Showing posts with label Olvidados. Show all posts
Showing posts with label Olvidados. Show all posts

Tuesday, September 22, 2015

Olvidados/Forgotten: A Powerful Political Story Untold Until Now

By José Alberto Hermosillo


A well-crafted artistic composition with beautiful scenery, set against the pain, remorse, and human toll of the repression era in Latin America, known as “Plan Condor.”


A story that was censored for decades, silenced by forced silence, now comes to light in a major motion picture.

“Olvidados” was the Bolivian submission for the 87th Academy® Awards for Best Foreign Film.


A phone call from New York to Bolivia triggers flashbacks of a dying general. His turbulent past haunts him—from his CIA military training to the era of repression. These abuses of power, torture, executions, and enforced disappearances became a human tragedy across all of South America in the 1970s.


Those were the golden years of the Cold War, when the USA fought against the Soviet Union’s communist penetration in Latin America.


Copyright © Cinema Libre Studio, 2015

In the big picture, the US intentionally turned a blind eye to the dictatorial regimes that committed crimes against humanity in Bolivia, Chile, Peru, Argentina, Ecuador, Uruguay, and Brazil. These countries were fertile ground for such atrocities.

Copyright © Cinema Libre Studio, 2015


The casualty counts were in the thousands. The extraordinary reconstruction of the settings of the Repression Era in “Los Olvidados” shows in detail how these crimes were committed, the impunity and lack of remorse, and recreates the dark atmosphere of its mysterious past. 



Damián Alcázar (“The Chronicles of Narnia: Prince Caspian”) is a chameleon actor who has played victim roles in films such as “Herod’s Law/La Ley de Herodes,” “El Infierno,” and “The Perfect Dictatorship/La dictadura perfecta.” He now plays the magnanimous General José Mendieta in “Olvidados.” Damián Alcázar also plays the bad guy terrifically.


D. Carlos Bolado. Photo by José Alberto Hermosillo.

Director Carlos Bolado (“Bajo California, el límite del tiempo,” “Tlatelolco, Verano de 68,” “Colosio, el asesinato”) assembled an artistic composition of beautiful images and strong performances. Still, it also shows the pain of victims, oppressors, and their families.


Bolado states in an interview: “Reality is worse than fiction,” meaning it’s almost impossible to write or depict the tragedy of Operación Condor in a movie.


The camera captures the beauty but remains rigid and stiff, creating an unnecessary claustrophobic effect in the film, leaving us to wonder what will happen next, yet nothing else does.


The editing lost its tempo; it needed to be organic, logical, and balanced, with a better structure, to make the sequences more harmonious and create a significant impact on the situations of agony experienced by the main characters. A stronger dramatic punch was needed.


Copyright © Cinema Libre Studio 2015

There are similar films on the subject of repression and torture, including the Argentinean Oscar winner “The Secret in Their Eyes” (2009), the brutal Argentinean film “Garage Olimpo” (1999), directed by Marco Bechis, and the Mexican production “The Violin” (2005), directed by Francisco Vargas. All of these films reflect the hunger people have for justice and for those atrocities to be recognized.

 

The most significant accomplishment of “Olvidados” is its strong message about how people lived and died, and how the very few lucky ones survived the repression caused by the absurd policies implemented by the Condor Operation.

 

“Olvidados” left a feeling of emptiness and desolation in people’s hearts for the lost ones, especially for “los desaparecidos…"



Related Articles:
“A Fantastic Woman” Love, Grief, and Compassion in Santiago
“Ixcanul” Pursuits Guatemala’s First Oscar® Nomination
 “Güeros” A Lyrical Love Letter to Mexico City
16 Latino Submissions for the Academy Awards® 2015
Can “The Revenant” Be a Good Oscar® Contender?

Copyright © 2015 Festival in LA

Monday, October 13, 2014

16 Latino Submissions for the Academy Awards® 2015

By Jose Alberto Hermosillo
®A. M. P. A. S. Photo by Jose Alberto Hermosillo.
A record-breaking of 83 countries submitted a film  in the category of Best Foreign Language Film to the 87th Academy Awards® of which 16 films are from Latin countries. Out of the 83 submissions, 14 were directed by women, and three are Latinas (Colombia, Costa Rica, and Dominican Republic). Four countries submitted a film for the first time, Panama is among them. And two directors are from the same nationality (Mexico) representing different countrIes.

Two of the Latino submissions are documentaries: Portugal and Panama. In the past two years, two documentaries have been nominated for best foreign film: 2013 Germany’s “Pina” and 2014 Cambodia's animated submission “The Missing Picture.” The Academy® may consider a new category: Best Foreign Documentary Feature.

