Pink-Slipped Lecture. Photo Jose Hermosillo ©2019 Festival in LA |
Pink-Slipped Program. Photo Jose Hermosillo ©2019 Festival in LA |
Professor Gaines discussed some magnificent silent shorts, including
The New Love and the Old (1912),
The Diver (1913),
The Roads That Should Lead Home (1913),
Fedora (1916).
Photo Jose Hermosillo ©2019 Festival in LA |
Jane M. Gaines. Academy Film Scholar. Photo Jose Hermosillo ©2019 Festival in LA
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Pink-Slipped Book by Jane M. Gaines. Photo Jose Hermosillo ©2019 Festival in LA |
She is the recipient of an Academy Film Scholars' grant for “Pink-Slipped: What Happened to Women in the Silent Film Industries?”
I firmly believe that the professor’s studies should include a section about the production of films by women in other countries.
We still need to know why, in other countries, the gender gap is not so notorious as it is in Hollywood. France, Germany, Spain, Mexico, and Argentina have a significant number of compelling women directors. while in the United States they have to work harder to get represented in the white-male-dominated film industry.
Photo Jose Hermosillo ©2019 Festival in LA |
Photo Jose Hermosillo ©2019 Festival in LA |
Academy Reception. Photo Jose Hermosillo ©2019 Festival in LA |
Academy Reception. Photo Jose Hermosillo ©2019 Festival in LA |
Film critic Jose Hermosillo ©2019 Festival in LA |
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