Tuesday, October 28, 2014

“Birdman or (The Unexpected Virtue of Ignorance)” Flies High For Accomplishment and Awards

By José Alberto Hermosillo 
Birdman, poster. Copyright ©2014 Fox
 
This year, the Oscars have “Wings,” “The Great Ziegfeld” is back, “Birdman” is the “Artist” of the season, and the “Midnight Cowboy” of the decade. 

The existentialist, hypnotic, dark comedy, masterfully directed by Alejandro G. Iñárritu (“Amores Perros,” “Babel”) stands apart from his recurrent topics: violence, emptiness, immigration, human exploitation, but death. Death is obsessively present in every work done by Iñárritu.

Alejandro G. Iñárritu. Photo by José A. Hermosillo. Copyright ©2014 Festival in LA
 

Divided into three acts, like a theater play, “Birdman” tells the story of a lonely falling star who, years earlier, after playing an iconic superhero, made the wrong decisions in Hollywood. Now, the only way to stage his comeback is to produce, direct, and perform his play on Broadway: “What We Talk About When We Talk About Love.”

 

The actor’s fading fame, divorce, age, his daughter’s rehab, his financial situation, and the lies of other actors left him struggling to survive.

 

Broadway is a jungle where everyone devours each other - actors, agents, lawyers, family, the public, and critics (remember the critics). 

 
Copyright © 2014 Fox

From the beginning, his “larger-than-life” alter ego plays “Funny Games” with him, making him behave in ways that are out of the ordinary and so crazy that people in the audience laugh: “You are Birdman; you are a God.”


To achieve his glorious return to the stage, the starving actor Reagan Thomson, played by Michael Keaton (“Batman,” “Speechless”), must be “nice” to everyone, including himself. Life will throw him some pretty rough situations. 


“Birdman” is a pendulum swinging between long discussions and long silences—the player is always trying to find what truly matters in life. 
 
Copyright ©2014 Fox
 
“No need for drugs when you are already emotionally high.” 

Antonio Sanchez’s strident drum score is jazzy, rhythmic, and sometimes a “wild mambo.” Toward the end, the drums become dissonant and chaotic, driving the story to total madness and culminating in an unexpected resolution.

 

This movie seems to be shot in three days, but its chronicle of the shooting is far more complicated than that. It requires planning, building, lighting, choreography, and many rehearsals to achieve perfect timing, so everything happens at the precise moment. 


Directors, actors, cameramen, editors, and the sound department must hit their marks to make the story flawless. Their movements must flow seamlessly, like the choreography of “The Swan Lake.”

 

Let’s not forget the special effects, which come out of nowhere and are unique. 

 
Birdman mural at the Arclight in Hollywood. Photo by José A. Hermosillo. Copyright ©2014 FestivalinLA
 
Technically and symbolically, “Birdman” is structured in three parts (first rehearsal, dress rehearsal, and preview). Those parts are interconnected through the film’s complex, long takes that follow the characters through the theater’s long hallways and sometimes out onto the streets.

Director of photography Emmanuel “Chivo” Lubezki (“Gravity,” “A New World,” “Tree of Life”) knows his craft and can challenge himself by using the same continuous “long takes” as in Cuarón’s “Children of Men,” only this time they repeat many times in “Birdman.” The Academy Award®-winning cinematographer is one of the best of his generation - Chivo is likely to win the Award for the second year in a row.
 
Copyright © 2014 Fox
The shot of the Korean grocery store’s interior is magnificent. Those thousands of chili pepper-shaped lights are not only colorful or fantastic but breathtaking, in one word: marvelous!
Copyright © 2014 Fox
Michael Keaton is phenomenal; his work with Iñárritu pushed the limits, delivering the best performance in his career. 

Javier Bardem, working with Iñárritu, got an Oscar nomination in 2010 for “Biutiful,” and now Keaton will most likely get an Oscar nomination for his magnificent performance in “Birdman.” He is the front-runner to win gold.
Copyright ©2014 Festival in LA
 
Edward Norton, always controversial, ignites the big screen with his powerful presence. 

Zach Galifianakis’ performance is the best of his career. Emma Stone is superb and represents a new generation of Hollywood’s great young actors. Everyone is just fantastic. 

“Birdman, or (The Unexpected Virtue of Ignorance)” deserves multiple nominations and awards, a simple story in a complex movie that aspires to perfection.
 
Copyright © 2014 Birdman Facebook Page.

2 comments:

  1. Back in October: This year the Oscar© has “Wings.” “The Great Ziegfeld” is back. “Birdman” is “The Artist” of the season and the “Midnight Cowboy” of the millennium.

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