Showing posts with label BAFTA. Show all posts
Showing posts with label BAFTA. Show all posts

Wednesday, January 9, 2019

BAFTA Awards Nominations “Roma” Seven - “The Favourite” Leads with Twelve

By José Alberto Hermosillo
BAFTA AWARDS
BAFTA, The British Academy of Film and Television Arts, unveils its nominations. Netflix and the producers of the Mexican film “Roma” couldn’t be any happier to have an unprecedented seven nods to the prestigious BAFTA awards for a black & white movie, in Spanish and Mixteco, without movie stars. Greek director Yorgos Lanthimos’ “The Favourite” leads with twelve.

British director Steve McQueen’s “Widows” got only one: Viola Davis, Best Leading Actress. British production “Mary Queen of Scots” got three: Supporting Actress Margot Robbie, Costume Design, and Makeup & Hair.

The British historical comedy “The Favourite” has the most, twelve including four individual nominations for its director Yorgos Lanthimos.

Mexican director Alfonso Cuarón also has six personal nominations including Best Director, Best Editing, Cinematography, Original Screenplay, Best Film, and Best Film Not in English Language (foreign). Also, the Oscar winner Emilio Caballero and Bárbara Enríquez have a Best Production Design nod. That makes a total of seven for Roma.

The American “musical” “A Star is Born” has seven nominations including five personal nominations for Bradley Cooper: Best Film, Director, Actor, Original Music, and Screenplay Adaptation.

Polish international sensation “Cold War” has four nominations, including three personal nods for its director Pawel Pawlikowski (“Ida”).

Paradoxically, the British awards have no British directors nominated for Best Director. This year they chose: Pawel Pawlikowski from Poland, Yorgos Lanthimos from Greece, Alfonso Cuarón from Mexico, and two Americans, Bradley Cooper for “A Star is Born” and Spike Lee for “BlacKkKlansman.”

BEST FILM
  • BLACKkKLANSMAN Jason Blum, Spike Lee, Raymond Mansfield, Sean McKittrick, Jordan Peele
  • THE FAVOURITE Ceci Dempsey, Ed Guiney, Yorgos Lanthimos, Lee Magiday
  • GREEN BOOK Jim Burke, Brian Currie, Peter Farrelly, Nick Vallelonga, Charles B. Wessler
  • ROMA Alfonso Cuarón, Gabriela Rodríguez
  • A STAR IS BORN Bradley Cooper, Bill Gerber, Lynette Howell Taylor


OUTSTANDING BRITISH FILM
  • BEAST Michael Pearce, Kristian Brodie, Lauren Dark, Ivana MacKinnon
  • BOHEMIAN RHAPSODY Bryan Singer, Graham King, Anthony McCarten
  • THE FAVOURITE Yorgos Lanthimos, Ceci Dempsey, Ed Guiney, Lee Magiday, Deborah Davis, Tony McNamara
  • McQUEEN Ian Bonhôte, Peter Ettedgui, Andee Ryder, Nick Taussig
  • STAN & OLLIE Jon S. Baird, Faye Ward, Jeff Pope
  • YOU WERE NEVER REALLY HERE Lynne Ramsay, Rosa Attab, Pascal Caucheteux, James Wilson


OUTSTANDING DEBUT BY A BRITISH WRITER, DIRECTOR OR PRODUCER
  • APOSTASY Daniel Kokotajlo (Writer/Director)
  • BEAST Michael Pearce (Writer/Director), Lauren Dark (Producer)
  • A CAMBODIAN SPRING Chris Kelly (Writer/Director/Producer)
  • PILI Leanne Welham (Writer/Director), Sophie Harman (Producer)
  • RAY & LIZ Richard Billingham (Writer/Director), Jacqui Davies (Producer)


FILM NOT IN THE ENGLISH LANGUAGE
  • CAPERNAUM Nadine Labaki, Khaled Mouzanar
  • COLD WAR Paweł Pawlikowski, Tanya Seghatchian, Ewa Puszczyńska
  • DOGMAN Matteo Garrone
  • ROMA Alfonso Cuarón, Gabriela Rodríguez
  • SHOPLIFTERS Hirokazu Kore-eda, Kaoru Matsuzaki


