“Messi,” directed by Alex de la Iglesia (“Witching and Bitching,” “La chispa de la vida,” “The Oxford Murders”), is the opening film of FICG in LA (Guadalajara International Film Festival in Los Angeles).
“Messi” is part documentary and part a recreation of his childhood performed by actors. Lionel Messi is considered one of the world's greatest soccer players. He left his hometown, Rosario, when he was a child. Since then, he has been one of the most successful soccer players.
“Messi,” the documentary/biography, has impressive footage from his games at his Club, Barcelona, and also when he’s playing for his native country, Argentina. His name and figure are at the level of the most significant soccer players in history: Pelé and Maradona. He has won everything but the World Cup.
“Messi” has a positive reinforcement of his achievements and his abilities on the soccer field, keeping his private life away from the public, regardless of what his family and people around him can say.
The movie premiered during the 2014 World Cup in Brazil. Thanks to the Guadalajara Foundation, it will premiere here in Los Angeles at the Egyptian Theater in Hollywood on Friday, August 2015.
The Guadalajara Film Festival is one of Latin America's most important film festivals.
Five years ago, Guadalajara established its essential presence in Los Angeles with FICG in LA.
The festival has grown and contributed to the community, helping filmmakers to finish their films with the doc lab for a documentary and Guadalajara Construye for fiction – “Pocha” won last year and, with the incentives of the festival, is ready to have its Hollywood screening and distribution.
During the five years of the festival, all the profits have been donated to a non-profit organization in the city. This year, H.O.L.A. (Heart of LA) is the beneficiary.
Tree of Life Award Honorees:
-The Derbez Dynasty, (Mother - Silvia Derbez± (Actress) Luis Buñuel’s “The “River and the Death” (1954), Eugenio Derbez (Actor/ director); “Instructions Not Included/No se acceptance devoluciones (2014),” Aislinn Derbez (Actress) “A la mala (2015).”
-Eugenio Caballero, “Pan’s Labyrinth” (Art design), Oscar winner,
-Ofelia Medina (Mexican actress), “Frida, Naturaleza Viva” (1983), “Innocent Voices” (2004), “La Casa de Bernarda Alba” (1974).
-Josep Parera (Entertainment Editor - La Opinion),
-Sandie Viquez Pedlow (Latino Public Broadcasting).
CLOSING NIGHT – AUGUST 30, 2015
CIUDAD DELIRIO, Dir. Chus Gutiérrez (Colombia, 2014, 100 min.).
PROGRAM AND SPECIAL EVENTS:
• KIDS GALA:
EL JEREMÍAS (JEREMY), Dir. Anwar Safa (Mexico, 2015, US Premiere).
• MAGUEY (LGBT) GALA:
MADE IN BANGKOK Dir. Flavio Florencio (México - Alemania, 2015).
• ART, HEALTH & HEALING SPECIAL SCREENING:
JUANICAS, Dir. Karina García Casanova (Mexico - Canada, 2015). LA TETA DE BOTERO, Dir. Humberto Busto, Mexico (short film).
• HUMAN RIGHTS SPECIAL SCREENING:
LA PRENDA (The Pawn), Dir. Jean-Cosme Delaloye (Guatemala - Suiza), 2014.
LA ONCE (Tea Time) –Dir. Maite Alberti (Chile, 2014). Free Screening.
THE OTHER FILMS:
El PATRÓN, RADIOGRAFÍA DE UN CRIMEN (THE BOSS, ANATOMY OF A CRIME)
Dir. Sebastián Schindel (Argentina, 2014). HEROES COTIDIANOS – “El cometa” Dir. Alejandra Sánchez (Mexico, 2014).
IXCANUL/Volcano, Dir. Jayro Bustamante (Guatemala - France, 2015). OSCAR® SUBMISSION.
LOREAK (FLOWERS), Dir. Jon Garaño, José Mari Goenaga (Spain, 2014).
POCHA/Hostile Border (Manifest Destiny) Dir. Michael Dwyer (USA – Mexico, 2015).
QUE VIVA LA MUSICA (LIVEFOREVER), Dir. Carlos Moreno (Colombia -Mexico, 2015).
