Showing posts with label Amazon Original. Show all posts
Showing posts with label Amazon Original. Show all posts

Thursday, March 12, 2020

Troop Zero: Young Earthlings on a Mission

By José Alberto Hermosillo

AFI FEST FILM REVIEW: “Troop Zero” is one of the most refreshing movies of the year. An unforgettable underdog children’s adventure based on real-life events that captivates audiences on Amazon Original - Prime Video.

 

In 1977, NASA sent two Gold Records into space with “The Sounds of the Earth” inside the Voyager spacecraft. NASA invited children from all over the world to record a greeting in their native language.


The National Aeronautics and Space Administration commissioned a small town in Georgia to represent the country. Local children team up to compete for a spot in the recording.


Troop Zero cast at the AFI FEST red carpet. Photo José Alberto Hermosillo ©2019 Festival in LA

There, we meet Christmas Flint, played by young and talented McKenna Grace (“Gifted,” “How to Be a Latin Lover”). Her mother’s absence makes the young dreamer feel that someone in space is listening.

Mckenna Grace, Troop Zero, AFI FEST. Photo José A. Hermosillo ©2019 Festival in LA

To reach her goal, Christmas gathers a group of misfit Birdie Scouts to compete against other “normal” groups.

 

The goal is to earn as many “merit badges” as possible to succeed in the mission.

 

Participating in these trials will bring kids together and leave them with warm, lasting memories of their experiences.


Director Bertie, writer Lucy Alibar, and “Troop Zero” cast. Photo José A. Hermosillo ©2019 Festival in LA

According to directors Bert & Bertie, this vibrant and colorful film required two months of preparation and thirty-two days of filming.

 

After reading the script, they were inspired to develop the original story of “The Voice Recording to Space Set in the 1970s,” which they found meaningful because it involved unconventional children.


Bertie is the co-director of Troop Zero. AFI FEST Premiere. Photo José A. Hermosillo ©2019 Festival in LA

Bert & Bertie worked closely with screenwriter Lucy Alibar, who also wrote “Beasts of the Southern Wild” in 2012. Miss Alibar said she was open to suggestions and allowed the actors to collaborate during rehearsals.

 

When creating such “diverse” characters, she stated that “they never put colors on them.” They only knew they needed to be racially mixed. Alibar also mentioned she was inspired by her close friends: “They are so cool and different.”

 

The filmmakers said staging the dance scene was the most challenging part.


Allison Janney and Viola Davis in “Troop Zero.” Photo courtesy of Amazon Originals ©2019 Prime Video

Having two Academy Award-winning actresses in the cast, Allison Janney (“I, Tonya”) and Viola Davis (“Fences”), made the young actors feel starstruck. But as soon as they started working with celebrities, the youngsters gained the confidence to act at their level. The young actors’ performances are authentic and praiseworthy.

 

The audience may feel that the action in this “brat pack” movie takes too long to get going, but in the end, “Troop Zero” is a rewarding movie to watch.


Troop Zero cast, AFI FEST Premiere. Photo José A. Hermosillo ©2019 Festival in LA

Other successful films that empower children and embrace the much-needed diversity in Hollywood are “Napoleon Dynamite,” “Little Miss Sunshine,” and “Hunt for the Wilderpeople.” These movies also portray adults and children in their unique and fantastic worlds.

Troop Zero cast. AFI FEST Premiere. Photo José Alberto Hermosillo ©2019 Festival in LA

The film teaches us that winning is not that important. What matters is embracing our differences, accepting each other as we are, and gaining confidence by participating in something larger than life that leads to personal gratification. 

“Troop Zero” is simple, but its freshness and lively characters exceed expectations, making the audience enjoy the ride to the end and beyond. 

Troop Zero cast and film critic José Alberto Hermosillo ©2019 Festival in LA


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IF YOU ARE READING FROM A MOBILE DEVICE, CLICK: view web version FOR OTHER COOL FEATURES SUCH AS TRANSLATE POWERED BY GOOGLE, AN INTERACTIVE FILM FESTIVAL CALENDAR, AND MORE.
 
Festival in LA ©2020

Tuesday, December 31, 2019

Invisible Life: Melodrama is Not Dead In Brazilian Cinema

By José Alberto Hermosillo

“Invisible Life” is a nostalgic, affectionate, and well-crafted masterpiece.