DOCUMENTARY
  • FREE SOLO Elizabeth Chai Vasarhelyi, Jimmy Chin
  • McQUEEN Ian Bonhôte, Peter Ettedgui
  • RBG Julie Cohen, Betsy West
  • THEY SHALL NOT GROW OLD Peter Jackson
  • THREE IDENTICAL STRANGERS Tim Wardle, Grace Hughes-Hallett, Becky Read


ANIMATED FILM
  • INCREDIBLES 2 Brad Bird, John Walker
  • ISLE OF DOGS Wes Anderson, Jeremy Dawson
  • SPIDER-MAN: INTO THE SPIDER-VERSE Bob Persichetti, Peter Ramsey, Rodney Rothman, Phil Lord


DIRECTOR
  • BLACKkKLANSMAN Spike Lee
  • COLD WAR Paweł Pawlikowski
  • THE FAVOURITE Yorgos Lanthimos
  • ROMA Alfonso Cuarón
  • A STAR IS BORN Bradley Cooper


ORIGINAL SCREENPLAY
  • COLD WAR Janusz Głowacki, Paweł Pawlikowski
  • THE FAVOURITE Deborah Davis, Tony McNamara
  • GREEN BOOK Brian Currie, Peter Farrelly, Nick Vallelonga
  • ROMA Alfonso Cuarón
  • VICE Adam McKay


ADAPTED SCREENPLAY
  • BLACKkKLANSMAN Spike Lee, David Rabinowitz, Charlie Wachtel, Kevin Willmott
  • CAN YOU EVER FORGIVE ME? Nicole Holofcener, Jeff Whitty
  • FIRST MAN Josh Singer
  • IF BEALE STREET COULD TALK Barry Jenkins
  • A STAR IS BORN Bradley Cooper, Will Fetters, Eric Roth


LEADING ACTRESS
  • GLENN CLOSE The Wife
  • LADY GAGA A Star Is Born
  • MELISSA McCARTHY Can You Ever Forgive Me?
  • OLIVIA COLMAN The Favourite
  • VIOLA DAVIS Widows


LEADING ACTOR
  • BRADLEY COOPER A Star Is Born
  • CHRISTIAN BALE Vice
  • RAMI MALEK Bohemian Rhapsody
  • STEVE COOGAN Stan & Ollie
  • VIGGO MORTENSEN Green Book


SUPPORTING ACTRESS
  • AMY ADAMS Vice
  • CLAIRE FOY First Man
  • EMMA STONE The Favourite
  • MARGOT ROBBIE Mary Queen of Scots
  • RACHEL WEISZ The Favourite


SUPPORTING ACTOR
  • ADAM DRIVER BlacKkKlansman
  • MAHERSHALA ALI Green Book
  • RICHARD E. GRANT Can You Ever Forgive Me?
  • SAM ROCKWELL Vice
  • TIMOTHÉE CHALAMET Beautiful Boy


ORIGINAL MUSIC
  • BLACKkKLANSMAN Terence Blanchard
  • IF BEALE STREET COULD TALK Nicholas Britell
  • ISLE OF DOGS Alexandre Desplat
  • MARY POPPINS RETURNS Marc Shaiman
  • A STAR IS BORN Bradley Cooper, Lady Gaga, Lukas Nelson


CINEMATOGRAPHY
  • BOHEMIAN RHAPSODY Newton Thomas Sigel
  • COLD WAR Łukasz Żal
  • THE FAVOURITE Robbie Ryan
  • FIRST MAN Linus Sandgren
  • ROMA Alfonso Cuarón


EDITING
  • BOHEMIAN RHAPSODY John Ottman
  • THE FAVOURITE Yorgos Mavropsaridis
  • FIRST MAN Tom Cross
  • ROMA Alfonso Cuarón, Adam Gough
  • VICE Hank Corwin


