aesthetics: SUPERBIA
Mikael Chr. Rieks, producer, Land of Mine, Denmark. Photo by Jose Hermosillo © Festival in LA, 2016  

World Cinema Audience Award: LAND OF MINE
New Auteurs Audience Award: DIVINE
American Independents Audience Award: DONALD CRIED
Breakthrough Audience Award: DIVINES
Breakthrough Audience Award First Runner-Up: ONE WEEK AND A DAY
Breakthrough Audience Award Second Runner-Up: THE RED TURTLE
Photo by Jose Hermosillo © Festival in LA, 2016


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Copyright © Festival in LA, 2016

Tuesday, November 8, 2016

Latino Filmmakers Flex Their Muscle at AFI FEST 2016

By José Alberto Hermosillo, 
AFI FEST. Photo by Jose Alberto Hermosillo © Festival in LA 2016
Prominent Latino filmmakers and auteurs will have an opportunity to get some exposure at the most prestigious film festival in Los Angeles, the AFI Fest 2016 presented by Audi.


Local movie fans are eager to see those productions made by the talented Latino filmmakers and maybe one of them could follow the steps of the “The Three Amigos,” the Mexican directors who had won the Oscar for best director the past three years in a row (Alfonso Cuarón (One for "Gravity") and Alejandro G. Iñárritu (Two, the first one for "Birdman" and the second for "The Revenant")).

Pablo Larrain, Director of "Jackie" and"Neruda." Photo by Jose Alberto Hermosillo © Festival in LA, 2016 
This year, Chilean Director Pablo Larrain may have a good shot for his astonishing production of “Jackie,” scheduled to have its Hollywood premiere in one of the festival's galas.

The films representing Latinos in the AFI Fest 2016 are excellent and those will be showcased during the festival for your consideration:
From Chile; Pablo Larraín with two amazing projects this year: “Jackie” with Nathalie Portman. A biopic that is getting the Oscar buzz for best actress. This big production will have a special red carpet treatment with a Center Gala during the festival. 
“Neruda” is the official Chilean entry for the Academy Awards 2017 for Best Foreign Film and will have two screenings during the festival. 

The story is about the poet and activist Pablo Neruda (Luis Gnecco) and his Argentinean wife Delia Del Carril (Mercedes Morán), members of the Communist Party trying to escape from the political turmoil of Chile, while the police officer Oscar Peluchonneau (Gael Garcia Bernal) hunts them down.
Pedro Almodóvar, Director of "Julieta." Photo by Jose Alberto Hermosillo © Festival in LA, 2016 
From Spain; Pedro Almodóvar and his “Julieta,” as the official Spanish entry for the Academy Awards 2017 for Best Foreign Film. 
The latest production of the Spanish prolific director deals with two women and the love that never dies. The film it has gotten great reviews since it premiered at Cannes earlier this year.


Amat Escalante, Venice International Film Festival

From Mexico; the winner of Best Director at the Venice International Film Festival, Amat Escalante, and his highly praised work “The Untamed/La Región Salvaje.” Escalante also won the best director award at Cannes for his previous film “Heli.”(The Mexican director is one of the four directors who had won both film festivals in history).
“The Untamed” is an intense drama that brakes the taboos of pure sexual gratification in a country where every desire is forbidden. This film is worth to see it with an open mind as every work done by Escalante.

Also from Mexico and Poland; "Panamerican Machinery," a murder-mystery drama where the generous boss of a factory gets killed. The workers have to change themselves to keep their jobs. This is the Opera Prima of Joaquín del Paso.
From Brazil; “Kill Me, Please/Mata-Me, Por favor.” Directed by Anita Rocha da Silveira. A terrific horror-thriller full of contrasts in the modernized and still marginalized skirts of Rio. In this exuberant and strange place, young girls obsessed with sex dream about their first love. The reality will hit them only when they get close to becoming victims of a serial killer on the loose.

From Argentina; comes the Award Winner for best picture at the Locarno International Film Festival “The Future Perfect/El Futuro Perfecto” directed by a German-Argentinian filmmaker Nele Wohlatz.

From Colombia; “Oscuro Animal” is the Opera Prima directed by Felipe Guerrero. This must-see film is a story that follows three young women caught up in the middle of the “guerrilla” time, where they deal with pain and hope for a better life. 

From the USA; An intense metaphysical thriller titled “Busters Mal Heart” where Remi Malek plays a Latino character split into two worlds, one is a fugitive semi-God on the loose and the other a hard worker, religious family man. The film gets intense when both storylines are getting close to each other. Do not miss it!
AFI Fest. Photo by Jose Alberto Hermosillo © Festival in LA, 2016
AFI FEST 2016 presented by Audi screens 118 movies from 46 countries. 

AFI Fest gives Angelinos the unique opportunity to be in contact with great directors, celebrities; and to watch many films from around the world for free; also we can see excellent documentaries, wonderful independent films, shorts, and the much expected Hollywood big premieres, many of those movies will transcend into the Award Season big time.

