Thursday, September 6, 2018

“What Will People Say” is Norway's Entry for the 91st Academy Awards®

By José Alberto Hermosillo
 
    AFI FEST REVIEW: “What Will People Say” is a compelling coming-of-age story with global repercussions and rich image composition.

    The Norway-German-Swedish co-production recounts the story of Nisha (Maria Mozhdah), a young and free-spirited Pakistani teenager living with her ultra-conservative Muslim family in Norway. 

    At home, the girl follows the rules. In school, she feels liberated, and dresses and behaves like other “Norwegian” girls of her age.
        
    While she desires to try her first sexual experience with her boyfriend, she gets caught and punished. 

    Nisha’s father takes her back to their home country, where she will get a more rigorous discipline.
    Nisha's martyrdom starts with the learning process. Her millenarian culture gets more painful when her dignity as a woman is trodden by the barbaric defamation of her persona.

    For Nisha, things get even worse when her physical safety is placed in danger.
    “What Will People Say” is a compelling, contemporary drama elevated to a higher level of affection by its director Iram Hay, an Oslo born female writer, director, and actress. In this, her second feature, she shows an enormous talent and incommensurable vision influenced by the global problem of immigration.    
"What Will People Say" Poster in Spanish.
    "What People Will Say" is the Audience Award Winner of the AFI Fest 2017 and now the official Norwegian entry to the 91st Academy Awards. It is a worthy representative of the contemporary Scandinavian culture.

Friday, August 31, 2018

“Never Look Away” is Germany's Entry for the 91st Academy Awards®

By José Alberto Hermosillo

“Never Look Away” is the German official Oscar® submission for Best Foreign Language Film, 2019. 

Based on the real life of the well-known abstract German painter Gerhard Richter, the film vividly recreates three significant eras in Germany’s history.  

Directed by Florian Henckel von Donnersmarck, who already won an Oscar® in 2006 for “The Life of Others.” Ironically, it beat out Guillermo del Toro’s masterpiece “Pan’s Labyrinth.” 

Mr. Donnersmarck came to Hollywood in 2010, to direct the French remake of “The Tourist” with Angelina Jolie and Johnny Depp. The 100 million dollar flick had locations in Paris and Venice and earned $278 million at the worldwide box office. This film plus the Oscar established him as a prestigious Director.

“Never Look Away” focuses on the early days of Kurt, a naïve young artist who falls in love with Ellie, the daughter of the famous Professor Karl Seeband, who strongly opposes the relationship. 

They will discover their lives are already connected by a horrendous crime the “prestigious” doctor committed years earlier.
"Never Look Away" still Copyright Venice FF, ©2018
The Teutonic submission premieres at the 75th Venice International Film Festival. To meet the Academy’s requirement, the film is heading for a commercial run in Germany before September 30, 2018.

“Neruda” Runaway Poet 
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Monday, August 20, 2018

Latinas Tackle the LatinX Issue in Hollywood

By José Alberto Hermosillo
Latinx in Hollywood. Festival in LA © 2018

The recent announcement of a handful of new films with Latinas in the cast makes us feel optimistic about the future of LatinX in Hollywood. Gradually, Latinas are rising to accomplish a significant representation in the competitive film industry.
Gena Rodriguez. Copyright © 2016 Golden Globes.

The names of some young, beautiful, and talented Latinas stand up substantially Gina Rodriguez is starring in several new projects: “Where in the World is Carmen Sandiego,” “Someone Great” with Rosario Dawson, “Sharon 1.2.3.” with Nadine Velazquez and Skyler Samuels, and in the Hollywood remake of the Mexican Oscar submission “Miss Bala.”
Isabela Moner. Copyright © 2017 Paramount London.
The talented Cleveland-born, Peruvian descendant Isabela Moner (“Sicario: The Day of the Soldado,” “Transformers: The Last Knight”) is the lead in the movie version of “Dora the Explorer” with Eugenio Derbez and Eva Longoria. She is also part of Sam Ander’s “Instant Family” cast opposite Mark Wahlberg. 
  Eiza Gonzalez. Copyright © 2018 Festival in LA.
Mexican new sensation Eiza Gonzalez (“Baby Driver”) is also working on numerous projects. “Paradise Hills” by the Spanish director Alice Waddington, “Highway” also known as Highway is for Gamblers, “Kung Fury 2” with Michael Fassbender and Arnold Schwarzenegger, “Bloodshot” next to Vin Diesel, RZA’s “Cut Throat City,” and in a film that is generating an Oscar buzz “Welcome to Marwen” with Diane Kruger and Steve Carell.

But still, there is more work to do to be competitive in the industry. Latinos need to mastermind the Hollywood system to perfection. They must promote themselves with worthy projects, compete in film festivals, and advocate during the award season.

