Showing posts with label España. Show all posts
Showing posts with label España. Show all posts

Thursday, December 27, 2018

The Silence of Others: Speaks Up in The Amnesiac Spain

By José Alberto Hermosillo
The Silence of Others poster ©2018 Cinephil
 
“The Silence of Others” is an award-winning documentary that bravely appraises the truth of the enforced disappearances under the Franco regime. 

This insightful non-fiction work revives memories of a country forced to forget the unhealed wounds of repression and of the people who never give up pursuing the bull’s-eye.

This documentary, produced by Pedro and Agustín Almodóvar, brings to light the disappearance of hundreds of individuals ordered by the Spanish dictator General Francisco Franco and his cronies four decades later.

After Franco’s passing in 1975, the new administration offered the killers, abusers, and torturers an amnesty. That atrocity was called the “Pact of Forgetting.” The agreement certainly did not do justice to the thousands of victims, who, after their disenchantment, had to leave their country to prosecute the criminals globally.

The “Pact of Forgiveness” is forbidden by the UN. Crimes against humanity cannot be condoned by the statute of limitations of a partisan judiciary power, nor fall into mass amnesia in Spain or any democratic country.

“The Silence of Others” executed a meticulous investigation to identify the victims of those crimes committed by the armed forces – involuntary disappearances, mass graves, and kidnapping of newborn babies.

Paradoxically, as with any other government in the world, there are still people who lived comfortably during Franco’s era and feel nostalgia for the right-wing achievements.
 
Robert Bahar, co-director. The Silence of Others. 

Photo José A. Hermosillo ©2018 Festival in LA
 
Documentarian Robert Bahar and his wife, Almudena Carracedo, worked on this project for seven years. They spent hundreds of hours interviewing people, visiting locations, traveling to different countries, and editing the project for fourteen months.
 
The Silence of Others ©2018 Cinephil.
 
Time is the protagonist in this film – war criminals who die without serving time. Beloved characters also died without seeing justice. For instance, the brokenhearted old lady who places flowers on the side of the highway yearning for a missing one, pointing under where the mass graves are located. Others still remember their parents, brothers and sisters, and stolen babies.

Spain has countless victims claiming acknowledgment, lawlessness, and proper compensation. 

Other conscious survivors became activists and fought in the courts. They pressured judges internationally and kept the cases open. They also found an ally in the Argentine judge Maria Romilda Servini de Cubria, who traveled to Spain to bring Franco’s generals to a fair trial.

In the international arena, other troubled places followed Spain’s path to justice outside their borders: Argentina, Chile, Uruguay, Peru, Guatemala, Nicaragua, and Uganda.

One can feel hopeless because it takes too long to get things done in court. One step forward, two steps back, until one day people can see the light at the end of the tunnel.
 
The Silence of Others ©2018 Cinephil
 
“The Silence of Others” is a superb documentary produced by a group of very talented people. Their impressive work includes the stunning cinematography by its co-director, Almudena Carracedo. 

Ricardo Acosta, Kim Roberts, and Mrs. Carracedo were responsible for the needlepoint editing. Leonardo Heiblum and Jacobo Lieberman composed the haunting music.

Pedro Almodóvar presents this Oscar-worthy documentary as part of the official selection of the Los Angeles Film Festival. 
 
IDA (International Documentary Association) screening. 
Photo José A. Hermosillo ©2018 Festival in LA
 
The Berlinale Panorama 2018 Audience Award-winning documentary also won the Pare Audience Award from the International Documentary Association (IDA). “The Silence of Others” has been shortlisted for Best Documentary Feature at the 2019 Academy Awards and is scheduled for theatrical release in the USA in Spring 2019.
 
Robert Bahar, director: The Silence of Others. Film critic José A. Hermosillo 
©2018 Festival in LA
 
“The Silence of the Others” is a cornerstone document that demands justice and democracy. It deserves to be witnessed by everyone, including the younger generation, who want to see a positive change in the world.
 