The Brazilian/German co-production is a profound and artistic adaptation of Martha Batalha’s novel “A Vida Invisível de Eurídice Gusmăo,” depicting the lives of two sisters growing up in Brazil and their tortuous separation by their conservative parents in the 1950s - Eurídice (Carol Duarte), the extraordinary pianist/aspiring soloist; Guida (Julia Stocker), yearning to be a devoted housewife.

Invisible Life, still photo ©2019 Amazon Original.

A series of unfortunate events will determine the fate of the Gusmăo sisters. The pre-established authoritarian male structure of that time caused their dear separation.

Life sets them apart, but their hearts remain together through the illusion of writing to each other. Those undelivered letters sustain the melodrama's tightness till the end, like a thread in a very well-structured film.

Furthermore, in the story, the parents force Euricide to marry a man who doesn’t care for her vocation. Eurídice’s strain continues to rehearse and improve herself for the long-awaited audition. 

Guida returns to her parents’ house with her broken dreams and an advanced pregnancy, forcing her to live in the streets.

At that time, women couldn’t aspire for higher education or better-paying jobs in their society, and Sexism suppressed many women’s dreams, goals, and desires.

The sisters’ experience can be compared to our mother's and grandmother's lives, which didn’t have the opportunities they deserved. They could be famous if they were only allowed to fulfill their dreams. 

“Invisible Life” is a well-told family melodrama with social and political substance, transcending to our days in defense of women’s emancipation, if we can read between the lines.

Karim Aïnouz in Los Angeles
Karim Aïnouz, director of "Invisible Life." Photo Jose Alberto Hermosillo ©2019 Festival in LA
 
Director Karim Aïnouz (“Madame Satã,” “Futuro Beach”) made a risky decision to adapt the novel to the big screen with delicacy and mastery.

Born in Fortaleza, Brazil, Aïnouz was inspired in part by the courage and spirit of his single mother’s survival.

After a private screening in Hollywood, Aïnouz was questioned by viewers about altering the novel’s ending. He said adapting the book's conclusion to the screen took over a year. The film's end rightfully complements the entire story, making it more poetic and cinematic. The writer’s team includes Murilo Houser and Inés Botargaray in the credits.

Invisible Life, still photo ©2019 Amazon Original.

In charge of the film's lavish look is cinematographer Hélène Louvart. The talented DP worked in other relevant movies around the globe, such as “Happy as Lazzaro” in Italy, “Maya” in France and India, “Petra” in Spain, “Dark Night” in Florida, “Beach Rats” in New York, and now “Invisible Life” in Brazil.

With many colors and elaborate set compositions, “Invisible Life” is a tropical allegory full of liveliness, heartening emotions, and plenty of nostalgia. It is a story about women with broken wings longing for the lives they could have.

The film’s editing elongates the story's flow and can be confusing if we don’t follow the family tree carefully. Still, the project is enjoyable, regardless of other criticism and respectable points of view.


“Invisible Life” can be compared with other compelling and classic melodramas such as the Best Picture winner “Rebecca” by Alfred Hitchcock, “Imitation of Life” by Douglas Sirk, “Like Water for Chocolate” by Alfonso Arau, and “All About My Mother” by Pedro Almodóvar.

Invisible Life, Italian poster.

“Invisible Life” inspires women to break barriers and close the gender gap in an optimistic sense. 

The Brazilian melodrama won Un Certain Regard at Cannes 2019, the CineCoPro Award at the Munich Film Festival, and was nominated for an Independent Spirit Award.

The timing of this engaging melodrama couldn’t be any better, as we see today’s women pushing back against barriers that limited previous generations from accomplishing their goals and reaching for more opportunities, leaving behind the oppressive world, remarkably and exquisitely depicted in “Invisible Life.”

Film critic José Alberto Hermosillo & director Karim Aïnouz
Jose Alberto Hermosillo, film critic. Karim Aïnouz, director of "Invisible Life." ©2019 Festival in LA


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IF YOU ARE READING FROM A MOBILE DEVICE, CLICK: view web version FOR OTHER COOL FEATURES SUCH AS TRANSLATE POWERED BY GOOGLE, AN INTERACTIVE FILM FESTIVAL CALENDAR, AND MORE.
 
Festival in LA ©2019