PRODUCTION DESIGN
  • FANTASTIC BEASTS: THE CRIMES OF GRINDELWALD Stuart Craig, Anna Pinnock
  • THE FAVOURITE Fiona Crombie, Alice Felton
  • FIRST MAN Nathan Crowley, Kathy Lucas
  • MARY POPPINS RETURNS John Myhre, Gordon Sim
  • ROMA Eugenio Caballero, Bárbara Enríquez


COSTUME DESIGN
  • THE BALLAD OF BUSTER SCRUGGS Mary Zophres
  • BOHEMIAN RHAPSODY Julian Day
  • THE FAVOURITE Sandy Powell
  • MARY POPPINS RETURNS Sandy Powell
  • MARY QUEEN OF SCOTS Alexandra Byrne


Makeup & HAIR
  • BOHEMIAN RHAPSODY Mark Coulier, Jan Sewell
  • THE FAVOURITE Nadia Stacey
  • MARY QUEEN OF SCOTS Jenny Shircore
  • STAN & OLLIE Mark Coulier, Jeremy Woodhead
  • VICE Nominees TBC


SOUND
  • BOHEMIAN RHAPSODY John Casali, Tim Cavagin, Nina Hartstone, Paul Massey, John Warhurst
  • FIRST MAN Mary H. Ellis, Mildred Iatrou Morgan, Ai-Ling Lee, Frank A. Montaño, Jon Taylor
  • MISSION: IMPOSSIBLE - FALLOUT Gilbert Lake, James H. Mather, Christopher Munro, Mike Prestwood Smith
  • A QUIET PLACE Erik Aadahl, Michael Barosky, Brandon Procter, Ethan Van der Ryn
  • A STAR IS BORN Steve Morrow, Alan Robert Murray, Jason Ruder, Tom Ozanich, Dean Zupancic


SPECIAL VISUAL EFFECTS
  • AVENGERS: INFINITY WAR Dan DeLeeuw, Russell Earl, Kelly Port, Dan Sudick
  • BLACK PANTHER Geoffrey Baumann, Jesse James Chisholm, Craig Hammack, Dan Sudick
  • FANTASTIC BEASTS: THE CRIMES OF GRINDELWALD Tim Burke, Andy Kind, Christian Manz, David Watkins
  • FIRST MAN Ian Hunter, Paul Lambert, Tristan Myles, J.D. Schwalm
  • READY PLAYER ONE Matthew E. Butler, Grady Cofer, Roger Guyett, David Shirk


BRITISH SHORT ANIMATION
  • I’M OK Elizabeth Hobbs, Abigail Addison, Jelena Popović
  • MARFA Gary McLeod, Myles McLeod
  • ROUGHHOUSE Jonathan Hodgson, Richard Van Den Boom


BRITISH SHORT FILM
  • 73 COWS Alex Lockwood
  • BACHELOR, 38 Angela Clarke
  • THE BLUE DOOR Ben Clark, Megan Pugh, Paul Taylor
  • THE FIELD Sandhya Suri, Balthazar de Ganay
  • WALE Barnaby Blackburn, Sophie Alexander, Catherine Slater, Edward Speleers


EE RISING STAR AWARD
  • BARRY KEOGHAN
  • CYNTHIA ERIVO
  • JESSIE BUCKLEY
  • LAKEITH STANFIELD
  • LETITIA WRIGHT
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Festival in LA ©2019

Monday, August 20, 2018

“I Am Not a Witch” is the United Kingdom Selection for the 91st Academy Awards®

By José Alberto Hermosillo

The United Kingdom has selected “I Am Not a Witch” to compete at the 91st Academy Awards® for Best Foreign Language Film.

The most celebrated British film of the year premiered at the Director’s Fortnight section of the 2017 Cannes Film Festival. 

The team, integrated by the director Rungano Nyoni and the producer Emili Morgan, won the BAFTA Award for Outstanding Debut by a British Writer, Director, or Producer.

In “I Am Not a Witch,” people speak Bemba, the language of Northern Zambia. The film opened in the U.K. last October, which is the two most essential elements for qualifying for Best Foreign Language Film. It also began to show in Europe and other territories.    

