Showing posts with label Gay. Show all posts
Showing posts with label Gay. Show all posts

Wednesday, March 2, 2016

You're Killing Me: Dating a Serial Killer with Humor

By Jose Alberto Hermosillo

Twisted and weird, naive, and wacky, “You’re Killing Me” is an absurd romance-slasher gay movie with a twist of dark humor. It is an authentic American Gay Horror Comedy. 

Joe (Matthew McKelligon) is a regular, insensitive guy who can’t open up to other guys.
  
Courtesy of Wolfe Video
Quickly bored at the superficial gay gatherings, Joe turns to a killing spree, funny but honest.

Joe, the killer, stalks George (Jeffery Self), and they soon start dating. 

George is an excellent-looking narcissist and an Internet Star. He and his friend Barnes (Bryan Safi) have an online trendy, fun, flashy Drag Show. They report on who they see at the Target Store in West Hollywood and other banal topics that go viral on social media. 

George naively thinks Joe is hot and anything else.

Courtesy of Wolfe Video

The relationship gets interesting when Joe, the killer, confesses all his crimes. 

George, the Internet Diva, doesn’t take things too seriously. Instead, he feels flattered and falls for the serial killer.

George is happy to have someone attractive near him, and Joe is content to finally meet someone who listens and understands him. 

For Joe, he can introduce George to his parents, no matter how awkward the situation.
 
When George’s friends get in the way, they disappear mysteriously, one by one. 

The ones still alive take a while to see the sign; they react when the danger is imminent.

The original dialogs are fascinating, from George’s greeting voicemail to the harsh lines of Joe: 

“Hi! Leave a message or text me like a normal person.” George.

“The killer is someone the victim always knows.” Friends.

“I don’t really joke.” Joe.

“I’m glad I got to be with you when you’re going wild.” George. 

Courtesy of Wolfe Video

I genuinely love this director, Jim Hansen (from the viral smash series “The Chloe Videos”). 

Hansen can correctly show American society’s disconnection from real-world issues and how candid and self-centered most Americans can be. 

No matter how dramatic the situation turns, a “whatever” will immerse them in the tiny little bubbles of their fantasy world. 

After all, there is nothing wrong with living in “La-La Land.”

In “You’re Killing Me,” Hansen worked with actors he knew and trusted but missed a significant opportunity to show the diversity of the gay community by adding more characters from different backgrounds. Clearly, this movie was made before the #OscasSoWhite controversy.

Although the editing is wacky and out of rhythm, the thrilling moments are funny, which is good enough to provoke a nervous laugh.  
Courtesy of Wolfe Video

“You’re Killing Me” is not the regular serial-killer type of movie, and indeed, Joe is not the kind of guy you want to go out with or fall in love with, but at least he is someone who pretends to listen when you have nothing valuable to say.

Photo by Jose Alberto Hermosillo Copyrights Festival in LA 2015

“You’re Killing Me” was the most talked-about movie at OUTFEST 2015 - some hated it, and others, like me, loved it.

YOU’RE KILLING ME Trailer

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Copyright © 2016 Festival in LA

Sunday, January 24, 2016

How to Win at Checkers (Every Time): Tolerance and Brotherhood in Thailand

By Jose Alberto Hermosillo

“How to Win at Checkers (Every Time)” is a nostalgic, original, and 
beautifully crafted coming-of-age story where sex between men is not taboo. The Thailand Oscar submission for Best Foreign Film 2016 was carefully shot with great respect and delicacy. 

Its poetic narrative depicts a young guy trying to understand the world of his older gay brother, who lived and sacrificed everything to keep him safe.

The filmmakers traveled to a colorful country to portray the land’s beauty on the screen with artistic austerity.

In “Checkers,” every character is fundamental to the board game. Everybody wants to win, even if their unprivileged condition makes them abuse alcohol, sex, and drugs, and some also could descend into prostitution in this corrupted environment.

Life becomes a game where some win, and others lose. “Money is power. Success is for sale.”


The chronicle starts with a dream of a man burning in flames. Oak is the handsome young male with all these nightmares. He is played by the famous Thai actor-model and Superstar Toni Rakkaen. 



Oak vividly remembers his childhood and relationship with his older brother, Ek, and his rich boyfriend, Jai. 


“Checkers” shows how an innocent boy views gays and transgender people as an integrated part of his community. This tolerant society is more concerned about daily life and survival rather than worried about anybody’s sexual preferences.


The Aunt is a hard-working, superstitious lady who cleans houses and cares for little Oak and Ek, the two orphan, loving brothers.


In real life, transgender actress Natarat Lakha, “Nut,” plays the gorgeous Kitty—her performance is natural, as that of a sexy girl who drives men crazy. 
She is an irresistible and fearless woman who’s close to Ek and Jai and cares for little Oak.

The Mafia Guy and his son, Jr. (the bully), control all economic activity in the community. He also owns a gay bar where hustlers and sex workers gather to sell their bodies. Ek is the bartender.

Things get complicated when the boys turn 21 and must go to the draft and join the military. Even Kitty and many of the “third gender” like her must get into the draft process.


Little Oak will do anything to exempt his brother from the army, even to brave the Mafia Guy to help him out of the draft. By doing so, he puts his brother in jeopardy.


Oak soon discovers that his brother is not less of a man because he’s gay. He is still his brother and someone who always looked after him.

“Checkers” is a surprising directorial debut for Korean-American Josh Kim, who teams up with veteran Hollywood producer Chris Lee (“Superman Returns,” “SWAT,” “Valkyrie”) to make this a beautiful movie.

“Checkers” flows evenly, provoking the spectator to fall in love with the film, making you forget about yourself and live through the eyes of those great characters.

This motion picture has won many audience awards at The Atlanta Out on Film, The Film Out San Diego, LA Asian American Pacific Film Festival, and The Tel Aviv International LGBT Film Festival.


“How to Win Checkers (Every Time)” is reminiscent of the gay “The Wonder Years,” with a touch of melancholy in a land of contrasts and beauty. After all, for some, the game of checkers is not over yet.

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 Festival in LA ©2016