Sunday, May 4, 2014

Sarajevo: Strategy and Complot Triggers the Great War

By Jose Alberto Hermosillo

“Sarajevo” is an epic, smart, intense, and magnificent political thriller, with elements of romance and drama. Historically accurate, it depicts the events that led to World War I, better known as the Great War.

The timing couldn’t be better for this Austrian production, as Europe commemorates the centennial of the military conflict that involved many nations, left thousands of casualties, and changed Europe’s map forever. Sarajevo, ground zero.

Sarajevo. Picture courtesy of the SouthEast European Film Festival, SEEFest.

“Sarajevo” is not a war movie. Let’s call it a “Prewar flick,” where conspiracy and greed played a significant role. 

The story focuses on Dr. Leo Pfeffer (excellently played by actor Florian Teichtmeister), a magistrate who investigates the assassination of Archduke Franz Ferdinand.

Leo has little time to process the evidence, including witnesses, maps, military corruption, police inefficiency, and the elite. People in power only want war. The assassins were immature, idealistic teenagers who refused to confess who told them to do it. 


Leo’s integrity and the love he feels for Marija keep him going against the odds. Leo goes down and dirty to uncover the conspiracy and greed of those on top of him.

“Merry Christmas/Joyeux Noel” is another film set in WWI, but this one focuses more on the war’s cruelty and its human side. “Sarajevo” is more about the investigation and the plotting before the great conflict.

The film is impeccable, accurate, articulate, and linear. It is well directed by Andreas Prochaska (“The Dark Valley”). It is intended to hit the European T.V. market, but a theatrical release in America is in the works.

Some may say it is heavy on stereotyping the Serbs or on Leo being Jewish, but it offers another way to explain how anarchism and racial intolerance created chaos on the Balkan Peninsula a century ago.

Sarajevo. Picture courtesy of the SouthEast European Film Festival.

The Austrian/Czech co-production “Sarajevo” is vivid, featuring strong characters, excellent production values, beautiful sets, elegant costumes, flawless makeup, and splendid cinematography.

 

Above all, the compelling script by writer Martin Ambrosch, who researched historical documents, locations, and facts, makes the characters and situations believable.


“Sarajevo” is one of the first great films of 2014; no one should miss it. I highly recommend it. 

SEEfest 2014 Opens with Sarajevo


  

Written by Jose Alberto Hermosillo

Beverly Hills, California. May 1, 2014.  “Sarajevo” was the perfect choice for the opening of the SEE Fest (South East European Film Festival). The event was held at the Writer’s Guild Theater in Beverly Hills.
Picture courtesy of the Southeast European Film Festival.
“Sarajevo” is about a turn of events that detonated World War I, better known as the Great War.
 
Photo by Jose Alberto Hermosillo.






After the screening, it was a Q&A with the producer of the film, then the reception at the theater’s lobby after, where we were able to take some more pictures of the filmmakers and patrons.


Photo by Jose Alberto Hermosillo.





During this weekend the Southeast European Film Festival also will show: “Puzzle” from Romania (Closing Gala), “Vis-à-Vis” from Croatia, “My Beautiful Country” from Germany/Croatia/Serbia, “Karnaval” from Turkey, and “At Home” from Germany, and many other features, documentaries and shorts.


Thursday, May 1, 2014

COLCOA 2014 Scores High In The LA Film Festival Circuit


By José Alberto Hermosillo

Hollywood, California. April 28, 2014.  COL-COA 2014 (City of Lights – City of Angels) ends up with a high score, bringing the best films, directors, and stars from France to Hollywood's heart. The week of French Premieres in Hollywood was held at the Director’s Guild of America, and it was a complete success; every screening was sold out.  
Photo by Jose Alberto Hermosillo.
COL-COA showcases la "crème de la crème" of French cinema in one spectacular week that began with “We Love You, You Bastard” directed by the legendary Claude Lelouch. The Oscar winner director for “A Man and a Woman” (1966). Lelouch introduced the film in person and stayed after for a very interesting Q&A. 
The conversation with him was a treat for film lovers.
The famous star of "Bastatd...," Johnny Hallyday, was present during the screening. 

Photo by Jose Alberto Hermosillo.
The Opening Night
The spectacular opening night welcomed everybody with a fabulous “champagne cocktail” at the elegant lobby of the DGA, where the French actors and filmmakers mingled with the crowd.   

During the week, COL-COA presented 61 films, including 20 shorts and 37 North American premieres, and 6 restored classics.
Photo by Jose Alberto Hermosillo.
Director Jean-Albert Llèvre, "Flore/Flore, route de la mer."
 Photo by Jose Alberto Hermosillo.
COLCOA showcased 4 new award winner documentaries: “On the Way to School,” “Stop-Over” (L’Escale), “How I Come to Hate Math,” and “Flore/Flore, route de la mer,” which won the best Documentary award.
Director Cédric Klapicsh. Photo by Jose Alberto Hermosillo.
COL-COA Classics 
A new section was introduced this year of French classics in their restored versions coming back to American theaters very soon. The selection included: "Purple Noon," "The Man Who Loved Women,” “Favorites of the Moon,” “Beauty and the Beast,” “Queen Margot,” and “The Murderer Lives at Number 21.”  
Director Cédric Klapicsh and actor
Romain Duris presenting "Chinese Puzzle" to the press.
Photo by Jose Alberto Hermosillo.
 A special presentation of “L’Auberge Espagnole” that included a conversation with the acclaimed director Cédric Klapicsh. He also presented the West Coast premiere of his most recent work, “Chinese Puzzle,” which completes his trilogy with “Russian Dolls.”  