Special Thanks to:
The University of Guadalajara and the organizers of FICG in L.A.:
Raúl Padilla (President of the University of Guadalajara Foundation in the USA),
Iván Trujillo (Festival Director of the Guadalajara International Film Festival),
Hebe Tabachnik (Director/Producer of FICG in LA),
Guillermo Gomez Mata (the Vice President of the University of Guadalajara Foundation in the USA),
True to her rebel spirit, the documentary “Amy” is a colossal piece of filmmaking. Genuinely good! A secure Oscar contender.
“Amy” celebrates the brief life of one of the greatest voices of Jazz and Soul ever heard, Amy Winehouse. Her wild, sophisticated image and dazzling public fame stand in contrast to her innocence and vulnerability.
The linear documentary is candid, tasteful, and shows great respect for the late singer’s image.
The beauty of the documentary “Amy” lies in the immense, well-assembled collection of private and public material assembled by Academy Award-nominated director Asif Kapadia (“Senna”).
The documentary makes a bold approach to Amy’s life, combining the fantastic and rare footage with multiple narrators (close friends, boyfriends, agents, bodyguards, a husband, and her last lover), all of them talking about their experience with the great Diva, creating a sense of multiplicity, giving a deeper meaning to the story. “Amy” innovates with a unique and stunning style by omitting a solo narrator, adding more dimension to the character of Amy Winehouse.
Impulsive and helpless, Amy’s controversy centers on the harmful external factors that led her to drugs, alcohol, and malnutrition.
Since her 2003 debut album “Frank,” her deep vocals and singing style have ranged across soul, blue-eyed soul, blues, jazz, and reggae.
In 2008, she won five Grammy Awards, becoming the first female artist to win the most in a single night and the first British female singer ever to do so.
She couldn’t attend the awards ceremony in LA due to a failed drug test required by American authorities. Instead, her company held a private party in London.
Amy’s popularity skyrocketed as her private life became tumultuous. Paradoxically, “Rehab” was one of her biggest hits. As the documentary shows, other factors affected her deeply, including media turmoil, her husband’s imprisonment, her foolish parents, and some of her best friends turning their backs on her.
The paparazzi, contracts, performances, and the pressure from her record company made her brief life a living hell. For her, it was too much to handle when she was on drugs, young, beautiful, and famous.
The duet with Tony Bennett, her idol and inspiration, was very important to her. During the recording, she aspired to perfection and, in her own opinion, couldn’t perform well enough.
Tony was patient and caring, and he was mesmerized by her powerful voice, which told her: “You are the best jazz singer in the world.”
The song “Body and Soul” is from Bennett’s album Duets II; it was her last recording.
Her presentation in Belgrade in June 2011 was a complete disaster. She couldn’t put herself together, too drunk to stand still and perform in front of a thousand disappointed attendees who booed her off the stage.
“Amy” is a pleasant biopic to watch, enjoyable from beginning to end, and it flows majestically as a narrative feature, but it is a documentary.
“Amy” is mesmerizing and lets you witness the tragic life of “the little Jewish girl” from North London.
In recent years, two groundbreaking documentaries about singers won Oscars: “Searching for Sugar Man,” about the mysterious disappearance of Sixto Rodriguez, and “20 Feet from Stardom,” about the voices behind the most incredible rock stars.
Those precedents make it possible for “Amy” to receive a nomination and lift the statuette at the 2016 Awards ceremony.
“Amy” holds the all-time box office record for a documentary in the UK and has taken America by storm, becoming an independent success.
Not only do her fans and followers support the movie, but so do people who like Jazz and Soul, those who appreciate good music, and anyone who wants to learn more about what happened in an enormous singer’s short life.
We’ll miss Amy Winehouse greatly, and now we can see her and appreciate her music and personal moments to our heart’s content in the accomplished documentary “Amy.”
“The Revenant” is the latest work of the Oscar® winner Mexican helmet Alejandro G. Iñárritu - the question is if this film has the potential to win gold this year - the answer is “yes” and “no.”
A contender “yes” because it has the quality of so many talented people working on the set. “No” because never a survivor movie has won an Oscar® for best picture, unless “The Revenant” can be the exception and make history.
In recent years, survivor movies have been snubbed out of gold, films like: "Life of Pi," "Gravity," "All is Lost" have been compensated on the technical categories, not for acting or best picture. To have a positiveturnout, "The Revenant" should be listed as a historical time-period drama to fit in the same category of the Oscar® winners: "Dances with Wolves," "Braveheart," and "Gladiator."
Inspired by real events, “The Revenant” is a visceral and a cinematic experience.
