Showing posts with label A Fantastic Woman. Show all posts
Showing posts with label A Fantastic Woman. Show all posts

Sunday, December 23, 2018

A Son of Man: Ecuador Center of “The New World”

By José Alberto Hermosillo
“A Son of Man” Ecuador Center of “The New World” ©2019 Paracas Independent films.
 
“A Son of a Man” is an extraordinary, mystical journey to the heart of Ecuador’s wilderness. A breathtaking experience. 

The architects of this ambitious film, Jamaicanoproblem and Pablo Agüero, found a way to express themselves through the arts by shooting their movie without a script, actors, lighting, or special effects. 

They wanted to move further away from the “Dogma Movement” filmmakers and to work on their real story with real people, without falling into the documentary genre. 

The filmmakers wanted to create a new genre by combining documentary and fiction, yet featuring real-life characters in real situations, interwoven with their amusing histories in their exuberant land.

Lily van Ghemen. Luis Felipe Fernández Salvador y Campodonico. Photo José A. Hermosillo ©2019 Festival in LA
 

“A Son of a Man” vividly recounts the lives of three generations of a wealthy Ecuadorian family. The characters connect with their heritage, descendants, and nature. 


This unbelievable story is told through the eyes of young Pipe, the nickname for Luis Felipe Fernández-Salvador y Boloña.

 
Luis Felipe Fernández-Salvador y Boloña (the son, also known as Pipe), A Son of a Man, ©2019 Paracas Independent films

In this “wild new adventure.” His son Pipe will try to reconcile old disagreements between his father and his deceased grandfather.

In Latin America, people with money send their children abroad to study. In Pipe’s case, his father had him studying at the Shattuck-Saint Mary’s School in Minnesota, where our story begins.
 
Luis Felipe Fernández-Salvador y Campodonico (father), A Son of a Man ©2019 Paracas Independent Films
Luis Felipe Fernández-Salvador y Campodonico orders his son Pipe to return to join him for an ambitious expedition in search of the lost treasure of the Inca Emperor Atahualpa.

Upon arrival, Pipe notices the sharp differences between the USA and his homeland. What he finds even more startling is to see “Men with Guns” guarding the gate of his father’s estate.

Inside the family’s library, young Pipe sees many pictures of his grandfather’s past glories. They include moments when he was named the most muscular man on earth and when he was John Wayne’s best friend in California.
 
Luis Felipe Fernández-Salvador y Campodonico (father), A Son of a Man ©2019 Paracas Independent Films
 
To get to the Incas’ treasure, they have to uncover four stations – the final destination is the one marked with the shape of “Atahualpa’s Tear” - a mythical land. Discovering that place is like seeing a glacier in the jungle. 

Pipe’s Captain America jacket represents the strong influence of Western culture in the so-called “New World” in South America.
 
Pipe and his father, Luis Felipe Fernández-Salvador y Campodonico, A Son of a Man, ©2019 Paracas Independent films

The father thinks out loud: “My son, you are not my son. If you think that because you came out of my sperm, you are my son, you are wrong. ‘A son of man is not born... it becomes one.” 
 
Pipe and his father, Luis Felipe Fernández-Salvador y Campodonico, A Son of a Man, ©2019 Paracas Independent films

The fight between the West and the New World is represented through symbolism. The conflict between the conquistador Francisco Pizarro and the Inca emperor Atahualpa has repercussions in the present. 

The legend says, “Only a dead man can see Atahualpa’s eye.”

Lily van Ghemen, A Son of a Man, ©2019 Paracas Independent films

The presence of the German actress Lily van Ghemen is exquisite, and she plays Lily or “La Rubia.” Her beauty can be compared with the exquisiteness of Elena Rojo, a Mexican performer who played Inez in Werner Herzog’s “Aguirre, the Wrath of God,” An influential 1970s film.
 
A Son of a Man ©2019 Paracas Independent films

“A Son of a Man” is fascinating visually speaking, but it needed some trimming and smoother transitions to make its storytelling more fluent and less artsy.  

The raucous music, combined with the gorgeous cinematography, heightens the film’s magical realism. 

Among the authors in the magic realism genre, Gabriel Garcia Marquez, Alejandro Jodorowsky, and Arturo Ripstein are notable. In their masterworks, they sought spiritual answers to man’s mission on earth.