The striking cinematography and the originality of the story have earned it a 100% approval rating on Rotten Tomatoes from critics and film specialists.


The highly-praised flick recounts the tale of Shula, an eight-year-old Zambian girl accused of witchcraft. After her trial, she is sent to a witch camp in the desert. During a ritual of initiation, Shula is instructed to follow the rules; otherwise, she will become a goat.

Other productions shot in Africa with similar storylines are the Oscar-nominated film “War Witch” from Canada, the Mauritanian-French coproduction “Timbuktu,” and the Netflix creation “Beast of No Nation.”

Many British productions have won an Oscar® for Best Picture, including “A Bridge on the River Kwai” (1957), “Laurence of Arabia” (1962), “Gandhi” (1982), and “The King’s Speech” (2010). However, the United Kingdom has never won an Oscar for Best Foreign Language Film.

The United Kingdom submitted a film in the Foreign Language category for the first time in 1991. Since then, they had two Oscar nominations, the 1992 biopic “Hedd Wyn” and the 1999 “Solomon & Gaenor.”
“I Am Not a Witch” still by  Film4
Rungano Nyoni is a new visionary woman director. In her beautifully crafted first film, “I Am Not a Witch,” she made a remarkable study of millennial African cultures and their influence on modern-day society.










Festival in LA ©2018

Thursday, March 12, 2015

The Tales of Hoffmann: The Operatic Masterpiece of British Cinema Restored

By José Alberto Hermosillo

The Tales of Hoffmann, Japanese poster. Courtesy of Rialto Pictures/Studio Canal.

“The Tales of Hoffmann” is the most beautiful, elegant, harmonious, and breathtaking opera ever filmed.

The allegorical Technicolor film was directed by Michael Powell and Emeric Pressburger (“The Red Shoes,” “Black Narcissus”). It is now available on a new, marvelous 4K restoration by Warner Brothers, Martin Scorsese, and London Films.

The intricate narrative resembles a Shakespearean dramaturgy, with surrealist elements characteristic of the 1950s films. The story is told from Mr. Hoffmann’s (Robert Rounseville) perspective.
 
The magnificent overture serves as a prologue featuring the Dragonfly ballet’s stunning performance, in which Stella, the prima ballerina, sends a message before her number. Hoffmann, infatuated, watches from the audience. Meanwhile, backstage, the message is intercepted by Lindorf’s evil force.
 
Inside the surreal Luther’s Tavern, Hoffmann, melancholic, drowns his sorrows and sings the three tales of the women he loved.

The first tale is about Olympia, the doll from Paris. The puppeteers want to sell Olympia to Hoffmann, who falls deeply in love with her, especially when she sings the “Doll Song.” The dark forces prepare to destroy the doll and true love. The decor and artwork are from the modernist movement, dating to before the Eiffel Tower was built, creating a sophisticated, enigmatic atmosphere and setting the mood for tragedy.

The second tale is about his relationship with Giulietta, the Venetian courtesan manipulated by Dapperdutto; she’s taking possession of Hoffmann’s soul through a mirror. He has to reclaim his identity and his love for her, but it won’t be easy. Jealousy, madness, and revenge are significant factors in this unbelievable episode.

The third tale is about Antonia, the poet from a Greek island. Her mother died of tuberculosis, and her mad father keeps his daughter in seclusion. She is ill and can no longer sing. Her mother’s spirit and the doctor persuaded her to follow her heart, but it was too late for a tragic outcome.

The Epilogue, or the grand finale, takes place inside the Opera House. Stella’s Ballet intercuts with the tavern, where Hoffmann had captivated the audience, who now understand the meaning of the three stories.

The non-intrusive camera, by the master of British Technicolor cinematography, photographer Christopher Challis, captures every moment from many angles - from the audience’s point of view, backstage, and from the balcony. The camera is everywhere, so the viewer doesn’t miss any detail of the artistic composition.

“The Tales of Hoffmann” is a jewel of British cinema, now restored for film and opera lovers worldwide. A must-see!



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