Showing posts with label Paul Verhoeven. Show all posts
Showing posts with label Paul Verhoeven. Show all posts

Thursday, June 3, 2021

Cannes 2021 Unveils The Official Selection

By José Alberto Hermosillo

2021 has been a challenging year for the film industry as Cannes unveils its international line-up after bypass last term due to the pandemic. 

However, the festival moves forward - closing gender parity with more women directors in the selected films. In addition, the Mediterranean yearly event has more diversity and inclusion, with more movies from countries that traditionally don't have representation - plus the festival's favorite directors. 

The Cannes Film Festival runs from the 6th to the 17 of July of 2021.

OPENING FILM:

Annette” by Leos Carax, (France 🇫🇷, Mexico 🇲🇽, USA 🇺🇸, Switzerland 🇨🇭, Belgium 🇧🇪,  Japan 🇯🇵,  Germany 🇩🇪)

“Titane,” Julia Ducournau (France 🇲🇫). PALME D'OR WINNER.
“Titane,” Julia Ducournau (France 🇲🇫). PALME D'OR WINNER.

OFFICIAL COMPETITION

Annette” by Leos Carax, (France 🇫🇷, Mexico 🇲🇽, USA 🇺🇸). BEST DIRECTOR.

“Ahed’s Knee” OR “Ha’berech,” Nadav Lapid (Israel 🇮🇱). JURY PRICE ex-æquo.

“Benedetta,” Paul Verhoeven (Netherlands 🇳🇱)

“Bergman Island,” Mia Hansen-Løve (France 🇫🇷)

“Casablanca Beats,” Nabil Ayouch (Morocco 🇲🇦)

“Compartment No. 6” OR “Hytti Nro 6,” Juho Kuosmanen (Finland 🇫🇮). Ex-æquo Grand Prix.

“Drive My Car,” Ryûsuke Hamaguchi (Japan 🇯🇵). BEST SCREENPLAY.

“Everything Went Fine” OR “Tout s’est bien passé,” Francois Ozon (France🇲🇫)

“Flag Day,” Sean Penn (USA 🇺🇸 )

“France,” Bruno Dumont (France 🇲🇫)

“The French Dispatch,” Wes Anderson (USA 🇺🇸)

“A Hero,” Asghar Farhadi (Iran 🇮🇷).  Ex-æquo Grand Prix

“La fracture,” Catherine Corsini (France 🇲🇫)

“Lingui,” Mahamat-Saleh Haroun (Chad 🇹🇩)

“Memoria,” Apichatpong Weerasethakul (Thailand 🇹🇭). JURY PRIZE ex-æquo.

“Nitram,” Justin Kurzel (Australia 🇦🇺). BEST ACTOR

“Paris, 13th District” OR “Les Olympiades,” Jacques Audiard (France 🇲🇫)

“Petrov’s Flu,” Kirill Serebrennikov (Rusia 🇷🇺)

“Red Rocket,” Sean Baker (USA 🇺🇸)

“The Restless” OR “Les Intranquilles,” Joachim Lafosse (Belgium 🇧🇪)

“The Story of My Wife,” Ildikó Enyedi (Hungary 🇭🇺)

“Three Floors” OR “Tre Piani,” Nanni Moretti (Italy 🇮🇹)

“Titane,” Julia Ducournau (France 🇲🇫). PALME D'OR WINNER.

“The Worst Person in the World” or “Julie (en 12 Chapitres),” Joachim Trier (Norway 🇳🇴). BEST ACTRESS.

Marco BELLOCCHIO - Honorary Palme d ' Or

“France,” Bruno Dumont (France).