In World Cinema, we can find other brilliant productions exploring the New World, such as “The Mission,” “Cabeza de Vaca,” “The Fountain,” “The New World,” and, more recently, Colombia’s Oscar nominee “The Embrace of the Serpent.”

A Son of a Man poster. Photo José A. Hermosillo  ©2019 Festival in LA

According to the filmmakers, this ambitious production was created with love and took ten years. 

“A Son of a Man” represents a healing process - a catharsis to exorcize the commanding presence of the director’s father... a man who influenced him and many more people in his home country.

Lily van Ghemen. Photo José A. Hermosillo ©2019 Festival in LA

In a conversation with Luis Felipe Fernández-Salvador y Campodonico in Westwood, California, he revealed his ambitious attempt to create a new genre in Cinema by producing, at his own expense, an epic film.

 

Luis Felipe is a visionary artist who never attended film school. He only wanted to make a fantastic movie about the history of his homeland and his family, and to give the Ecuadorian people a well-deserved place in Cinema.


José Alberto Hermosillo, Lily van Ghemen. Luis Felipe Fernández Salvador y Campodonico ©2019 Festival in LA

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Sunday, January 28, 2018

A Fantastic Woman: Love, Grief, and Compassion in Santiago

By José Alberto Hermosillo

“A Fantastic Woman” is a stunning film about love, grief, and compassion—timely, arresting, controversially fierce, and undeniably moving. It is a modern masterpiece.


“A Fantastic Woman” is this year’s underdog to win the Oscar for Best
Foreign Language Film.

In 2010, the favorite picture to win the Oscar for Best Foreign Language was Michael Haneke’s masterwork The White Ribbon - the insightful Argentinean film The Secret in Their Eyes took the gold. This year, the Swedish Palme d’Or winner The Square is the front-runner, but the South American transsexual venture can be the night’s big surprise.

This year’s Chilean contender elevates the public into the universal paradigm of what will happen if the person you love dies in your arms.
 

Marina Vidal is reliable and, at the same time, a vulnerable transgender performer - a hard-working waitress who dreams of becoming a “Torch Singer.” 

“A Fantastic Woman,” Daniela Vega as Marina Vidal, photo courtesy of Sony Classics 2017
 
What makes this insightful film more authentic and relevant is Marina’s person (Daniela Vega), a real transgender actress and an excellent singer with a beautiful voice.

Orlando (Francisco Reyes), a 57-year-old divorced textile company owner, is Marina’s lover. The camera pans him, admiring Marina while she sings, “Your Love is Yesterday’s Newspapers.” After that, the loving couple celebrates Marina’s birthday over Chinese, where he professes his love to her. 

“A Fantastic Woman,” Daniela Vega as Marina Vidal, photo courtesy of Sony Classics 2017

Later that evening, Marina rushes him to the hospital. The first perplexing moment in that chaotic situation asphyxiates her. She has to deal with the pain of losing someone dear to her and the scrutiny of doctors, police, and the detective officer from the sexual offenses unit. They all want to implicate her in a crime that did not occur just because she is a transsexual woman.

AFI FEST, a standing ovation for A FANTASTIC WOMAN, photo José Hermosillo, Copyright FestivalinLA 2017.

After Orlando’s sudden death shock, what follows is even worse than the regular dying business. When Marina wants to go to her lover’s funeral, his ex-wife disagrees, and she has to explain to the singer that Marina and her ex-husband’s relationship is an act of perversion.

Her effort to keep Marina away from the family becomes a campaign that involves humiliation, abuse, and an attempt to arrest her.

Orlando suffered head wounds from a fall as she was trying to get him to the hospital. The family, ashamed of their father’s “immoral” conduct, will try to break Marina’s spirit. Their imagination runs them wild.

Through Maria’s experience, we see social injustice, and she must confront society and its laws. Marina is not a criminal, a prostitute, or the monster everyone thinks she is. She is a hard-working person with dreams and emotions like everyone else, as she proudly says: “My name is Marina Vidal. Do you have a problem with that?


Chilean filmmaker Sebastián Lelio (
“Gloria”) has an innovative storytelling style focusing on women’s issues with heightened awareness, sensibility, and respect. 

Leilo’s humanistic approach is impactful.