(L.) Dana Rotberg (R.) Amat Escalante ©Festival in LA.
For the second year in a row, two Mexican directors are representing two different countries, last year New Zealand submitted a film made by the Mexican born director Dana Rotberg’s “White Lies” and Mexico submitted the best director winner in Cannes Amat Escalante’s "Heli."

Two Mexican directors compete for two different countries:
Bolivia and Mexico.
(L.) Carlos Bolado (R.) Sebastian Del Olmo ©Festival in LA.

This year, Bolivia has submitted, for the third time a movie co-produced by Mexico: “Olvidados” by Carlos Bolado (“Colosio: El asesinato,” “Tlatelolco, Verano 68”), and “Cantinflas” by Sebastian Del Olmo (“The Fantastic World of Juan Orol”), both directors are from Mexico.


El Salvador, Belize, Honduras and Paraguay never submitted a film.

Nicaragua and Puerto Rico each got a nomination, but didn’t submit this year: Miguel Littin's “Alcino y el Cóndor” and Jacobo Morales' “Lo que le pasó a Santiago/What Ever Happened to Santiago?” Those films were nominated in 1983 and 1989, respectively. Chilean director Miguel Littin has been nominated twice: the one we mention previously representing Nicaragua and his first nomination was for Mexico: "Letters from Marucia/Actas de Marucia."
Miguel Littin @ LALIFF ©Festival in LA
Some of the Latino submissions are in theaters or at the film festivals, some are available on DVD and V.O.D.

The 16 Latino Submissions are:


1. Argentina 
       “Wild Tales/Relatos Salvajes"
      Directed by Damián Szifrón and produced by Pedro Almodóvar. The 10 minute standing ovation in Cannes showed how much people liked this well crafted film, with a perfect character development and wonderful cast ensemble. The South American submission is a front runner for winning gold this year. The film has been watched for more than 2.5 million people in Argentina. 

     Argentina is the only Latin-American country in winning two times in this category: “The Official Story/La historia oficial” in 1985 and “The Secret in Their Eyes/El secreto de sus ojos” in 2009. This year “Wild Stories/Relatos Salvajes” is a very strong candidate to get a nomination. The fantastic soundtrack composed by two times Oscar® winner Gustavo Santaolalla (“Babel,” “Brokeback Mountain”) could be a contender for original score as well, if the movie gets released in US theaters before the end of the year.

2. Bolivia
       “Olvidados” 
      Directed by Carlos Bolado. A powerful “Che” style story that shows the consequences of the Cold War in South America in the 70’s depicting what is known as “Operation Condor” (people, students and thinkers who disappeared under the military dictatorship).

3. Brazil 
       “The Way He Looks/
Hoje Eu Quero Voltar Sozinho” 
      Directed by Daniel Ribeiro. A sweet coming-of-age movie about a blind teenager named Leonardo and his best friend Giovana and his over protecting mother. At the school, everything changes upon the arrival of Gabriel, who makes Leonardo “see” the world differently. 

The naturalistic sets and good dialogues make this first time filmmaker a strong candidate. People at OUTFEST 2014 loved this movie. Brazil has been nominated four times, and once made it to the shortlist. “City of God” didn't get a nomination in this category, but the violent film of Fernando Meirelles (“Blindness,” “The Constant Gardener”) got four nominations: Best director, adapted screenplay, cinematography, and editing.



4. Chile 
       “To Kill a Man/
Matar a un hombre
      Directed by Alejandro Fernández Almendras. The story of a hard working man and his family who have been terrorized by a neighbor. After serving two years in prison, the bully returns for vengeance. The father has to come out with a better survival plan.  

 This intense Chilean thriller was released in the US on DVD by Film Movement a few months ago and is a good example of the excellency of Chilean productions.

5. Colombia    
 “Mateo” 
Directed by María Gamboa. A teen runs away from the mafia and drug lords finding refuge in the theater where he feels safe. This is the first feature for María Gamboa, who graduated from NYU. She got the idea of the movie after working on a T.V. Series 'Revelados' where she saw how theater helped children to stay away from the war that Colombia suffered for many years. This is a Colombian-French co-production. 
 
6. Costa Rica  
“Red Princesses/
Princesas Rojas”   
Directed by Laura Astorga. A beautiful story of a girl growing up during the Sandinista-era. Similar concept to the 2006 Brazilian submission “The Year My Parents Went on Vacation.”


7. Cuba
       “Behavior/Conducta” 
      Directed by Ernesto Daranas. The story of a teacher who want to change the system and a boy that needs to change his behavior to become a better man, regardless of the negative influences of his father, classmates, society and poverty. Sydney and Toronto Film Festival gave to the Cuban movie great reviews. Cuba has been nominated only once for “Strawberry and Chocolate/Fresa y chocolate.”