UN CERTAIN REGARD

“After Yang,” Kogonada (USA 🇺🇸)

“Blue Bayou,” Justin Chon (USA 🇺🇸)

“Bonne Mère,” Hafsia Herzi (France 🇲🇫)

“Commitment Hasan,” Hasan Semih Kaplanoglu (Turkey 🇹🇷)

“Freda,” Gessica Généus (Haiti 🇭🇹)

“Gaey Wa’r,” Na Jiazuo (China 🇨🇳)

“Great Freedom,” Sebastian Meise (Austria 🇦🇹)

“House Arrest” OR “Delo,” Alexey German Jr. (Russia 🇷🇺)

“The Innocents,” Eskil Vogt (Norway 🇳🇴)

“La Civil,” Teodora Ana Mihai (Belgium 🇧🇪 /Mexico 🇲🇽)

“Lamb,” Valdimar Jóhansson (Iceland 🇮🇸)

“Let There Be Morning,” Eran Kolirin (Israel 🇮🇱)

“Moneyboys,“ B. C Yi, (Austria 🇦🇹)

“Noche de Fuego,” Tatiana Huezo (Mexico 🇲🇽)

“Rehana Maryam Noor,” Abdullah Mohammad Saad (Bangladesh 🇧🇩)

“Unclenching the Fists,” Kira Kovalenko (Russia 🇷🇺)

“Un Monde,” Laura Wandel (Belgium 🇧🇪)

“Women Do Cry,” Mina Mileva and Vesela Kazakova (Bulgaria 🇧🇬)


OUT OF COMPETITION

“Aline, the Voice of Love,” Valerie Lemercier (France 🇲🇫)

“Bac Nord,” Cédric Jimenez (France ðŸ‡²ðŸ‡«)

“Emergency Declaration,” Han Jae-Rim (Korea 🇰🇷)

“In His Lifetime” OR “De son vivant,” Emmanuelle Bercot (France 🇲🇫)

“Stillwater,” Tom McCarthy (USA 🇺🇸)

“The Velvet Underground,” Todd Haynes (USA 🇺🇸)

“The Velvet Underground,” Todd Haynes (USA)

MIDNIGHT SCREENINGS

“Bloody Oranges,” Jean-Christophe Meurisse (France 🇲🇫)

CANNES PREMIERE

“Cow,” Andrea Arnold (UK 🇬🇧)

“Deception” OR “Tromperie,” Arnaud Desplechin (France 🇲🇫)

“Evolution,” Kornél Mundruczo (Hungary 🇭🇺)

“Hold Me Tight,” Mathieu Almaric (France 🇲🇫)

“In Front of Your Face,” Hong Sang-soo (Korea 🇰🇷)

“Mothering Sunday,” Eva Husson (France🇲🇫 )

“Love Songs for Tough Guys,” Samuel Benchetrit (France 🇲🇫)

“Val,” Ting Poo and Leo Scott (USA 🇺🇸)

“Benedetta,” Paul Verhoeven (Netherlands)
 

SPECIAL SCREENINGS

“Babi Yar. Context,” Sergei Loznitza (Ukraine 🇺🇦)

“Black Notebooks,” Shlomi Elkabetz (Israel 🇮🇱)

“H6,” Yé Yé (France 🇲🇫)

“Jane by Charlotte,” Charlotte Gainsbourg (France 🇲🇫)

“JFK: Through the Looking Glass,” Oliver Stone (USA 🇺🇸)

“Mariner of the mountains” OR “O Marinheiro das Montanhas,” Karim Aïnouz (Brazil 🇧🇷)

“The Year of the Everlasting Storm,” Jafar Panahi, Anthony Chen, Malik Vitthal, Laura Poitras, Dominga Sotomayor, David Lowery and Apichatpong Weerasethakul (Thailand 🇹🇭)

“The Year of the Everlasting Storm,” Jafar Panahi, Anthony Chen, Malik Vitthal, Laura Poitras, Dominga Sotomayor, David Lowery and Apichatpong Weerasethakul (Thailand)

 
Thierry Frémaux and film critic Jose Alberto Hermosillo
Film critic José Alberto Hermosillo and Cannes director Thierry Frémaux at the Oscars 2020
 
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Wednesday, December 14, 2016

Elle: The New “Basic Instinct” with a “French Twist”

By José Alberto Hermosillo

“Elle” is a sophisticated, twisted erotic-psychological thriller charged with a high voltage of anxiety, desire, and animosity. It will stick with you right under the skin for a long time.

Director Paul Verhoeven returns to his European roots with a high content of sexual deviations, perversions, and obsessions - constantly pushing in his films the boundary-line beyond the imaginable.