Link to the: AFI FEST FILM GUIDE

AFI FEST 2016 Trailer # 3 (Ida Lupino)

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Copyright © 

2016 Festival in LA 


Thursday, November 3, 2016

My Life as a Zucchini: The Animated Life of a Swiss Boy

By Jose Alberto Hermosillo
 

“My Life as a Zucchini” is the most stunning film of the year! It is a heartfelt stop-motion animation that is both colorful and sweet, yet gentle. This skillfully crafted coming-of-age Swiss film is suitable for children of all ages.


The animated story follows the journey of an introverted nine-year-old orphan named Icarus. His mother nicknamed him Zucchini, and Icarus proudly keeps the nickname to honor his mother’s memory ever since. 

 

Zucchini is the wallflower type of kid who is also an excellent storyteller, sharing his experiences through drawings.  

 
His big eyes are two transparent windows reflecting his soul’s purity, emotions, and real feelings.
 
Zucchini, photo by Jose Hermosillo, © 2016 Festival in LA

Those big eyes reveal when Zucchini feels lonely, sad, depressed, nostalgic, jealous, happy, or in love with his new friends. Zucchini once said, “Sometimes, we also cry for happiness...” 

 
Zucchini has to come to terms with his mother’s passing with the help of Raymond, the supportive cop, who tells him that his mother is already in heaven and that she is okay. There is no need for guilt.
 
Claude Barras, Director of “My Life as a Zucchini,” photo by Jose Hermosillo, © 2016 Festival in LA
 

Director Claude Barras shares how his childhood relates to these magical characters. He’s inspired by classics like “The 400 Blows,” “Nobody’s Boy: Remi,” “Heidi,” and “Bambi.”


Zucchini and his friends share one thing in common: they all lost their parents under specific circumstances.


Barras explains that, no matter how obscure the story, we always find ways to address complex topics with children, much like the Brothers Grimm did in Germany with their dark stories, in their own captivating way.


Zucchini is a dark film that moves beyond simply showing a kid who kills his mother with a shotgun. Such tragic stories occur almost every day in real life; few people discuss them.


“My Life as a Zucchini” is a faithful adaptation of Gilles Paris’s autobiography. Screenwriter Celine Sciamma (“Tomboy”) crafted an elegant and subtle screenplay. She understood the story needed to be suitable for children of all ages, so she created a less frightening version based on the writer’s experiences.


At the Fountain’s Foster Home, Zucchini and his “diverse” friends come from different backgrounds, representing the critical need for inclusion and diversity in cinema.


The Zucchini gang teaches us a powerful lesson: “No matter how tough life gets, there’s always hope for a better future.”

 
The Magnificent Seven

Simone is the red-headed, sloppy boy who knows everyone’s story. Ahmed is the life of the party. Jujube is the chubby, gluttonous or hypochondriac. Alice is the shy blonde who hides behind her hair.

 The gentle African girl is Beatrice. And Camille is everyone’s sweetheart, a proactive, confident, lovable girl. The ten-inch-tall puppets were beautifully handcrafted and came to life in a realistic but straightforward form. The dolls were made of latex, silicone, wires, and fabrics.  

Zucchini and his collection of mouths. Photo by Jose Hermosillo © 2016 Festival in LA

The ten-inch-tall puppets were beautifully handcrafted and brought to life in a simple yet realistic manner. The dolls were made from latex, silicone, wires, and fabrics.
 
Camille and her collection of lips. Photo by Jose Hermosillo © 2016 Festival in LA

When the puppets needed a wardrobe change for the next scene, the production paused for the night.
 
 

The director and his crew hand-painted the minimalist, handcrafted sets. The art direction and precise editing ensure that audiences move smoothly through the movie.


Without sugar coating, “My Life as a Zucchini” draws the viewer from start to finish. The story flows well with reasonable continuity, a steady pace, and satisfying surprises.

 

Max Karli & Pauline Gygax are the producers of “My Life as a Zucchini.” Photo by Jose Hermosillo © 2016 Festival in LA
 

Professional and non-professional child actors were cast for the characters’ voices. The children were placed in an actual setting to interact with each other, allowing them to naturally express their emotions.

 

The filmmakers recorded the dialogue during the action, which sometimes intentionally caused their voices to overlap, making the soundtrack more realistic.

 

Director and producers. Photo by Jose Hermosillo © 2016 Festival in LA

This original animated film is Switzerland’s official entry for the 2017 Academy Awards for best foreign-language film. It also qualifies as a best-animated feature, and it is very likely to receive Oscar nominations in both categories.
 
 
The film’s most emotional moments are when the children discuss adoption, helping them grow emotionally. As Simon says, “Adoptions with older kids happen rarely.” Children have to be okay with saying a simple goodbye and treasuring the sweetest memories of their friendship.
 
Film critic Jose Hermosillo, Director Claude Barras, © 2016 Festival in LA
 

“Zucchini” skillfully captured many gratifying moments for both children and adults, created by the talented puppeteer.


“My Life as a Zucchini” left my heart with mixed feelings. It also makes me think about how chaotic and beautiful life can be when we are kids.

 


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Copyright © Festival in LA, 2016