In this epic adventure of "survival" Hugh Glass (Leonardo DiCaprio), after the attack by a bear is abandoned by his hunting team and betrayed by his own people, including John Fitzgerald (Tom Hardy). He must fight against the dangers of the wilderness in the hard winter of North America.
The free adaptation from the Michael Punke’s novel was made by Mark L. Smith and Alejandro G. Iñárritu.
Some members of the crew said: “The shooting of this movie was a living hell.”
How can you aspire to perfection without any sacrifice?
In the shooting of “Babel,” Adriana Barraza collapsed in the desert due to the heat exhaustion, the production was stopped for more than six hours. The result was an Oscar® nomination for Best Supporting Actress for her.
Perhaps, DiCaprio having suffered the extreme cold weather conditions can be an Oscar® hopeful regardless of his silent character.
The trailer exhibits the beautiful and haunting cinematography by the two times Oscar® winner Mexican D.P. Emmanuel ‘El Chivo’ Lubezki (“Gravity,” “Birdman”). The way the "Revenant" was shot was similar to the work he did in Terrence Malick’s “The New World.” Emmanuel shoots every frame with natural light, an influence from the “dogma” movement.
Lubezki may win his third consecutive Oscar® for this movie.
“The Perfect Storm” has been positioned "perfectly" for Iñárritu’s “The Revenant” at the awards season. Now, we need to wait and see if the weather conditions, the critics, the Academy members, and the audience can say: “This ‘epic' has what it takes to win the gold this year."
On a
never-ending “green carpet” the cast and crew of 140 participating
films paraded for a photo and an interview opportunity. The vibe was positive. The opening night of Dances With Films was a big cinematic celabration with the premiere of the boxing film "The Challenger."
Actors and filmmakers arrived to Hollywood eager to make their dreams come true. Everyone will have their time to shine at Dances With Films.
“Dances With Films” is the coolest film festival in the world, so trendy than no matter what, you will fell good watching so many amazing movies during the
10 days of the festival. People from all over the US and other countries will visit the heart of
Hollywood to participate or to support a loved one in
the festival.
Every
year “Dances With Films” brings the most truly independent films made by
talented people with hopes and dreams.
Accordingly
to the Dances With Films founders Leslee Scallon and Michael Trent: "The festival’s purpose is to be the prime source of undiscovered, incredible talent, and undistributed
entertaining films, that is and will be the fountain of the future cinema.”
The film
chosen to open the Hollywood's most popular film festival was “The Challenger.”
Actor/Director Kevin Morgan, The Challenger. Photo by Jose A. Hermosillo.
"The Challenger” is a powerful, compelling and entertaining boxing movie, from the Bronx to the world. "The Challenger" is the story of a young mechanic, Jaden Miller (Kent Morgan) from
the Bronx, struggling with bills, eviction notice, a sick mother, and hostile
environment. His desire is to participate in the neighborhood boxing event and to
get out of his difficult situation.
He meets a boxing trainer, Duane Taylor, played by Academy Award nominee Michael Clarke Duncan
(“The Green Mile”). This marks Duncan's last movie before he passed a few months
after shooting.
in the ring, Jaden discovers the power of his
fist, skills in ring, and his true identity.
Soon,
Miller will be named “The Kid from the Bronx.” it's when a small TV network becomes interested
in his life and will follow him 24/7 making a “reality show” out of his
struggle. When he discovered a connection between his trainer and his
mother things turned uneasy for the three main players: the trainer, the mother and the boxer.
Actor/Director Kevin Morgan, The Challenger. Photo by Jose A. Hermosillo.
“The
Challenger” follows the tradition of great boxing movies like “Rocky,” “Raging
Bull,” “The Fighter,” and other independent films such as “The Kid: Chamaco,” and “Fighter.” Those movies are the ultimate underdog stories that make us believe in the force of one man to
overcome adversity to accomplish his purpose in life.
The power
of “The Challenger” is in its own compelling story, fast paced editing and a marvelous
music score, that make up for some of its melodramatic lines and clichés.
Actor/Director Kevin Morgan, The Challenger. Photo by Jose A. Hermosillo.
Actor/director Kent Morgan challenged himself by keeping his training up by running 15 miles every
day, even during the shooting.
Hoping
for distribution, this inspirational independent film deserves a chance to be
shown in theaters across America.
“The
Challenger” is a true champion movie and it's worth its weight in gold to watch it on the big screen.
More films will be premiering at Dances With Films 18.