PHOTO COURTESY OF ©2016 SONY PICTURES CLASSICS

The role of “Elle” is custom-made for Isabelle Huppert (“Things to Come,” “Amour,” “The Piano Teacher”), who perfectly portrays Michele LeBlanc, an upper-class, high-ranking French executive and producer of violent video games charged with bloody erotic sequences that alter the subconscious. 

PHOTO COURTESY OF ©2016 SONY PICTURES CLASSICS

The responsibilities of Mrs. LeBlanc have changed her into an uptight, snooty, hard-hitting woman.
PHOTO COURTESY OF ©2016 SONY PICTURES CLASSICS

After a freak home invasion and rape, her mind is obsessed with the assault and can’t stop thinking about it. 

The event repeats itself, over and over, inside her head and in constant incursions.

“What if…” she could defend herself and counter-attack the burglar.

“What if…” she would be in control and get pleasure out of it.

“What if...” she could take revenge against her attacker...

The thoughts of being a woman in power (not only in her job but in her sexuality) create a high level of instability, anxiety, and cravings in her mind and body.
PHOTO COURTESY OF ©2016 CINE MATE

Mrs. LeBlanc would like to know who attacked her. She suspects everyone, but she has no evidence of who he could be. 

She has many haters, starting with her ex-husband and her closest collaborators.

Some of her detractors are her daughter-in-law, her confused and immature son, and her mad and sophisticated mother, who has a relationship with a much younger man.

PHOTO COURTESY OF ©2016 SONY PICTURES CLASSICS

The mother wants her daughter to heal herself and become more “normal” by visiting and forgiving her incarcerated father, a “monster” serving a life sentence for committing a horrendous crime that Michele witnessed when she was a teenager.  

ISABELLE HUPPERT. PHOTO JOSE A HERMOSILLO ©2017 FESTIVAL IN LA

“Oh…” is the original name of the novel by the French-Armenian writer Philippe Djian, which David Birke outstandingly adapted to the screen.

PAUL VERHOEVEN, PHOTO JOSE A HERMOSILLO ©2017 FESTIVAL IN LA

Director Paul Verhoeven really knows his craft. In “Elle,” he places every element in a suitable space and time. When he became famous in Hollywood with the Cult Classics such as “RoboCop,” “Basic Instinct,” “Total Recall,” and “Show Girls,” he already had a long trajectory in Europe.

PAUL VERHOEVEN, PHOTO JOSE A HERMOSILLO ©2017 FESTIVAL IN LA

In the Netherlands, his homeland, he made his most controversial works, “Turkish Delight,” “Diary of a Hooker,” “Katie Tippel,” “Soldier of Orange,” and “The 4th Man.” 

Verhoeven continues making films with the same quality and freedom in Europe and in Hollywood as well.

Many directors have successfully explored this genre with sex, violence, and fetishism, such as Vicente Aranda’s “Amantes/Lovers: A True Story,” Bigas Luna’s “The Chambermaid on the Titanic,” Luis Buñuel’s “Susana” and “Belle de Jour,” and François Ozon’s “Criminal Lovers” and “Young & Beautiful.”

“Elle” is the official French submission for the Academy Awards 2017 in the Foreign Language Film category. Isabelle Hupper won the Golden Globe for Best Performance by an Actress in a Motion Picture—Drama.

Verhoeven’s experience in Hollywood makes “Elle” unfold with perfect cinematography, fast-paced editing, and elongated moments that enhance the actors’ performances to a whole new level of importance.

In “Elle,” every actor is impeccable. Isabelle Huppert is Magnifique!

PHOTO COURTESY OF ©2016 AFI FEST

Michele’s anger and obsessions make her unconscious of her own reality. At one point, she must figure out how to get out of this sickening situation in one piece and regain control of herself, but her environment drags her down into deeper waters.

As the sexual assaults become more frequent, the structure of “Elle” could be interpreted as “Jesus descending into hell.”

The technical achievement of “Elle” makes it seem like a non-traditional French movie, but because of its sexual content, we can say “Elle” is a very French movie. If you dare to see this film, you will know what I mean.

Paul Verhoeven, Elle.
Paul Verhoeven, Elle. Film Critic José Alberto Hermosillo www.festivalinla.com 


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