THE SILENCE OF OTHERS TRAILER
 
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Festival in LA ©2018

Sunday, April 2, 2017

Colossal: Not Your Typical Godzilla Movie

By José Alberto Hermosillo

“Colossal” is a fantastic, bizarre, and surprisingly funny! It shifts from a love story to a disaster movie, with fateful consequences in Seoul.

When humanity creates monsters who destroy cities and kill innocents, heroes must rise to fight supernatural evil.

Colossal scene. Copyright © Neon

Anne Hathaway, out of her memorable Oscar©-winning performance in “Les Misérables” and away from the glamour of “The Devil Wears Prada,” is unrecognizable. She transforms herself now into this crazy alcoholic New Yorker. Fired from her job and dumped by her immature boyfriend, Dan Stevens (“Downtown Abby” and “Beauty and the Beast”), Gloria seeks refuge in her small hometown located in the middle of nowhere.
 
Colossal scene. Copyright © Neon
In there, she will be rescued by a mature guy named Oscar, wonderfully played by Jason Sudeikis (“Horrible Bosses,” “Drinking Buddies”).

Jason’s character starts as the likable guy, the owner of a bar, who pretends to care for her by offering her a job waiting tables, simply because he still has a crush on her from elementary school. In their nonexistent love story, jealousy and bad memories become their greatest enemy.

Sudeikis is terrific playing the insane!
Colossal scene. Copyright © Neon
 
Anne Hathaway is remarkable as a comedian, and her clumsiness raises the bar for this performance. At that time, she was five months pregnant when the production started.
 
As Gloria tries to sober up, she realizes she has control over another being bigger than herself - far away from her tiny, little, crazy universe.
 
Gloria must put herself together to save the world!
 
When Oscar learns Gloria’s secret, he gets mad and loses control, becoming a monster. The eternal battle between god and evil - women and men begins.

Nacho Vigalondo. Photo by José Hermosillo.
Copyright © Festival in LA
 
After the LAg international hit “Cronocrimes/Los Cronocrimenes” in 2007, visionary Spanish director Nacho Vigalondo, in “Colossal,” intelligently mixes adventure, drama, disaster, science fiction, and a monster movie with dark comedy.
 
Coincidentally, this independent production continues in the same genre as Jeff Nichols’ “Midnight Special,” J.A. Bayona’s “A Monster Calls,” or even Guillermo del Toro’s “Pacific Rim.”

Funny, humble, and unconventional, Vigalondo is a creative director who changes the game’s rules by altering the stereotypes of odd characters and unbelievable situations by resourcefully twisting every scene’s outcome. And above all, Vigalondo “tiene mucho corazón.”

Furthermore, he is very passionate about his craft. For example, the monsters in his film are genderless, and he is changing the signals sent by that kind of movie.
 
Nacho Vigalondo. Photo by José Hermosillo.
Copyright © Festival in LA

The production level and budget in “Colossal” were significant compared to the standards he worked to in his previous projects. He was surprised that the producers of this ambitious film wanted more special effects and action sequences with no worries about money. He was given total creative freedom for his first film in English.

 
Nacho, politically correct, said, “This movie is open to interpretation, and it doesn’t push any particular agenda.” He feels that movies are a product of their time
 
In this film, he set part of his narrative in South Korea because the two stories have to be as divergent and far away as possible.  
 
“An explosion in Paris is more dramatic than in Syria because humanity tends to minimize one culture over another,” he said.

Technically, “Colossal” contains odd moments, dark cinematography, and rough transitions that can confuse the audience, but all is good. People will wonder whether the human species will be destroyed or triumph over the evil forces as in a tragicomedy.
 
Nacho Vigalondo and film critic José Alberto Hermosillo 
 
In a rare appearance at the USC School of Cinematic Arts, Nacho spoke about the film-writing process: “Write what you like, something that you are passionate about, something amazing. Do not write two or three bad transition scenes to fill the page; it won’t work. Create something fantastic, whether it has continuity or not. For, you see, the sky is ‘Colossal.’”

COLOSSAL Theatrical Trailer


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