Sebastian Lelio, ‘A Fantastic Woman.’ Photo by José Hermosillo ©2018 FESTIVAL IN LA 

Influenced by the magic realism of the Chilean writer Isabel Allende (“The House of the Spirits”), Sebastián Lelio and his co-writer Gonzalo Masa developed the main character with universal appeal, mixing traditional drama with magic realism and hyperrealism.

Director Sebastian Lelio, ‘A Fantastic Woman’ Photo José Hermosillo 
©2018 FESTIVAL IN LA 

In like manner, Linda Bloodworth-Thomason’s documentary “Bridegroom” (2013) addresses the sensitive subject of “domestic partners” and the absence of their legal rights in hospitals, given their outdated rules and bureaucracy. In Marina’s case, the film exemplifies how, in Chile, as in many other places globally, transgender people and, in general, the LGBTQ community are unprotected by the law.

“A Fantastic Woman” is an exquisite film comparable to Pedro Almodóvar’s “All About My Mother.” The most powerful scene comes when a strong wind tries to erase Marina from the earth while she stoically remains attached to her destiny.

Daniela Vega in A Fantastic Woman, Chile. Photo courtesy of the Berlin Film Festival 2017.

The striking visuals, the richness of color, the reflective mirrors, and the perfect framing are the work of the talented cinematographer Benjamin Echazarreta, whose arresting images create the right impact on the viewer.

The opening sequence of the Iguassu Cascades is evocative and visually contrasts with the modern part of the city in a style similar to Venezuela’s hyper-realistic Golden Lion winner, “Desde Allá/From Afar.”

The beauty of the film resides in Marina’s evolution into the perfect woman she wants to be. As she sings Aretha Franklin’s cover, “You Made Me Feel Like a Natural Woman,” she attempts to remove negativity from her system.

“A Fantastic Woman,” Daniela Vega as Marina Vidal, photo courtesy of Sony Classics 2017

Very few movies center on an actual transgender person as genuinely as in “A Fantastic Woman.” Prejudices and public humiliation represent homophobia. Those stigmas are similar to the ones shown in the relationship between a transgender woman and a U.S. Army Officer in the 2003 TV movie (based on a true story), “Soldier’s Girl” by Frank Pierson.

During the film’s conception, actress Daniela Vega worked as a script consultant to bring authenticity to the project - until one day, the director wrote her a letter of invitation to take Marina’s lead. Daniela jumped on the spot.

Daniela Vega, ‘A Fantastic Woman’ Photo José Hermosillo ©2018 FESTIVAL IN LA 

Daniela Vega’s spectacular breakthrough performance in “A Fantastic Woman” deserved an Oscar© nomination.

Producers Juan de Dios and Pablo Larrain, Daniela Vega and Sebastian Lelio ©2018 Festival in LA

Producers Pablo and Juan de Dios Larraín (“No,” “Neruda,” and “Jackie”) invested in a risky film that is taking the world by storm.

“A Fantastic Woman” is a classy and gripping film about the transgender community who have struggled for quite some time and don’t give up on their fight for “equality and justice” in a closed-minded society.

“A Fantastic Woman,” Daniela Vega as Marina Vidal, photo courtesy of Sony Classics 2017

The problems presented in the film need to be addressed personally and openly. 

Orlando’s unexpected passing sets the grim tone of this Latino, tropical-flamboyant movie from the beginning. And its artistic touch makes “A Fantastic Woman” an inspiring story.

Marina’s ordeal challenges its audience, providing the right tools to explore, expand, and connect with empathy and respect with the brave people who choose to be as different as Marina Vidal in “A Fantastic Woman,” 
a colorful, classy, and mind-blowing film.

 
Director Sebastian Lelio, ‘A Fantastic Woman’ Selfie by José Hermosillo, ©2018 FESTIVAL IN LA 
   
http://www.festivalinla.com/2018/08/the-best-latina-theme-movies-in-america.html

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Wednesday, December 27, 2017

Hashtag #OscarsSoFabulous

By José Alberto Hermosillo
Hashtag #OscarsSoFabulous www.FestivalinLA.com

With so many great LGBTQ films in competition for the upcoming 2018 Academy© Awards in consideration in multiple categories, we should start using the hashtag #OscarsSoFabulous.

The controversy continues on whether the nomination should be based on outstanding performance and not on gender, race, religion, and sexual orientation. But politics, especially those in recent days, have been darkening the spectrum of opportunities for all.