Meaning to produce quality films that can give Latinos the opportunities they need for recognition; the three amigos, Del Toro, Cuarón, and Iñárritu, vow to tackle the “Latinx issue” in further projects. 

We all know roles are given to the best candidates, regardless of their ethnicity – writers, directors, and casting agents need to have more Latinos, Asian Americans, and Native Americans on the radar for the much-needed essential diversification in Hollywood.
For instance, the summer hit “Ocean’s 8,” with an all-women cast... the action-heist movie presumptuously promoted as “diverse,” but the absence of Latinas is not acceptable.

The world is not black and white as Hollywood is perpetuating it. The concept of “diversity” is in our constitution but not in our cinema.

Women in Hollywood are taking the world by storm performing, producing, and directing big blockbusters such as “Wonder Woman,” “Ghost Busters,” “Girls Trip,” and even in the cast of “Black Panther” where women are predominantly essential to the story. Ironically, the lack of Latino actresses in those big movies is shocking.

Women are also creating a significant impact on the independent circuit, directing Oscar© nominated pictures such as “Lady Bird,” “Mudbound,” and “I, Tanya.” While their work is valued highly, we encourage them urgently to apply the concept of “diversity” in their cast for further projects. 

Early this year, before the Oscars©, a protest by a group of angry American-Latino actors took place in Hollywood. They were fuming over the absence of “American Born Latinos” in the acting categories.

Indifference blinded the protesters who could not support other Latino projects, such as the Best Foreign Language Film masterpiece “A Fantastic Woman” from Chile.    
Guillermo del Toro. Copyright © 2017 Festival in LA
Carlos Saldanha. Copyright © 2017 Festival in LA

On the one hand, they were right because it was true --- no Latino actors were nominated.  

On the other hand, they were counting out the foreign-born Latinos who got nominations in different categories, like Guillermo del Toro for “The Shape of Water,” Sebastian Lelio for “A Fantastic Woman,” and Carlos Saldanha for the animated feature “Ferdinand.”               
Daniela Vega. Photo by Jose A. Hermosillo. Copyright © 2018 Festival in LA.

Sony Pictures Classics did not release “A Fantastic Woman” on time to take the lead actress Daniela Vega to qualify for Best Actress. She could have been the first Latina to be nominated since Catalina Sandino Moreno for “Maria Full of Grace” in 2006. She could also be the first transgender actress nominated for an Oscar©.
Sebastian Lelio. Copyright © 2018 Festival in LA
Latinos overlooked the invitations to embrace foreign talents, such as the Chilean director Sebastian Lelio, who at that time was doing the post-production of “Disobedience” in London and directing the English version of “Gloria” in Hollywood. Many “American Latina actresses” would kill to get that part, and the role went to Julianne Moore.  
                            
Latinos in Hollywood must know how to run a successful campaign, reach out to the press, and get the attention of the Academy members, like the British, Italians, and French do.
Starring Europe, Films From the European Union in Hollywood. Copyright © 2018 Festival in LA
Europeans have more accomplishments and nominations representing their cultures in the mainstream media than Latinos in Hollywood. They know how to embrace and run an effective campaign for their projects. They even take the extra lap to do whatever it takes to honor with a star on the Hollywood Walk-of-Fame one of their celebrities yearly. Latinos don’t do that. They think it is not their job to adequately promote their people all the way.
Gina Lollobrigida, Hollywood Walk of Fame. Photo courtesy of Instituto Italiano Di Cultura Los Angeles.

In an ideal world, American-Latinos and Latin-Americans must work together to produce meaningful projects without the nationalistic rhetoric and consummate a common goal for recognition – excellence.

Furthermore, here are some ideas to make inspirational films on the lives of American-Latino icons such as the legendary Mexican-American singer Linda Ronstadt with her top-seller album Canciones de mi Padre... or the renowned Venezuelan-American fashion designer Carolina Herrera

Another suggestion is Jovita Idár, a teacher, journalist, and activist who raised her voice against the Texas Rangers’ killings of Mexicans in 1914. 

Some other personalities would be great subjects for biopics: Sonia Sotomayor: the Associate Justice of the Supreme Court, and a film about the Secretary of Labor Hilda Solis. All of these stories would be satisfying to watch on the Big Screen. 
There are other essential stories with a positive image of Latinas, like the East Los Angeles band “La Santa Cecilia” and the well-known Tejano group “Las Fenix or the biopic of the late singer from Long Beach “Jenni Rivera.” 

The new generation of Latinos in Hollywood is responsible for turningthe cliches upside down to reach for universality.

Remember, Latinas in the United States have plenty of stories to tell and beautiful films to make.
The Best Latina-Theme Movies in America
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