Actor Roman Duris. Photo by Jose Alberto Hermosillo.
Actor Romain Duris, who plays Xavier in the three films, made an introduction very simple and fun, saying: “Hello, I’m happy. I’m French”. The audience went nuts. In a press conference, I asked Mr. Doris: “How is it to be in bed with “Amélie?” I was making reference to the love scene he has with actress Andrey Tautou in “Chinese Puzzle.” He was speechless, and he only laughed because he was a gentleman.
Photo session. Photo by Jose Alberto Hermosillo.
COLCOA Meets the Press
COLCOA is the most press-friendly festival in Los Angeles, with 14 press screenings, 4 press conferences, interviews, photo opportunities, and access to all regular and special screenings. No press members were waiting outside the theaters.
The cast of the raucous comedy "Babysitting." Photo by Jose A. Hermosillo.
Film criticism is fundamental in the filmmaking process. If people wonder why French films have so much press coverage, it’s because someone is doing the job.    

Director Hèiler Cisterne, "Vandal." Photo by Jose A. Hermosillo.
 2014 COLCOA AWARDS: 
- Critics Award: VANDAL
- Critics Special Prize: ONE OF A KIND
- Critics Special Mention THE ROOFTOPS

- Audience Award: TURNING TIDE
- Special Audience Prize: CHINESE PUZZLE
- Audience Special Mention: FOR A WOMAN
  
- First Feature Award: ME, MYSELF, AND MOM
- Best Documentary Award: FLORE
- Coming Soon Award: CHINESE PUZZLE

- Audience Short Award: THE AUDITION
- COLCOA Short Film Award: THE RUNAWAY
Yannick Saillet d. ¨Trapped/Piégé." Photo by Jose A. Hermosillo.
French Films for Everybody
COLCOA met everyone’s expectations in all genres: comedy, suspense, documentaries, and family dramas. The new “French NeWave 2” is in everybody's mouths with films considered as “provocateurs,” such as: “The Age of Panic/La Bataille de Solférino” (one of my favorites), “One of a Kind,” and this year Critic’s Award winner “Vandal,” directed by the young and talented Hèiler Cisterne.
Director Hèiler Cisterne, "Vandal." Photo by Jose A. Hermosillo
COLCOA had filmed for a mature audience made by great directors such as “Venus in Fur” by Roman Polanski, “Young and Beautiful” by Fraçois Ozon, “Not My Type” by Lucas Belvaux, “Love is a Perfect Crime” by Arnaud Larrieu and Jean-Marie Larrieu. “Abuse of Weakness/Abus de faiblesse” by Catherine Breillant, "Abuse..." has the stunning performance of Isabelle Huppert.  
(L.) Diane Kurys, "For a Woman." (R.) Director Hèiler Cisterne, "Vandal."

"For Woman” was an elegant time-period piece, well directed by Diane Kurys, who also told us that her film was autobiographical.

French Comedies Rock
COLCOA presented some risky parodies: “Jackie and the Kingdom of Women,” and comedies like: “Paulette” a drug dealer granny, “Superchondriac,” “9 Months Stretch” and the box office hit “Babysitting.” All comedies were among people’s favorites. 

Actor/director Albert Dupontel, “9 Months Stretch/9 mois ferme.”

“9 Months Stretch/9 mois ferme” is a story of a woman judge working in a court who gets pregnant by a thief. The film was directed and acted by Albert Dupontel, who does a terrific performance of this sneaky outlaw.
French film posters @ DGA Lobby. Photo by Jose Alberto Hermosillo.
French Film Industry
  
France has one of the world’s most healthy film industries, with more than 240 productions annually. French films do well at the European box office and are expanding to other markets.
COLCOA Opening night @ DGA. Photo by Jose Alberto Hermosillo.
If you missed COLCOA films, most would get a commercial run in US theaters during the year. You can also catch them on demand on other platforms, such as cable and video.  You want to know more about where the French films will be playing, you can join the COLCOA Facebook page.
The exterior of the DGA. Photo by Jose Alberto Hermosillo.
COLCOA, helmed by executive producer & artistic director Francois Truffaut, has been one of the best film festivals in Los Angeles. The organization was pristine.
COLCOA'S 18 ft. Anniversary Cake. Photo by Jose Alberto Hermosillo.


We’ll see you at #COLCOA 2015 for more French films that everybody loves. 

Friday, April 4, 2014

The Indian Film Festival of Los Angeles Is Back



The Indian Film Festival of Los Angeles Is Back
By Jose Alberto Hermosillo
 The 2014 Indian Film Festival of Los Angeles returns Tuesday, April 8th to the 13th to the Arclight Theaters in Hollywood. The program includes big productions, independent films, shorts, and documentaries.

The red carpet, opening and closing ceremony comes with a very festive celebration with Indian filmmakers and stars.

2013 Awards. c Photo by Jose Alberto Hermosillo
All know that India is the biggest movie producer in the world; every year this festival brings to the city a great quality of films.  Last year we had the presentation of the films of two great women filmmakers: Mira Nair’s “The Reluctant Fundamentalist” and Deepa Metha’s “Midnight’s Children”. 
Film: "Sold." Photo courtesy of Indian Film Festival LA.
This year the opening night film is “SOLD” produced by Academy Award Winner Emma Thomson. The story is about a little girl from Nepal sold into prostitution. A must see!

“Before my Eyes,” “Ugly,” “The Auction House,” “Hank and Asha,” “Writers,” “Shepherds of Paradise,” and “Brahmin” are among the feature films the festival will present.

Film: "Bombay Talkies." Photo courtesy of Indian Film Festival LA
 
“Monsoon Shootout” and “Bombay Talkies” are the Bollywood night’s section, the shows are Friday and Saturday at 10:00 PM.

The Indian cinema, culture, music, and dances are right here in the palm of your hand. Enjoy!!!

More information 323 247.5600 or @ www.indianfilmfestival.org