Hashtag #OscarsSoWhite

The hashtag #OscarsSoWhite continues, even after the Best Picture snafu of the Awards ceremony in 2016, as people of color still find themselves the second most unrepresented community in the Entertainment Industry.

The Academy continues addressing the gaps in race and gender equality and has increased its diversity invitations accordingly.

Hashtag #AcademysMembership

While the Academy® wisely and urgently opened its enrollment to more women and minorities - including the LGBTQ community - all members will have new responsibilities. 

The new Academy Members from the underrepresented communities could make a difference from here forward.

Each year new talented voices are rising.

The Academy has drafted new rules in the wake of the continuing rape, sexual assault, and harassment scandals that each day expose those who have made a life and lifestyle of predatorial sexual behavior. The members now understand that membership is a privilege with responsibilities.

The Hollywood Sex Scandal is also going to be a factor. Many contenders who may have been nominated are off the charts. The replacement of Kevin Spacey in “All the Money of the World” indicates that the ceremony will turn out differently.
 
The nominees and the winners may not go to be “The Usual Suspects.”

Hashtag #OscarSoControversial

Last year’s Best Picture controversial grand finale over which movie won the Oscar©, “La La Land” or “Moonlight,” generated change and created a year of commentary. The LGBTQ community claimed victory. Today, it is a light anecdote, as seen in the recorded ad promoting the Oscars© 2018.

Hashtag #OscarSoQueer

“Call Me by Your Name” is one of the front-runners for Best Picture and is expected to be well-represented come January. The LGBTQ community is facing its shake-up regarding an authentic representation.

Luca Guadagnino ("I Am Love / Sono il amore"), Italy.
Photo by Jose Hermosillo COPYRIGHTS FestivalinLA  2017

Is what’s good for the community suitable for all within the community? As more gay and transgender actors, actresses, directors, and producers represent themselves in their movies, will a gay film with non-gay actors fair well within the community, or will backlash derail the expected multiple nominations of this coming-of-age queer cinema?

This year, many excellent LGBTQ movies are up for nominations in almost every category - Best Picture, Best Actress, Best Actor, Supporting Actor, Supporting Actress, Documentary, and Foreign Language film. 

Even in the Animated Shorts category, the Academy pre-selected the viral sensation “In a Heartbeat,” written and directed by Esteban Bravo and Beth David. 

The story of a boy falling for another boy, masterfully told in four minutes, has reached more than 33 million views Worldwide. 
 

In recent years, the mainstream audience has been exposed to more diverse films, yet further work is needed to create a global audience that is open-minded, appreciative, and tolerant of alternative lifestyles in cinema.
Studios are now producing bolder and more “inclusive” films. 
Actor Richard Jenkins, The Shape of Water.
Photo by Jose Hermosillo COPYRIGHTS FestivalinLA 2017
They include gay characters with positive images. This season, some of their films can land an Oscar© nomination in the acting categories - “Lady Bird,” “Battle of the Sexes,” “The Shape of Water,” and even Disney’s blockbuster “Beauty and the Beast.”

The Italian, French, Brazilian, and US co-production “Call Me by Your Name” draws thousands of filmgoers to the theaters. 

This romantic-gay-drama is expected to earn at least eight Oscar© nominations. 
Actor Timothée Chalament
Photo by Jose Hermosillo COPYRIGHTS FestivalinLA 2017
Timothée Chalament is exceptionally sublime - his natural performance evolves into a wide range of emotions. For playing Eliot so right, he has the strong possibility not only to be nominated but to win the Oscar for Best Actor - competing, neck to neck, with the great Gary Oldman, the lead actor of “The Darkest Hour.”
Actor Armie Hammer
Photo by Jose Hermosillo COPYRIGHTS FestivalinLA 2017
Armie Hammer is terrific in the supporting role-playing Chalament’s older counterpart, Oliver. Eliot’s intellectual Jewish father, Michael Stuhlbarg, is brilliant. 

Hashtag #OscarsSoForeign

More recently, foreign LGBTQ movies are captivated audiences around the world. Those films combine daring stories with controversial topics and arresting imagery. The Academy recognized the talent and efforts of global filmmakers. 