8. Dominican Republic 
       “Cristo Rey” 
      Directed by Leticia Tonos. An explosive film about a deprived town in Santiago, where Dominicans and Haitians struggle to live together, their enormous differences tear them apart. Two half brothers will fight for the same girl, one of them will join the Cristo Rey gang. 

9. Ecuador 
      “Silence in Dreamland/
El silencio en la tierra de los sueños” 
      Directed by Tito Molina. This beautifully shot film is muddy and artistic. It is co-produced between Ecuador and Germany.



10. México
      “Cantinflas” 
      Directed by Sebastian Del Olmo. The biopic of the famous Mexican comedian “Cantinflas” has been a box office success in Mexico and in the US. The films from Mexico and Poland,  “Ida,” both got released in movie theaters before they were the official submission, becoming more well known in America and that makes them strong contenders. “Cantinflas” could also get a nomination in other categories: best make-up, best costume design, and best original song, and is still showing in some theaters. Mexico has submitted films for 40 years, eight nominations, and in 2008 "Arrancame la vida/Tear this Heart Out" made it to the shortlist.


11. Panama
      “Invasión”  
      Directed by Abner Benaim. The documentary talks about the memories that people have during the US invasion of their country, the bombs falling from the sky. The number of deaths will be never known. The winner of best film and best documentary at the Panama Film Festival has a very different point of view on the same event depicted in the 1992 best documentary Oscar© winner "The Panama Deception." It’s similar to the war memories of El Salvador in the documentary “The Tiniest Place/Ellugar más pequeño.”


12. Peru
      “The Gosepel of the Flesh/
El evenagelio de la carne” 
      Directed by Eduardo Mendoza De Echave. A fierce and complex urban drama about hope, faith, and human life. Three different stories with complicated scenarios. The city by itself is playing a major character. The locals are saying that this film is the best Peruvian movie ever made. Peru has submitted films many times and it got nominated in 2009 for “The Milk of Sorrow/La teta asustada” directed by Claudia Llosa.  

13. Portugal
       “What Now? Remind Me/
E Agora? Lembra Me” 
      Directed by Joaquim Pinto. This gorgeous documentary follows the life of Joaquim Pinto. A film director that returns with this personal and existentialist document, he has been considered as one of the most influential filmmakers in Portugal. Now, he is brave enough to show to the world his existence living with HIV for more than 20 years, what he calls “a notebook of records of clinical trials.” This Portuguese entry is getting ovations at the festivals of New York, Locarno and Vienna. Portugal has been submitting films since 1980 and never got a nomination.


14. Spain
       “Living is Easy with Eyes Closed/
Vivir es fácil con los ojos cerrados” 
       Directed by David Trueba. Based on a real life story, this nostalgic and heartfelt drama is about a teacher on the road to meet the legendary singer John Lennon. The film has won many awards in Spain, including The Goya for best picture. The film has been shown in one theater in Miami creating a big buzz among spectators. It's selected to open the Recent Spanish Cinema Los Angeles on October 16th. The director David Trueba will be present at this West Coast premiere. The Egyptian Theater has confirmed that this event is completely SOLD OUT a week in advance. Spain has been nominated 19 times, winning four Oscars®.


15. Uruguay 
      “Mr. Kaplan” 
      Directed by Alvaro Brechner. A quixotic adventure about a retiree tired living a monotonous life when a lonely German awakes his suspicions of being Nazi. Kaplan hires a retired cop to kidnap the suspect. After winning the best actor award at the Biarritz and raving reviews at the BFI London Film Festival "Mr. Kaplan" can give a big surprise. Brechner amazed the festival circuit with his previous work of magical realism “Bad Day to Go Fishing/Mal dia para pescar.” The plot of “Mr. Kaplan” may intrigue the Academy members to nominate Uruguay for the “second time,” the first time Uruguay got nominated was in 1992 for “A Place in the World/Un lugar en el mundo,” but it got disqualified because there was a claim saying that the production was more Argentinean rather than Uruguayan. 


16.  Venezuela 
      “The Liberator/Libertador” 
      Directed by Alberto Aruelo.  An epic time period drama about the revolution of independence Simon Bolivar embarked for South America. The soundtrack is composed by the talented and famous Los Angeles Philharmonic conductor Gustavo Dudamel. 

“The Liberator” is having a good exposure by playing in the U.S.A. theaters, a big advantage for a Latin-American country - busting the possibilities of getting a nomination.

      The options for the Latin countries to reach out and grab an Oscar® nomination are here, the quality and visions of their work speak for themselves. 
 
Related articles:

Mexico Named "Cantinflas" the Official Entry for Best Foreign Film at the 87th Academy Awards

25 Great Foreign Films Getting Distribution in the US in 2014

25 Great Foreign Films that Did Not Get Distribution in US Theaters

 

 

Like us on FACEBOOK

© Festival in LA, 2014.