A record of 92 countries submitted their projects for consideration. The Academy already shortlisted 9 semifinalists to nominate five - January 23rd, 2018.
For the first time in Academy history, a transgender woman could be nominated for Best Actress. 

Daniela Vega’s spectacular breakthrough performance in “A Fantastic Woman” is worth an Oscar© nomination. 
Daniela Vega, A Fantastic Woman, Chile
Photo by Jose Hermosillo. COPYRIGHTS FestivalinLA 2017
This remarkable Chilean film, produced by Oscar© nominees Pablo and Juan De Dios Larrain (“No,” “Jackie,” and “Neruda”), is emotionally awe-inspiring.
The French submission “BPM (Beats per Minute)” exposes a “Youth in Revolt” and highlights the first ACT UP Paris group born out of the government’s lack of response to the AIDS/HIV crisis.

The group became known for pushing the boundaries to embarrass, shock, and gain media attention, forcing the Mitterrand government and pharmaceutical companies to recognize their rights to health coverage.

The group fought to be accepted and treated with respect. They clashed with the power structure and other members of society. The story, set during the 1980s, fell into anarchy as the AIDS/HIV crisis ballooned worldwide.

“Tom of Finland” chronicles six decades of the life of the Iconic graphic designer. His work influenced and revolutionized the gay rights movement as they felt liberated from the brutal repression of the conservative governments. As Harvey Milk brought gay politics into the mainstream, Tom did the same with his daring drawings that empowered many in Finland, California, and worldwide.


“Thelma” is an exquisitely crafted psychological thriller from Norway. The intense coming-of-age story is about a young girl who falls in love with another girl while discovering her telekinetic powers.

Director Joachim Trier, "Thelma," Norway.
Photo by Jose Hermosillo. COPYRIGHTS FestivalinLA, 2017.

Thelma becomes unstable when she has to confront doctors, her parents, her passions, and her sexuality. Her conservative parents are holding an enormous amount of resentment for something terrible from their past. Her world falls apart as she tries to adjust her emotions and control her powers.

“The Wound,” winner of the OUTFEST 2017 for Best International Feature, is an emotionally poignant work of art. The arresting South African film vividly examines manhood initiation rituals in a marginalized tribe.

Director John Trengove “The Wound” South Africa.
Photo by Jose Hermosillo. Copyright FestivalinLA 2017.

Controversial and piercing, “The Wound” ignites the debate over male sexual identity in a millenarian culture where taboos and personal experiences are kept secret.


Hashtag the #OscarsSoFabulous for your consideration,

BEST PICTURE: “Call Me by Your Name”
BEST DIRECTOR: Luca Guadagnino, “Call Me by Your Name”
BEST ACTRESS: Daniela Vega, “A Fantastic Woman”
BEST ACTRESS: Emma Stone, “Battle of the Sexes”
BEST ACTOR: Timothée Chalament, “Call Me by Your Name”
BEST ACTOR: Harris Dickinson, “Beach Rats”
BEST ACTOR: Nahuel Perez Biscayart, “BPM (Beats Per Minute)”
BEST SUPPORTING ACTRESS: Andrea Riseborough, “Battle of the Sexes”
BEST SUPPORTING ACTOR: Michael Stuhlbarg, “Call Me by Your Name”
BEST SUPPORTING ACTOR: Armie Hammer, “Call Me by Your Name”
BEST SUPPORTING ACTOR: Richard Jenkins, “The Shape of Water”
BEST SUPPORTING ACTOR: Josh Gad, “Beauty and the Beast”
BEST ADAPTED SCREENPLAY: “Call Me by Your Name”
BEST CINEMATOGRAPHY: “Call Me by Your Name”
BEST ORIGINAL SCORE: “Call Me by Your Name”
BEST SONG: The Mystery of Love, “Call Me by Your Name”
BEST SONG: Visions of Gideon, “Call Me by Your Name”
BEST DOCUMENTARY FILM: “Strong Island”
BEST ANIMATED SHORT: “In a Heartbeat”
BEST FOREIGN LANGUAGE FILM:
“A Fantastic Woman,” Chile (Shortlisted),
“The Wound” from South Africa (Shortlisted),
Out of the competition:
“BPM (Beats Per Minute)” from France,
“Tom of Finland” from Finland,
“Thelma” from Norway.

Copyright © 2017 Festival in LA